The South Carolina Code of Laws allows the imposition of various types of local sales and use taxes. Citizens of a county, depending upon the needs within the county, may impose one or several local sales and use taxes. Attached are three charts that provide guidance concerning the various types of local sales and use taxes collected by the Department of Revenue and the types of exemptions allowed under each tax.
Title: Judgment of the Court of Justice of the European Union (third chamber), July 16, 2020. Joined cases C-133/19, C-136/19 and C-137/19. Abstract: From the analysis of the judgment, the shortcomings of the European Courts are observed at the moment of making effective the international standards of Human Rights contemplated in the International Convention on the Rights of the Child, namely, the right to be heard and the specialized technical defense of children. ; Fil: Blanchiman, Jazmín. Universidad Nacional de La Plata (UNLP). Facultad de Ciencias Jurídicas y Sociales. La Plata, Argentina ; Segunda época - Antigua Revista Electrónica de la Cátedra Jean Monnet (2013 - 2019). -- Cofinanciada por la Unión Europea (UE). -- Programa Erasmus, acrónimo de European Region Action Scheme for the Mobility of University Students (Plan de Acción de la Comunidad Europea para la Movilidad de Estudiantes Universitarios) . -- Resumen: A partir del análisis de fallo se observan las carencias de los Tribunales Europeos al momento de hacer efectivos los estándares internacionales de Derechos Humanos contemplados en la Convención Internacional de los Derechos del Niño, a saber, derecho a ser oído y defensa técnica especializada de la niñez.
Analiza el escenario de la década pasada (1990) en cuanto a la política neoliberal y los nuevos retos que enfrentan los movimientos sociales de América Latina. Propone los lineamientos estratégicos para un modelo alternativo, incluyendo factores relacionados a la potenciación de las fuerzas sociales, el rescate del carácter nacional del desarrollo, la redefinición de las fronteras macroeconómicas y la integración regional.
1. Einleitung: Aspekte der Militärgeschicht 2. Militärgeschichtsforschung zur Sengoku- und Oda-Toyotomi-Zeit (1) Zu den Kriegen in der Sengoku- und Oda-Toyotomi-Zeit (1467/77 bis 1600/03) (2) Feuerwaffen (3) Burgen und Schlösser (4) Militärorganisation und Kriegsdisziplin (5) Proviantlieferung, Rüstungsgüter und Handelsverkehr (6) Krieg und Gesellschaft 3. Militärgeschichtsforschung zur Edo-Zeit (1600/03–1868) (1) Kriegsgeschichtliche Untersuchungen (2) Die Schlosspolitik als Herrschaftsmittel (3) Mobilisierung der Truppen (4) Militär und Gesellschaft (5) Waffenbesitz und -gebrauch (6) Die Einführung der abendländischen Kriegstechnik und die Küstenverteidigung (7) Bauernsoldaten am Ende der Edo-Zeit (8) Gedächtnis des Krieges, Gefallenenkult und Ideologie 4. Schlussbetrachtung: Krieg und Frieden, Ausbau der Staatsgewalt
"Apéndice: Alcaldes ordinarios, corregidores, gobernadores politicos y alcaldes municipales de la Habana desde 1550 hasta 1919": p. [189]-198. ; Mode of access: Internet.
Relieve : lineas perpendiculares normales ; Orientado con rosa de los vientos y lis ; Copia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, 2018
The book "Themes and Portraits of Music in Istria from 16th to 19th Centuries" is a revised collection of essays previously published in Italian, Croatian and Slovenian. It can offer a comprehensive survey on various aspects of music history of Istria between 16th and 19th century. In a wider sense, it considers the role of music in different contexts examining the patronage of churches, academies and noblemen within the frame of a multilingual area, in which Italian and Slavic cultures co-existed, Divided between Venice and Habsburg government, and now between Slovenia, Croatia and Italy (with the small town of Muggia), the peninsula, till today, represents an unsolved issue if the historians watch to Italian music as the unique "national" model of music art. On the contrary, until 19th century Italian music was a supranational/cosmopolitan phenomenon that covered both the coastal towns, namely inhabited by Italians, and the inner cities, where Slovenians and Croats settled. The first chapter is devoted to Gabriello Puliti, a Tuscan friar appointed organist and chapel master in Trieste, Muggia, Koper, Piran, Labin, Pula. Puliti, the most representative composer who increased the 17th-century monody in Istria, worked as a protégé of some local noblemen and the Habsburgs, as Ferdinand archduke of Graz. His three voices "mascherate" ("Ghirlanda odorifera", 1612), composed in honour of Tranquillo Negri, a nobleman and poet of Labin, are compared to the carnival masquerades described by the chorographer Giacomo Filippo Tomasini (cf. the 17th-century manuscript "Commentari storici-geografici della provincia dell'Istria"). The primary poetic source of "Ghirlanda" is Giulio Cesare Croce's "Le ventisette mascherate piacevolissime" (1603), and the theatrical suggestion in these "Ghirlande" is frequently emphasised by the openings of the poems where the characters are represented by the motto "Noi siamo". They represent an imaginary gallery of the Italian comedy based on parodies of several dialects and languages. Puliti's approach to this genre is linked in various ways to musical painting. Almost every piece is marked by some distinctive features, whose purpose is to depict the characters in a very refined manner. To this end Puliti resorts to three different degrees of mimesis: onomatopoeic sounds, the imitation of human voices, and the abstract imitation of words through mensuration and the intensive use of the "coloured" notes ("Augenmusik"). Probably Puliti entered to the Palladia Academy of Capodistria (now Koper) with the nickname "Accademico