Suchergebnisse

Directeur de la Sûreté de Véolia, Jean-Louis Fiamenghi a exercé jusqu'en 2012 au sein de différents services du ministère de l'Intérieur. Il débute sa carrière au sein de la police judiciaire de Paris dans la brigade anti-commando et la brigade de répression du banditisme. Pendant près de 10 ans, il assure le commandement du RAID et du Service de Protection des Hautes Personnalités (SPHP). Promu préfet, il est nommé directeur de cabinet du préfet de Police. Il rejoint le groupe Véolia en 2012 en qualité de Directeur de la Sûreté.

The aim of my thesis is to show the great originality of Jean-Louis Dubut de Laforest's literary work and to make accessible his ideological convictions and aesthetic choices to the contemporary reader.The inscription of his novels in the so-called popular literature can be explained by the importance given to the action and mostly by the means of their distribution: a great number of them were first published in serial form in the popular press of his time. However, each of his creations is deeply rooted in its historical background, which is reflected in it and commented on by the author who tries to influence his era through the narrative invention by virtue of his social ambition so frequently expressed. Therefore, a part of my study consists in analyzing the social and political context of the period corresponding to the writing of the novels, between 1880 and 1902, by using history researches. After a detailed presentation of the some eighty volumes of which is composed Jean-Louis Dubut de Laforest's work, the matter is to study the whole by privileging certain thematic axes where the author's choices are particularly meaningful. The motifs which are examined in the second part of the study give the name of the different chapters : women's condition, prostitution, homosexuality, anti-Semitism, the press, science and religion relationship, political action, trade unions and mutual benefit societies, anarchism and Utopia, and the memory of the Franco-Prussian War. The last chapter deals with the reception of this monumental work and the reader's status in the novels. ; L'objectif de ma thèse est de montrer la grande originalité de l'œuvre de Jean-Louis Dubut de Laforest et de rendre accessibles au lecteur contemporain ses orientations idéologiques et ses choix esthétiques.L'appartenance de ses romans à une littérature dite « populaire » s'explique par le primat qu'ils ac-cordent à l'action et surtout par les modalités de leur diffusion : un grand nombre d'entre eux ont en effet d'abord été publiés sous la ...

The aim of my thesis is to show the great originality of Jean-Louis Dubut de Laforest's literary work and to make accessible his ideological convictions and aesthetic choices to the contemporary reader.The inscription of his novels in the so-called popular literature can be explained by the importance given to the action and mostly by the means of their distribution: a great number of them were first published in serial form in the popular press of his time. However, each of his creations is deeply rooted in its historical background, which is reflected in it and commented on by the author who tries to influence his era through the narrative invention by virtue of his social ambition so frequently expressed. Therefore, a part of my study consists in analyzing the social and political context of the period corresponding to the writing of the novels, between 1880 and 1902, by using history researches. After a detailed presentation of the some eighty volumes of which is composed Jean-Louis Dubut de Laforest's work, the matter is to study the whole by privileging certain thematic axes where the author's choices are particularly meaningful. The motifs which are examined in the second part of the study give the name of the different chapters : women's condition, prostitution, homosexuality, anti-Semitism, the press, science and religion relationship, political action, trade unions and mutual benefit societies, anarchism and Utopia, and the memory of the Franco-Prussian War. The last chapter deals with the reception of this monumental work and the reader's status in the novels. ; L'objectif de ma thèse est de montrer la grande originalité de l'œuvre de Jean-Louis Dubut de Laforest et de rendre accessibles au lecteur contemporain ses orientations idéologiques et ses choix esthétiques.L'appartenance de ses romans à une littérature dite « populaire » s'explique par le primat qu'ils ac-cordent à l'action et surtout par les modalités de leur diffusion : un grand nombre d'entre eux ont en effet d'abord été publiés sous la ...

The aim of my thesis is to show the great originality of Jean-Louis Dubut de Laforest's literary work and to make accessible his ideological convictions and aesthetic choices to the contemporary reader.The inscription of his novels in the so-called popular literature can be explained by the importance given to the action and mostly by the means of their distribution: a great number of them were first published in serial form in the popular press of his time. However, each of his creations is deeply rooted in its historical background, which is reflected in it and commented on by the author who tries to influence his era through the narrative invention by virtue of his social ambition so frequently expressed. Therefore, a part of my study consists in analyzing the social and political context of the period corresponding to the writing of the novels, between 1880 and 1902, by using history researches. After a detailed presentation of the some eighty volumes of which is composed Jean-Louis Dubut de Laforest's work, the matter is to study the whole by privileging certain thematic axes where the author's choices are particularly meaningful. The motifs which are examined in the second part of the study give the name of the different chapters : women's condition, prostitution, homosexuality, anti-Semitism, the press, science and religion relationship, political action, trade unions and mutual benefit societies, anarchism and Utopia, and the memory of the Franco-Prussian War. The last chapter deals with the reception of this monumental work and the reader's status in the novels. ; L'objectif de ma thèse est de montrer la grande originalité de l'œuvre de Jean-Louis Dubut de Laforest et de rendre accessibles au lecteur contemporain ses orientations idéologiques et ses choix esthétiques.L'appartenance de ses romans à une littérature dite « populaire » s'explique par le primat qu'ils ac-cordent à l'action et surtout par les modalités de leur diffusion : un grand nombre d'entre eux ont en effet d'abord été publiés sous la ...

One of the Western travellers that went through the Romanian area during the second half of the 18th century was the French Jean-Louis Carra (1742-1793). Originary of Burgundy (France), he travelled in Europe on several occasions. He reached Moldavia as well in the year 1775, when he came to serve the Reigning Prince Grigore III Ghica (whom he had met in Russia), as a teacher of his sons and as a secretary for the French correspondence. He remained here for a year (1775-1776), and during this period he seems to have travelled to Wallachia as well. In the spring of the year 1776, Carra left Moldavia heading to Poland. A year later, in 1777, there appeared in Buillon, not in Iaşi, as it is written on the title page, Histoire de la Moldavie et la Valachie (History of Moldavia and Wallachia), a work that was to be published in the same year in Paris as well and then in its second edition in Neuchatel, in the year 1781. Our paper aims to bring into focus Carra's works together with all the controversies it triggered in the course of time in the Romanian historiography.