[12], 794, [2] p. : ill. ; Translation of: Les six livres de la république. ; Printer's name from colophon. ; The first leaf and the last leaf are blank. ; Variant: with a printed slip in Latin bearing a commendation by W. Sh[uger]. This note is reprinted on the cancel title page of STC 3193.5. ; Reproduction of the original in the Bodleian Library.
[2], 11 [i.e. 21], [1] p. ; Written by Robert Beale. ; P. 20 and 21 misnumbered 14 and 11. ; Reproduction of the original in the Henry E. Huntington Library and Art Gallery.
1 sheet ([1] p.). ; Rose pence of Ireland not current in England. ; Includes ms. notes in Latin at bottom of sheet. ; "The xix. daye of September." ; "Cum priuilegio." ; Reproduction of original in: Society of Antiquaries.
[8] p. ; With a title-page woodcut. ; Printer's name conjectured by STC. ; Signatures: A⁴. ; Reproduction of the original in the Henry E. Huntington Library and Art Gallery.
86, [2] p. ; A translation of: Déclaration et protestacion du roy de Navarre, de M. le prince de Condé et M. le duc de Montmorency sur la paix faicte avec ceux de la maison de Lorraine. ; Attributed to Mornay, Philippe de--STC. Translated by Edward Aggas?--STC. ; Printer's device (McKerrow 199) on last leaf. ; Formerly also STC 13110. ; Reproduction of the original in the British Library.
APPROVED ; The work which follows examines the process by which private actors in the digital market are redefining fundamental rights through their contractual terms and practical operation. The argument is allied to works which consider ?digital constitutionalism,? the idea that private actors in the digital market are increasingly displaying constitutional features through their contractual terms and documents. Unlike a majority of work in the area of digital constitutionalism the work does not argue that private actors setting rights based standards represents a positive development. Rather, the work argues that private actors, through their re-definition of public, normative standards are generating a body of rules and practices which have displaced democratically decided rights standards with negative consequences for individual autonomy and the Rule of Law. The work argues that this process has been enabled by three features of EU law and policy. The first is an approach of functional equivalence to laws governing the digital market. In accordance with this approach the digital market has been treated as equivalent to traditional markets and its participants are viewed as requiring no additional or supplementary protections or regulations. Of particular significance in functionally equivalent attitudes to the digital market is the Union?s deference to freedom of contract as part of an ordoliberal attitude to market regulation. While this attitude is now beginning to erode (to some extent) in the context of data protection it remains the dominant regulatory approach of the European Union in the digital market. The second feature, not unrelated to the first, is the Union?s preference for economic rather than socially orientated standards and protections in it policies as well as its secondary laws. As part of this preference, when fundamental rights cross the Rubicon from vertically enforced constitutional protections to horizontally enforceable legislative ones their content is transmuted in a manner which favours their economic over socially oriented aspects. The third feature, is what is referred to within the work as the Union?s brittle constitutionalism ? that is the Union?s hesitant and incomplete articulation of and commitment to rights enforcement. This feature is the result in part of the Union?s ambiguous and at times hostile attitude to the development of fundamental rights policy. The work examines the impact of these trends and the rise of private policy they have generated on the rights to privacy and property under the Charter of Fundamental Rights.
