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"Meaning is everywhere and everybody must interpret. Nobody argued this more persuasively than Clifford Geertz. From Balinese cock fights to sheep raids to theater states, Geertz showed that there is no escape from the sticky webs of meaning that capture our lives. But what exactly is Geertz saying, and should we still listen to him? After all, many argue that his ideas have run out of steam. This book confronts Geertz and his critics, offering surprising answers from various disciplines and identifying for the first time the contours of "the Geertz Effect.""--

The closely interrelated essays in this volume address the question of the internal dynamism of the high culture of modernity in its paradoxical constitution as the complementary unity of strict opposites: the sciences (philosophy included) and the arts. Special attention is paid to the internal strains of these two great fields in our contemporaneity. It discusses on the one hand the role of experts and, on the other, that of the market in both of these areas . It also deals with the hermeneutical relationship between author - work - recipient and its historical transformations. Although essays deal with the complex philosophical issues, these are discussed in a clear way, approcheable for a person with a broad philosophical interest. They are, however, addressed primarily to philosophers, social scientists, culturologists and aestheticians.

This book presents a cultural perspective on scientific and technological development. As opposed to the "story-lines" of economic innovation and social construction that tend to dominate both the popular and scholarly literature on science, technology and society (or STS), the authors offer an alternative approach, devoting special attention to the role played by social and cultural movements in the making of science and technology. They show how social and cultural movements, from the Renaissance of the late 15th century to the environmental and global justice movements of our time, have provided contexts, or sites, for mixing scientific knowledge and technical skills from different fields and social domains into new combinations, thus fostering what the authors term a "hybrid imagination." Such a hybrid imagination is especially important today, as a way to counter the competitive and commercial "hubris" that is so much taken for granted in contemporary science and engineering discourses and practices with a sense of cooperation and social responsibility. The book portrays the history of science and technology as an underlying tension between hubris -- literally the ambition to "play god" on the part of many a scientist and engineer and neglect the consequences - and a hybrid imagination, connecting scientific "facts" and technological "artifacts" with cultural understanding. The book concludes with chapters on the recent transformations in the modes of scientific and technological production since the Second World War and the contending approaches to "greening" science and technology in relation to the global quest for sustainable development. The book is based on a series of lectures that were given by Andrew Jamison at the Technical University of Denmark in 2010 and draws on the authors' many years of experience in teaching non-technical,

"Meaning is everywhere and everybody must interpret. Nobody argued this more persuasively than Clifford Geertz. From Balinese cock fights to sheep raids to theater states, Geertz showed that there is no escape from the sticky webs of meaning that capture our lives. But what exactly is Geertz saying, and should we still listen to him? After all, many argue that his ideas have run out of steam. This book confronts Geertz and his critics, offering surprising answers from various disciplines and identifying for the first time the contours of 'the Geertz Effect.'"--

"Bertrand Russell (1872-1970) was a logician, a philosopher, and one of the twentieth century's most visible public intellectuals. Science and Apocalypse in Bertrand Russell: A Cultural Sociology brings those three aspects together to trace Russell's changing views on the role of science and technology in society throughout his long intellectual career. Drawing from cultural sociology, history of science, and philosophy, Javier Pérez-Jara and Lino Camprubí provide a fresh multidimensional analysis of the general themes of science, technology, utopia, and apocalypse. The book critically examines Russell's influential interpretations of the turn-of-the-century mathematical logic, World War I, the metaphysics and epistemology of mind and matter, World War II, nuclear holocaust, and the Vietnam War. In Russell's compelling narratives, humanity was a powder keg and the match was represented by different meta-adversaries, such as religion, communism, and American imperialism. And the only way to avoid a coming global Holocaust was to follow his own salvific recipes. In working around Russell's role in the cultural perception of the final destiny of humanity, Science and Apocalypse in Bertrand Russell invites the reader to think about the place of the techno-scientific sphere in human progress and decadence in both our current epoch and the distant future"--

Preliminary Material /G. Markus -- Introduction /G. Markus -- A Society Of Culture: The Constitution Of Modernity /G. Markus -- Beyond The Dichotomy: Praxis And Poiesis /G. Markus -- The Paradoxical Unity Of Culture: The Arts And The Sciences /G. Markus -- Interpretations Of, And Interpretations In, Philosophy /G. Markus -- The Ends Of Metaphysics /G. Markus -- Changing Images Of Science /G. Markus -- Why Is There No Hermeneutics Of Natural Sciences? Some Preliminary Theses /G. Markus -- After The System: Philosophy In The Epoch Of Sciences /G. Markus -- On Our Beliefs: About The Cognitive Structure Of Contemporary Culture /G. Markus -- Culture: The Making And The Make-Up Of A Concept. An Essay In Historical Semantics /G. Markus -- Condorcet: Communication/Science/Democracy /G. Markus -- Money And The Book: Kant And The Crisis Of The German Enlightenment /G. Markus -- The Hegelian Concept Of Culture /G. Markus -- Hegel And The End Of Art /G. Markus -- Marxism And Theories Of Culture /G. Markus -- On Ideology-Critique Critically /G. Markus -- A Philosophy Lost: German Philosophies Of Culture At The End Of The Nineteenth Century /G. Markus -- Life And The Soul: The Young Lukács And The Problem Of Culture /G. Markus -- Walter Benjamin, Or The Commodity As Phantasmagoria /G. Markus -- Adorno And Mass Culture: Autonomous Art Against The Culture Industry /G. Markus -- Antinomies Of Culture /G. Markus -- Index Of Subjects /G. Markus.

This book weaves together apparently disconnected elements of Bertrand Russell's philosophy and social activism into a coherent narrative about the acclaimed twentieth-century intellectual's evolving stances concerning science and technology and their role in bringing either a future Golden Age or a secular Doomsday.

"Bringing together neuroscientists, social scientists, and humanities scholars in cross-disciplinary exploration of the topic of cultural memory, this collection moves from seminal discussions of the latest findings in neuroscience to variegated, specific case studies of social practices and artistic expressions. This volume highlights what can be gained from drawing on broad interdisciplinary contexts in pursuing scholarly projects involving cultural memory and associated topics"--

"Bringing together neuroscientists, social scientists, and humanities scholars in cross-disciplinary exploration of the topic of cultural memory, this collection moves from seminal discussions of the latest findings in neuroscience to variegated, specific case studies of social practices and artistic expressions. This volume highlights what can be gained from drawing on broad interdisciplinary contexts in pursuing scholarly projects involving cultural memory and associated topics"--