It is generally accepted that the final section of Brunetto Latini's Li Livres dou Tresor, known as his Politica, is largely based upon Giovanni da Viterbo's De regimine civitatum. Notwithstanding this agreement on the derivative relationship between both texts, Latini's Politica continues to puzzle scholars. Based upon a historically informed textual comparison and analysis this article argues that the amount of intervention by Brunetto Latini – and its coherence in direction – is highly instructive on the originality of Latini's rewriting and indicative of its purpose. Finally, this article sheds light on the historical factors underlying Latini's decision to select Giovanni da Viterbo's manual as his copy-text.
Il contributo analizza il recepimento delle direttive europee del 2014 in materia di appalti e concessioni nell'ambito del quale legislatore nazionale non si è, dunque, limitato a una mera trasposizione (c.d. copy-out) della disciplina europea potenziando l'operatività delle centrali di committenza, ma ha introdotto come ulteriore elemento portante del nuovo sistema dei contratti pubblici, quello della drastica diminuzione del numero delle stazioni appaltanti attraverso il meccanismo della qualificazione delle stazioni appaltanti. Viene, pertanto, riconosciuta a quest'ultime, la prerogativa di gestire appalti di maggiore o minore complessità, mediante la valutazione della capacità tecnico-organizzativa e in base al loro grado di qualificazione ottenuta.
Sculpture known as Trophies of Marius, but commemorating Domitian's Germanic victories, moved from the present Piazza Vittorio Emanuele II to the Capitoline Hill at Michelangelo's direction. ; Imprint date, 1780, from Hind who notes: "In this edition the Frammento di uno scudo which occurs on same page with new engraved title is numbered XVIII, a relic of its place in the Rovine dell Castello dell'Acqua Giulia, 1761." ; Plates 4-5, 7-9 by Francesco Piranesi; one dated 1778. ; Hind, A.M. Piranesi, ; Mode of access: Internet. ; Sloan candidate ; Library's copy with: Piranesi's Opere varie di architettura prospettive grotteschi antichità sul gusto degli antichi romani, Rome, 1761 or after. Shelved as RARE OVERSIZE 90-B18303 v.1.
The current Italian regulation defines quite precisely the concept of "copy" and "duplicate" of a digital document however it does not clearly define the concept of "original document". This causes problems in all those contexts in which it is necessary to exhibit the "original" as evidence as in the case of interceptions in criminal trials. A starting point for opening studies could be a look to the legislations on this subject in other countries. ; L'attuale regolamentazione italiana definisce con precisione il concetto di "copia" e "duplicazione" di un documento digitale, tuttavia non definisce chiaramente il concetto di "documento originale". Ciò causa problemi in tutti quei contesti nei quali è necessario esibire l'originale come prova, come nel caso delle intercettazioni nei processi penali. Un punto di partenza per gli studi iniziali potrebbe essere uno sguardo alle legislazioni su questo argomento in altri paesi.
This article intends to follow up on the activities promoted by the Department of History, Cultures, Religions in 2017, in order to celebrate the 150 th anniversary of the Geneva congress, with specific reference to the conference held in Brussels at the European Parliament on November 21 st in the same year. Therefore, it is proposed a commented selection of archive sources of the Central Museum of the Risorgimento in Rome, related to the Peace Geneva Congress of September 1867. To these sources we added documents number 10 and 12, coming from other archives, as indicated below. Among the various papers selected also appears the original copy in French of Garibaldi's speech (Resumè) pronounced in Geneva, as well as the famous letter from Genestrelle, in which the General answered to the slanders of his detractors after leaving Geneva on 11 th September, while the Congress was still in progress
Nowadays, more than ever, digital forensics activities are involved in any criminal, civil or military investigation and represent a fundamental tool to support cyber-security. Investigators use a variety of techniques and proprietary software forensic applications to examine the copy of digital devices, searching hidden, deleted, encrypted, or damaged files or folders. Any evidence found is carefully analysed and documented in a "finding report" in preparation for legal proceedings that involve discovery, depositions, or actual litigation. The aim is to discover and analyse patterns of fraudulent activities. In this work, a new methodology is proposed to support investigators during the analysis process, correlating evidences found through different forensic tools. The methodology was implemented through a system able to add semantic assertion to data generated by forensics tools during extraction processes. These assertions enable more effective access to relevant information and enhanced retrieval and reasoning capabilities.
