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Abstract
With openness comes vulnerability. David Sloss's new work, Tyrants on Twitter, elevates the abuse of social media by autocrats to a new war front, reminiscent of the concerns for foreign penetration during the Cold War. His response to this new round of "information warfare" is the mobilization of a transnational alliance of the 40 or so leading democratic countries to register citizens for use of social media and filter out tyrants and their fronts, be they real people or bots. The book begins by chronicling the extent of democratic decline, a well-defended starting point. More complicated is the argument that the correlation between democratic decline and foreign interference establishes the causal role of the latter. Even more difficult is the conclusion that there is need for war-like footing to mobilize against foreign threats. The review ends with a note of caution on the costs associated with democratic societies closing up in the face of foreign challenge.

From the perspective of WMD, the purpose of this essay is to explore and understand the violence of the world in the past and at present, discovers ways to reduce violence for the global development. Global development or International development is an interesting topic in Political Science and or International Relations and my favorite therefore I would like to do further studies as PhD as my preparation to gain knowledge and experience. Chemical Weapon, Biological Weapon are not recognized as modern weaponries while various nuclear, thermonuclear and radiological weapons are modern weaponries. Yet recent killing of North Korean President's step brother in Malaysia Airport by Nerve gas reminds that Chemical weapons still exists and used by countries who are not signatory of the convention. In Syria chemical weapon is using currently.

Opening with an image of a Boeing aircraft falling to the ground, Hito Steyerl's video In Free Fall (2010) significantly differs from documentaries produced in the aftermath of the global financial crisis in that the work does not embrace a straightforward and detached didactic approach. Instead it mimics the spectacular quality of consumer culture by presenting the audience with a nerve-racking combination of theatrical performances, lively animations, clips of aeroplane explosions and snippets from television science programmes about recycling. This act of mimicry demands attention: is Steyerl's work an elegy to the possibility of critical distance under the conditions of financial capitalism and an example of accelerationist politics? Or is it an attempt to create an aesthetic of 'cognitive mapping'? This article offers an in-depth analysis of Steyerl's appropriation strategies and discusses them in relation to the theory of capitalism and schizophrenia of Gilles Deleuze and Félix Guattari.