armonico detto l'Allegro". This academy was an important circle of intellectuals that in seventy years of activity (from 1567 to 1637) promoted some pastoral plays with music (cf, "Filliria" 1585, "Selve incoronate" 1590 and other pastorals) and published an important treatise titled "Dieci de' cento dubbi amorosi" (posthumous, 1621). To demonstrate the extraordinary effect of music in human behaviour, this platonic dialogue contains a series of references drawn from Plato, Horace, Macrobius, Boetius, Ficino and Jewish theologians collected in Francesco Zorzi's "Harmonia mundi" (1525). In choosing different sources from the classic and medieval philosophies, Giambattista Zarotti, one of the authors of the dialogue, exceeds the lavish quotations, which are used as a tool for a new proposal. He aimed at giving a modern commentary on the debate on music and feelings, evaluating the ancient theories on the basis of modern music. Another study focuses on the unknown book "Ghirlande conteste" (1588), a set of intermedi staged in the island of Cres and published by Stefanello de Petris in honour of Sebastiano Quirini. These mythological spectacles, with chorus, consort and singers, exalt the benefits in behalf of the island, given generously by the cleaver count Quirini. The accuracy of description lets us acquire a detailed reconstruction of the sceneries and performances of musicians, even though, as it is custom in theatre, the score was not printed. The following chapters deal with Antonio Tarsia's monodies written for the Koper's cathedral, which are compared with the contemporaneous work of Giovanni Legrenzi, and two treatises written by Gianrinaldo Carli during his stay in Padua (1740/50), on the concepts of genius and "sentimental music" applied to Giuseppe Tartini's instrumental works ("Dell'indole del teatro tragico", "Osservazioni sulla musica antica e moderna"). Influenced by the English Enlightenment, on the example of Richardson's "Pamela", Carli developed a revolutionary idea of "sentimental theatre and music" inspired by nature. He promoted both a simple music and a simple stage upon realistic performances, without any implication with the cultivated tragedies of the conservative Italian writers of his time. Finally, the author analyses the operas "Pittori fiamminghi" (1893) and "Nozze istriane" (1895) of Antonio Smareglia, in which the technique of the Wagnerian leitmotif appears. Smareglia, educated in Milan and Vienna, as an Italian-Croatian-German speaking rejected the national ideas of his time. Involved in the cosmopolitan atmosphere of Central Europe, he did not accept the fall of the Habsburg Monarchy and, as a consequence, he developed a special feeling for a supranational drama based on the Italian librettos translated into German. Alike some artists and writers, after the collapse of the Austro-Hungarian Empire, Smareglia experienced and shared the unhappiness of the so-called "Austrians without Austria".
The Great Speckled Bird was published from 1968 to 1976 with some issues appearing in the 1980s and 2000s. This publication was one of the longest-running and highest quality underground newspapers of the era. Frequently published were articles on Atlanta's political leaders, the women's movement, abortion, racial issues, popular culture and gay liberation.
Se realizaron las pasantías en la alcaldía municipal de Tipitapa con el fin de lograr mayor experiencia en el sector laboral a nivel de institución además de conocer acerca del turismo a nivel municipal, conocer los diferentes tipos de festividades que se realizan en la municipalidad, poder ejercer los conocimientos adquiridos en la Universidad dentro de la institución. La alcaldía municipal de Tipitapa es la encargada de gestionar el registro civil de las personas, además de atender muchas de las necesidades básicas de la población también es la encargada de gestionar los impuestos de la población de la municipalidad, abarca lo que es turismo, proyectos, planificación, riesgo y mantenimiento. El trabajo que frecuentemente realice en la institución fue la logística y promoción de los eventos, la cual era importante ya que incluía publicar los eventos que se iban realizando en la municipalidad y que cada uno de estos se vayan realizando acorde el programa establecido. Alcaldía municipal de Tipitapa: "Un municipio armónico, con desarrollo humano sostenible y seguro ante la vulnerabilidad social, económica, territorial y ambiental, con una cobertura eficiente y equilibrada de los servicios públicos, que funcione como centro regional metropolitano y nacional. Promotor de valores y de la formación educativa integral a todos sus ciudadanos (as), con espacios efectivos que garanticen el protagonismo de la población, el ejercicio de la democracia directa.
DÉMOCRATIE REPRÉSENTATIVE Il est devenu impératif de construire des valeurs communes si nous voulons éviter que cette pluralité ne dégénère en conflits multiples. La démocratie entre autres, est une valeur partagée par l'ensemble des citoyens d'ici. La démocratie représentative est le régime politique dans lequel le peuple exerce sa souveraineté lui-même en élisant librement les représentants du pouvoir. Elle a pour conséquence d'officialiser l'organisation municipale. La démocratie doit être enseignée, promue, comme un ensemble de valeurs communes, au de là des divergences d'opinions et de convictions. Elle doit être aussi renforcée et n'accorder de droits qu'à ceux qui la respectent. Son expression doit être assurée par des partis et des élus représentatifs, liée par la même obligation de la défendre et la promouvoir de façon exemplaire. La limitation du cumul des mandats doit être totale et exemplaire. En général, l'administration municipale n'est autorisée à agir que pour des fins municipales.