Ensuriing tthe effiiciiency and sttabiilliitty of tthe bankiing systtem can pllay a viittall rolle for tthe successfull iimpllementtattiion of tthe monettary and economiic polliiciies of a counttry. Yett,, tto achiieve such objjecttiive iitt woulld be essenttiiall tto pllace fiinanciiall reform measures tthatt enhance tthe conttriibuttiion of tthe bankiing systtem ttowards economiic devellopmentt. An embllemattiic reform measure underttaken by tthe Etthiiopiian governmentt commenciing tthe year 1992 was "lliiberalliiziing "tthe fiinanciiall secttor. The aiim of tthe sttudy iis tto assess tthe iimpactt of fiinanciiall lliiberalliizattiion on tthe ownershiip sttructture,, markett concenttrattiion and profiittabiilliitty performance of tthe Etthiiopiian bankiing iindusttry. The sttudy found outt tthatt tthe reform has broughtt a llott of remarkablle changes on tthe sttructture and performance of tthe bankiing secttor as compared wiitth tthe siittuattiions prevallentt before tthe reform periiod. However,, tthe reform has resttriictted tthe advanttages tthatt coulld be obttaiined from a diiversiifiied ownershiip sttructture viia prohiibiittiing operattiion of foreiign banks and parttiiciipattiion of tthe priivatte secttor tto tthe ownershiip of governmentt banks. Furtthermore ,,as ttestted by botth ttwo fiirm concenttrattiion rattiio and HHI usiing ttottall deposiitts,, lloans,, capiittall and assetts,, tthe bankiing iindusttry iin Etthiiopiia can sttiillll be diisttiinguiished by iitts markett concenttrattiion ttowards tthe biig governmentt owned commerciiall banks and by a markett charactteriized by lliittttlle and iinsuffiiciientt compettiittiion. The profiittabiilliitty of tthe iindusttry has allso shown a ttremendous iimprovementt aftter tthe reform measure has been ttaken. However,, tthe exiisttiing governmentt banks are enjjoyiing haviing tthe hiigher share of profiitt from tthe iindusttry and sttiillll tthe pattttern of tthe iindusttry profiitt iis follllowiing tthe profiittabiilliitty sttructture of tthe giiantt bank,, CBE. The sttudy iidenttiifiied and recommended areas tthatt need furtther lliiberalliizattiion measures so as tto enhance tthe performance of tthe iindusttry. Yett,, iitt shoulld be seen as a fiirstt sttep,, nott tthe llastt word iin tthiis diirecttiion.
[188] p. ; Place of publication and printers' names from colophon. Suggested actual date of publication from STC. ; Title page line 3 ends:"Parliament"; title page border (McKerrow & Feguson 68 beta)--STC. ; Running title reads: Anno quinto reginæ Elizabethe. ; Caption title (leaf 2A1) reads: An acte of a subsedye with two fyftenes and tenthes, graunted by the teporalitie. ; Signatures: A-L⁶ M ² A-B⁶ C. ; Formerly STC 9463. ; Identified as STC 9463 on UMI microfilm. ; reproduction of the original in the British Library.
[16] p. ; Text in English and French; English translation by Edward Aggas. ; Signatures: A-B⁴. ; Reproduction of the original in the Peterborough Cathedral. Library.
1 sheet ([1] p.). ; Contains wood-cut initial. ; "Geuen at Westminster the xxvii. day of January, the forth and fyfte yeares of the Kynge and Queenes Maiesties most noble Raygnes." ; "Cum priuilegio Regiæ Maiestatis." ; Reproduction of original in: Society of Antiquaries.
[24], 102, [1] p. ; By John Udall. ; Imprint from STC. ; With a folding table. ; With a final errata leaf. ; Reproduction of the original in the British Library.
[6], 21 leaves, 22-238, [1], 242-359, [8] p. ; Sometimes attributed to John Ponet and to Sir Richard Morison. ; Edited by Matthew Parker, and sometimes attributed to him. ; A reply to "A traictise declaryng and plainly provyng, that the pretensed marriage of priestes, and professed persones, is no mariage, but altogether unlawful, and in all ages, and al countreies of Christendome, bothe forbidden, and also punyshed", which was ostensibly by Thomas Martin but is now attributed to Stephen Gardiner. ; Jugge's name from colophon; publication date conjectured by STC. ; Includes index. ; 2G1 is a cancel. The top part of 2K3 is cancelled, and the lower part may be pasted onto 2K2v. ; A reissue of STC 17518 (printed by Jugge with Kingston), with quires 2O and 2P reprinted and 2Q-2Z, 2[et], 2[rum] added. The additions are by Matthew Parker, printed by Jugge. ; Reproduction of the original in the Henry E. Huntington Library and Art Gallery.
