Suchergebnisse

Abstract During the 1960's, the invention of portable video technology was accepted as the most suitable medium to support the development of a cultural and political counter-information that was embodied by the various movements and protagonists of the so-called Guerrilla Television. With different approaches, today we are still facing a similar trend based on the appropriation and elaboration of contents proposed by the various mass media, in order to highlight the effect of media saturation and manipulation we are subjected to. The mixing and revision attitudes of digital technologies are currently helping the artists in productions often based on the dismantlement and re-editing of mass media contents. The aim is that of setting up observation points to create works swinging between questioning and denunciation. The analysis of works by authors such as Jean-Gabriel Périot, Canecavolto, Johan Söderberg and John Callaghan, with different languages and perspectives, let us think of a new Digital Guerrilla Television.

presents the difficult and problematic but at the same time encouraging the reality of the community media and alternative media in terms of their sustainability, the latter being understood in the context of the balance between social sustainability, institutional sustainability and economic sustainability. The work stresses that the analysis of the maintenance of these means cannot, under any circumstances, be reduced to a mere analysis of economic phenomena, and that such communication cannot exist unless it is based on the social dynamics in which it takes place, without the involvement of social actors, without the legitimacy of the Community political project and without ownership of the communication process itself; the importance of maintaining resources in a challenging, globalising and hegemonic global context lies in these aspects and others (which are more interesting). ; Se presenta la difícil y problemática, pero a la vez alentadora, realidad por la que atraviesan los medios de comunicación comunitarios y alternativos en cuanto a su sostenibilidad, entendida esta última en el marco del equilibrio entre sostenibilidad social, sostenibilidad institucional y sostenibilidad económica. El trabajo hace hincapié en que el análisis del mantenimiento de estos medios no puede, bajo ningún término, reducirse al mero análisis de los fenómenos económicos, y es que tal tipo de comunicación no puede existir si no es en función a la dinámica social en la que se desarrolla, sin la participación de los actores sociales, sin la legitimación del proyecto político comunitario y sin la apropiación del proceso comunicacional mismo; en estos aspectos y en otros (por más interesantes) radica la importancia del mantenimiento de los medios en un contexto mundial amenzador, globalizador y hegemónico.