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How We Use Stories and Why That Matters guides the reader through the tangled undergrowth of communication and cultural expression towards a new understanding of the role of group-mediating stories at global and digital scale. It argues that media and networked systems perform and bind group identities, creating bordered fictions within which economic and political activities are made meaningful. Now that computational and global scale, big data, metadata and algorithms rule the roost even in culture, subjectivity and meaning, we need population-scale frameworks to understand individual, micro-scale sense-making practices. To achieve that, we need evolutionary and systems approaches to understand cultural performance and dynamics. The opposing universes of fact (science, knowledge, education) and fiction (entertainment, story and imagination) – so long separated into the contrasting disciplines of natural sciences and the humanities – can now be understood as part of one turbulent sphere of knowledge-production and innovation. Using striking examples and compelling analysis, the book shows what the New York Shakespeare Riots tell us about class struggle, what Death Cab for Cutie tells us about media, what Kate Moss's wedding dress tells us about authorship, and how Westworld and Humans imagine very different futures for Artificial Intelligence: one based on slavery, the other on class. Together, these knowledge stories tell us about how intimate human communication is organised and used to stage organised conflict, to test the 'fighting fitness' of contending groups – provoking new stories, identities and classes along the way.

World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.

World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to "informants": prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a "struggle" between "races", and assessed the "warlike" nature of the Balkan region, whose crises were key to the outbreak of the Great War.

World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.

World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.

Cover Doing Anthropology in Wartime and War Zones -- Contents -- "A Time Like No Other": Th e Impact of the Great War on European Anthropology -- Adapting to Wartime: Th e Anthropological Sciences in Europe -- Continuity and Change in British Anthropology, 1914-1919 -- Doing Anthropology in Russian Military Uniform -- Wartime Folklore: Italian Anthropology and the First World War -- Science behind the Lines: Th e Eff ects of World War I on Anthropology in Germany -- Laboratory Conditions: German-Speaking Volkskunde and the Great War -- "Betwixt and Between": Physical Anthropology in Bulgaria and Serbia until the End of the First World War -- Constructing a War Zone: Austrian Ethnography in the Balkans -- Swords into Souvenirs: Bosnian Arts and Crafts under Habsburg Administration -- The Experience of Borders: Montenegrin Tribesmen at War -- Austro-Hungarian Volkskunde at War: Scientists on Ethnographic Mission in World War I -- Studying the Enemy: Anthropological Research in Prisoner-of-War Camps -- Large-Scale Anthropological Surveys in Austria-Hungary, 1871-1918 -- Jews among the Peoples: Visual Archives in German Prison Camps during the Great War -- Captive Voices: Phonographic Recordings in the German and Austrian Prisoner-of-War Camps of World War I -- AfterMath: Anthropological Data from Prisoner-of-War Camps -- Ethnographic Films from Prisoner-of-War Camps and the Aesthetics of Early Cinema -- Afterword -- After the Great War: National Reconfi gurations of Anthropology in Late Colonial Times -- List of Contributors -- Name Index.

This Policy Brief aims to understand how the EU's endeavours in the fields of culture and scientific research have been received in Egypt and Tunisia, with the aim of developing a sustainable policy direction. After having identified examples of culture and science relations between the EU and MENA countries, the primary question was: What do the EU's partners from the neighbouring countries in the South of the Mediterranean think of its approach to science, innovation and its enhancement of external cultural relations? The results of this study and the first conclusions of its analysis made it possible to make some recommendations to guide future EU policies.

What do we know about the urban impoverished areas of the world and the living environment of its inhabitants? How did the urban poor cope with their surroundings? How did they interpret and adopt urban space in order to fight against their position at the periphery of society? This volume takes up these questions and investigates how far approaches of cultural sciences can contribute to overcome the »exoticization of the ghetto« (Loïc Wacquant) and instead to look at the heterogeneity and individuality behind the facades. It opens new perspectives for the research of poverty and inequalities that do not stop at collective categories.

Music Education is traditionally often understood and practiced as teaching musical skills and the aesthetics of music. It focuses on instrumental and vocal skills and repertoire and it seldom deals with the historical, sociological, political backgrounds of the individual pieces of music. Yet music is as much a form or an aspect of culture as fine art or literature. Perceiving music as culture requires thus a view that sees both: music in its specificity and music as a culture expression among others. The paper starts with the question of the impact of the cultural turn in the discourses and programs of musicology and music education. Using the perspective of cultural science the author argues, with two examples as illustration, that such an orientation enables and requires interdisciplinary thinking. It also leads to an attitude of self-reflection in two ways: acting reflexively with regard to its (changing) objects, but also in terms of its own position in culture and its hegemonic and competing discourses. (DIPF/Orig.)

This article surveys developments in recent social theory in the course of outlining a new rationale for Politics following the subject's own expansion and in the light of developments in post-empiricist thought. It suggests reasons for thinking of Politics as a cultural rather than a positive science. It outlines a number of core or primary political problems which comprise the intellectual foundations of the discipline. It suggests, overall, that Politics is especially concerned with maintaining and improving the viability of human association(s) in the light of conditions created by the rise and expansion of complex societies.

This ambitious work reclassifies and restructures the history of ideas and the philosophy of culture through a wide-ranging and novel use of the idea of the organon. It does so by radically revising standard interpretations and theories of all branches of philosophy, and by providing an intellectual and philosophical foundation for the new organon of the cultural sciences. Furthermore, the seeded idea that saw its growth in the form of this book is the unshakable conviction that the only way