The etched emblems appear within elaborate borders of strapwork, architectural elements, figures, masks, swags, fruit, etc. They include Latin mottos. Dolce's explanatory verses appear on the leaf following each emblem. These are printed letterpress, within one of two woodcut borders, and are numbered 1-52 at the upper right (mistakes, omissions). Plates [38] and [45] each contain two emblems. ; Place of publication taken from Venetian privilege on t.p. Date from that of dedication to Alfonso II, Duke of Ferrara (6 ottobre 1562). ; Landwehr, J. French, Italian, Spanish and Portuguese emblem books, ; Mode of access: Internet. ; At foot of many of Dolce's verses is a reference in brown ink to Paolo Giovio's Dialogo dell'imprese militari et amorose. ; Binding: later vellum. Author and brief title in gilt on red leather spine label. Page edges sprinkled red. Green silk place marker. ; Library's copy lacks dedicatory leaf ([2]).
ESPAÑOL: Este trabajo tiene como objeto el comentario y la transcripción de la copia del fuero de Villavicencio de 1221, que hemos encontrado inserta en un documento de Felipe II de marzo de 1573 en el Archivo Municipal de Villavicencio de los Caballeros (Valladolid). Las normas de este fuero nos permiten ver el desarrollo jurisdiccional del concejo de la villa frente a los demás poderes instalados en esta villa del reino de León. / ENGLISH: This research has the objective of transcribing and commenting a new copy of the Municipal Charter of Villavicencio from the year 1221. This Municipal charter was founded inside a document of king Felipe II from March 1573, that it was at the Municipal Archive of Villavicencio de los Caballeros (Valladolid). The rules of this document let us to see the jurisdictional development of the medieval village council facing the rest of the political powers settled in this village of the kingdom of León.
The essay provides all available data useful for the discovering of an up-to-now lost text by Paolo Paruta (Venice, 1540-1598), the Risposta [Reply] to Lettera XXX by Pseudo-Dante, a fake letter published in 1547 by Florentine Anton Francesco Doni, in order to arouse a bitter anti-Venetian controversy. New evidence shows that one copy of Paruta's Risposta lay in Gian Vincenzo Pinelli library (located in Padua). In fact, Paruta and Pinelli shared a lot of interests and friends in the middle and late 16th century Padua and Venice. ; Il saggio presenta tutti i dati disponibili utili al ritrovamento di un testo per ora fantasma, quale la Risposta di Paolo Paruta (Venezia, 1540 - 1598) alla Lettera XXX dello pseudo-Dante, falso d'autore editando il quale nel 1547 il fiorentino Anton Francesco Doni scatenò una violenta polemica politica anti-veneziana. Nuove ricerche dimostrano come nella celebre biblioteca padovana di Gian Vincenzo Pinelli fosse conservata una copia della Risposta. Paruta e Pinelli, infatti, condividevano molti interessi e conoscenze negli ambienti della Padova e della Venezia del Secondo Cinquecento.
Dedication to Henry VIII, King of England, A4. ; Woodcut port. of author on t.p. Diagrams throughout text. Illus. on 72v repeated as folded tip-on at 71r. Historiated initials. ; Signatures: A-II⁴. ; Place of publication from colophon, which continues: .per Nicolo de Bascarini, ad instantia & requisitione, & à proprie spese de Nicolo Tartaglia autore. Nell'anno di nostra salute M D LIIII. ; Mode of access: Internet. ; At either side of author's port. on t.p. are two impressions of the stamp of: BIB. M. MORCINI DE PERVSIA [i.e. Perosa Argentina, Italy]. Inscription on front free endpaper recto: Monte Magno(?): Per Vso del P. D. Nicolo et della libraria. ; Binding: old limp vellum. Author and brief title written at head of spine, and again downwards on the spine. Shelf mark on slip of paper at foot of spine. Holes for 2 pairs of ties at foredge. Spine of textblock reinforced with vellum MS waste. ; Getty copy bound with: Ragionamenti de Nicolo Tartaglia sopra la sua travagliata inventione (Venice : Apresso di l'autore, 1551) -- Inventione de Nicolo Tartaglia (Venice : Nicolo de Bascarini a istantia de l'authore, 1550) -- Regola generale a sulevare con ragione e misura / Nicolo Tartaglia (Venice : Nicolo de Bascarini, 1551).
