Suchergebnisse

Cultural and creative industries play an important role in the processes of cultural, social and economic development of Italy. In particular, in South Italy, Campania region is characterized by a considerable creative effervescence, which represents a strategic resource for the growth of the territory and the empowerment of young people. However, in this territorial context, characterized by profound internal differences in the availability of resources and services, the "creativity-culture-development" axis constitutes a critical issue, highlighted by the social, economic and organizational repercussions of the Covid-19 pandemic. Starting from a theoretical reflection on the cultural and creative industry, the book presents the results of an exploratory study conducted between 2020 and 2021 by the Osservatorio Territoriale Giovani (OTG) of the Department of Social Sciences of the University of Naples Federico II in collaboration with the Campanian local government. The research is based on twenty qualitative interviews to privileged witnesses and returns a map of the limits and resources of the Campanian cultural and creative industries in relation to the impact of the pandemic and provides some ideas for the future institutional initiatives aimed at strengthening the sector and promoting youth creativity.

The purpose of this work is to apply the methods of textual semiotics to subcultures, in particular to the little known glam subculture. Subcultures have been the main research field of the Birmingham Centre for Contemporary Cultural Studies, known for its interdisciplinary approach, and for its focus on the creative aspects of subculture. Hebdige, in particular, introduced many semiotic elements in his work, as the aberrant decoding after Eco and the cultural creativity via bricolage after Lévi-Strauss. His definition of subculture as symbolic resistance has been criticized by the following post-subcultural researchers for its abstractness and lack of cohesion. Semiotics eventually have been expelled from the set of tools used in sociology for the analysis of subcultures. Nowadays, the studies on subcultures have a strong ethnographic focus. Due to terminological proliferation and a descriptive approach, it is difficult to compare them on a common basis. ...

The purpose of this work is to apply the methods of textual semiotics to subcultures, in particular to the little known glam subculture. Subcultures have been the main research field of the Birmingham Centre for Contemporary Cultural Studies, known for its interdisciplinary approach, and for its focus on the creative aspects of subculture. Hebdige, in particular, introduced many semiotic elements in his work, as the aberrant decoding after Eco and the cultural creativity via bricolage after Lévi-Strauss. His definition of subculture as symbolic resistance has been criticized by the following post-subcultural researchers for its abstractness and lack of cohesion. Semiotics eventually have been expelled from the set of tools used in sociology for the analysis of subcultures. Nowadays, the studies on subcultures have a strong ethnographic focus. Due to terminological proliferation and a descriptive approach, it is difficult to compare them on a common basis. ...