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Klappentext: Oceania has a rich and growing literary tradition. The imaginative literature that emerged in the 1960s often reflected the forms and structures of European literature, though the ideas expressed were typically anticolonial. After three decades, the literature of Oceania has become much more complex, in terms of style as well as content; and authors write in a multiplicity of styles and voices. While the written literature of Oceania is continuously gaining more critical attention, questions about the imposition of European literary standards and values as a further extension of colonialism in the Pacific have become a central issue. This book is a detailed survey of the expanding amount of critical and interpretive material written about the imaginative literature of authors from Oceania. It focuses on commentary and scholarship concerned with the poetry, fiction, and drama written in English by indigenous peoples of the Pacific Islands, New Zealand, and Australia. The criticisms have appeared in academic books and journals since the mid-1960s. They have developed to the point at which critical issues, related to decolonization and the expression of ideas without having to first satisfy foreign expectations, often determine the direction of such discussions. Entries are grouped in topical chapters, and each entry includes an extensive annotation. An introductory essay summarizes the evolution of Pacific literature.

During its century-long unfolding, spreading in numerous directions, Husserlian phenomenology while loosening inner articulations, has nevertheless maintained a somewhat consistent profile. As we see in this collection, the numerous conceptions and theories advanced in the various phases of reinterpretations have remained identifiable with phenomenology. What conveys this consistency in virtue of which innumerable types of inquiry-scientific, social, artistic, literary - may consider themselves phenomenological? Is it not the quintessence of the phenomenological quest, namely our seeking to reach the very foundations of reality at all its constitutive levels by pursuing its logos? Inquiring into the logos of the phenomenological quest we discover, indeed, all the main constitutive spheres of reality and of the human subject involved in it, and concurrently, the logos itself comes to light in the radiation of its force (Tymieniecka).

Working with processes of translocation enabled Edward Said to point out interdependence and complementarity across geographical borders and disciplinary boundaries while recognizing cultural difference and the distinct historical experiences of colonizer and colonized. This book brings into focus Said's politics of reading, from his literary criticism in English to his political columns in Arabic. The international contributors--from Britain, Egypt, France, Germany, India, Switzerland, and the United States--investigate his intellectual legacies without necessarily identifying themselves with

Professor Crowley's "Comment on Professor Macpherson's Interpretation of Friedman's Capitalism and Freedom" is beguilingly titled. But my article was not an "interpretation." Interpretation is an exercise which, as Professor Crowley rightly implies, involves reading some assumptions into the text that is being interpreted. What I offered, on the contrary, was logical criticism of quite specific arguments of Friedman's, criticism which did not depend on speculation about his unstated assumptions. It is Professor Crowley who offers an interpretation, both of Friedman and of me, based on speculation about our assumptions. It is interesting, but it does not constitute the criticism of my arguments that Professor Crowley thinks it does. I have no quarrel in principle with speculation about assumptions: I am the last person to deny the usefulness of reading between the lines where that is necessary to clarify a text. But Friedman's text is quite clear. I thought mine was too: at least I addressed myself directly to Friedman's. Professor Crowley does not address himself as directly to mine. His criticism is sometimes not a criticism of what I wrote, but of what he, diverted by his own speculations, thought I must have meant (or of what he would have meant if, inconceivably, he had written what I wrote).

Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Introduction: From Symptomatology to Schizoanalysis -- 1 A Case of Thought -- 2 The Paradox of the Body and the Genesis of Form and Content -- 3 Symptoms, Repetition and the Productive Death Instinct -- 4 The Identity of the Critical and the Clinical -- 5 The People to Come -- Conclusion -- Bibliography -- Index