The serpentine column of Istanbul is recognized as one of the oldest artifacts that have been described in historical sources. It is a monolithic fusion in bronze high about six / eight meters representing three snakes twisted together. It was translated by the Emperor Constantine from Delphi to Constantinople in 324 AD and placed in his glory in the plug in the circus. It is still visible in the same place where Constantine placed it, despite filling the stadium, the looting of the fourth crusade, the conquest of Muhammad II, the numerous wars and various periods of foreign domination, and mutilation of the heads of snakes. It is thought that what the column has undergone over the centuries altered the initial functionality making it an object now only statically exposed. This study proposes a model to search of the lost functionality of the column standing in Delphi, on the access ramp to the sacred area, as a wonderful machine to intimidate and to bless. After a brief reminder of the history of the column and its iconography, from the analysis of the base stones, the size of the internal cavities, the shape of the remaining head, argue choices follow the design and the construction of the proposed model. This study would like also to move the international interest to sprone the local government to find a place in a museum for the column, now extensively cracked, replacing it the field by a copy.
Giuseppe Damiani Almeyda is among the most important designers, architects, engineers and designers at the end of '800. He has participated in numerous architectural competitions, both at Palermo in Sicily and again in Italy. He has conducted numerous studies on the identification of significant types of construction from coffee house to the shrines cemeteries, the decorative detail to the urban study on a large scale. Of course He is remembered in our city, especially as the designer of the Politeama, an imposing structure that dominates the central square of Palermo. Very old city, whose roots, evidenced by the presence dating back to the Punic, have never found a break until the present day, offering a repertoire of great architectural prestige and international reputation. Moreover, capital, enjoys a privilege that few other cities can boast: it has two of the most important theaters in the history of Architecture: the Politeama and the Teatro Massimo. And our dear Almeyda participated in both competitions, winning one and losing the second. But what were the real reasons why he did not win the second project? Perhaps the town is terrified of being left with a certified copy of the already made Politeama? Or, participation in the race by Giovan Battista Filippo Basile unquestionably compromised the expert advice? Or perhaps, again, the second project did not meet in style, beauty and greatness, the grandeur of the former? These and more are the questions we have approached the study of two extraordinary projects proposed architectural competitions with only one signature, but hides itself, strange stylistic mechanisms but also social, historical, political.
From the late Sixties on, industrial development in Italy evolved through the spread of small and medium sized firms, aggregated in district networks, with an elevated propensity to enterprise and the marked presence of owner-families. Installed within the local systems, the industrial districts tended to simulate large-scale industry exploiting lower costs generated by factors that were not only economic. The districts are characterised in terms of territorial location (above all the thriving areas of the North-east and Centre) and sector, since they are concentrated in the "4 As" (clothing-fashion, home-decor, agri-foodstuffs, automation-mechanics), with some overlapping with "Made in Italy". How can this model be assessed? This is the crucial question in the debate on the condition and prospects of the Italian productive system between the supporters of its capacity to adapt and the critics of economic dwarfism. A dispassionate judgement suggests that the prospects of "small is beautiful" have been superseded, but that the "declinist" view, that sees only the dangers of globalisation and the IT revolution for our SMEs is risky. The concept of irreversible crisis that prevails at present is limiting, both because it is not easy either to "invent", or to copy, a model of industrialisation, and because there is space for a strategic repositioning of the district enterprises. The book develops considerations in this direction, showing how an evolution of the district model is possible, focusing on: gains in productivity, scope economies (through diversification and expansion of the range of products), flexibility of organisation, capacity to meld tradition and innovation aiming at product quality, dimensional growth of the enterprises, new forms of financing, active presence on the international markets and valorisation of the resources of the territory. It is hence necessary to reactivate the behavioural functions of the entrepreneurs.
A ghost roams the modern world: "the ghost of the ego" With this sentence, Friedrich Nietzsche offers a diagnosis of the modern self that finds the royal road to the unconscious in mass imitation. In the footsteps of Nietzsche, modernist authors such as Joseph Conrad, DH Lawrence, Georges Bataille - read in dialogue with human sciences such as anthropology and psychoanalysis, research on hypnosis and mass psychology - question themselves about reflected mimetic phenomena that do not they are under the rational control of consciousness and are, in this sense, in-conscious. From identification to affective contagion, passing through sympathy and laughter, violence and magic, hypnosis and suggestion, the mimetic unconscious reveals how modernist authors make our concept of "I" new because they anticipate recent developments in neuroscience. They also offer us an out-of-date mirror to reflect critically on the becoming of our "I" as well as on the power of authoritarian leaders - past and present - to transform the mass subject into a copy or a "ghost of the ego". - Un fantasma si aggira per il mondo moderno: "il fantasma dell'io." Con questa frase, Friedrich Nietzsche offre una diagnosi dell'io moderno che trova nell'imitazione di massa la via regia all'inconscio. Sulle orme di Nietzsche, autori modernisti come Joseph Conrad, D. H. Lawrence, Georges Bataille - letti in dialogo con scienze umane come l'antropologia e la psicanalisi, le ricerche sull'ipnosi e la psicologia di massa - si interrogano su fenomeni mimetici riflessi che non sono sotto il controllo razionale della coscienza e che sono, in questo senso, in-consci. Dall'identificazione al contagio affettivo, passando per la simpatia e il riso, la violenza e la magia, l'ipnosi e la suggestione, l'inconscio mimetico rivela come autori modernisti rendono il nostro concetto di "io" nuovo perché anticipano recenti sviluppi nelle neuroscienze. Ci offrono pure uno specchio inattuale per riflettere criticamente sul divenire del nostro "io" così come sul potere dei leader autoritari - passati e presenti - di trasformare il soggetto di massa in una copia o un "fantasma dell'io".
Includes indexes. ; Issued in 4 pts., and usually bound as 3 or 4 physical volumes. Collation of individual volumes: v. 1, pt. 1: [6], 367 p. ; v. 1, pt. 2: [2], 500, 107 p., IV, [2] leaves of plates; v. 2, pt. 1: [2], 594 p.; v. 2, pt. 2: [2], 516, 158, [2] p., [17] leaves of plates. ; Compiled under the supervision of a commission appointed by the Venetian Consiglio comunale, under the presidency of conte Giovanni Correr, in honor of the ninth Riunione degli scienziati italiani, held at Venice in 1847. ; "Bibliografia veneziana": v. 2, pt. 2, Appendix, p. [77]-106. ; continued: . Clima e salute pubblica / G. Namias. Pubblici provvedimenti di sanità / R. Arrigoni. Condizione civile e militare, statistica / A. Sagredo. Degli istituti di educazione scolastica e morale / R. Arrigoni. Accademie, biblioteche, raccolte scientifiche, medaglieri, tipografie e giornali / G. Veludo. Soccorsi pubblici / G. Tomasoni. Porto franco, industria, commercio / G. Tomasoni. Feste, spettacoli, costumi / T. Locatelli -- v. 2, pte. 2. Descrizione della città / F. Zanotto. Isole e chioggia / L. Carrer. Appendici : Archivi pubblici e privati / G. Cadorin. Bibliografia. ; v. 1 [pte. 1] Storia civile e politica / A. Sagredo. Notizie ecclesiastiche di Venezia durante la repubblica / F. Zineli. Giurisprudenza veneta / D. Manin. Finanze, ec. / G. Calucci -- v. 1, pte. 2. Zecca e monete di Venezia / A. Zon. Forze militari / G. Casoni. Viaggiatori e navigatori veneziani / V. Lazzari. Pittura / F. Zanotto. Architettura : scultura e calcografia / A. Sagredo. Cenni sulla letteratura e suldialetto veneziano / L. Carrer. Della musica in Venezia / P. Canal. Appendici : Cronologia veneta. Famiglie nobili venete / E. Cicogna. Magistrature venete / G. Cadorin. Cenni sulla colonia greca oriental / G. Veludo. Cenni sulla comunità evangelica di confessione augustana del Protestanti / T. Wittchen. Cenni sulla comunità israelitica in Venezia / A. Lattes -- v. 2 [pte. 1] Notizie della laguna di Venezia / G. Foscolo. Flora / G. Zanardini. Fauna marina / D. Nardo. Notizie sulla fauna terrestre, etc. / N. Contarini . ; Mode of access: Internet. ; Library's copy bound in 3 volumes.
