Suchergebnisse

The Landesarchiv Schleswig-Holstein opened the Landesgartenschau 2009 in Schleswig with the exhibition "Die Ordnung der Natur. Historical Gardens and Parks in Schleswig-Holstein ". This exhibition was complemented by a series of lectures which met with a great response. The lectures are published in this volume. Thematically, the volume is divided into two parts: The first four contributions deal with historical gardens and parks in Schleswig-Holstein. The second part of the volume points beyond the borders of Schleswig-Holstein. It deals with horticultural schools as vocational training for "higher daughters" in the Empire, gardens and nature in the context of democratically anti-democratic, folk ideology, the importance of gardens and parks in film and gardens in Duckburg.

Carl Barks, the most influential chronicler of the Duckburg universe and the creator of such memorable characters as Scrooge McDuck, only very rarely made references to classical antiquity in his comic stories. Nevertheless, there is a striking resemblance between ideas propounded in "Plutos," Aristophanes' last extant comedy of 388 B.C., and "A Financial Fable," a story by Barks published in 1951. Both stories feature protagonists wishing for universal wealth, and in both this financial utopia is contrasted with a demonstration how such a state of affairs would inevitably bring all human productivity to a halt. Such parallels, even if not the result of direct reception, lead to a set of questions regarding the political coloring of humor and its ideological implications.

This article examines juvenile comics that deal with politics as a main topic. These comics introduce and develop politicised themes and topics in varying ways and their individual approaches to politics will be discussed and analysed. The first example, the German Micky Maus-Magazin series, occasionally uses political matters to create new comical stories. In the issues discussed here, democratic processes in the fictional city of Duckburg are described. The second example, Andi, published by the Interior Ministry of the State of North Rhine-Westphalia, aims at civic education. This comic explores the very real issues of rightwing extremism and rightwing propaganda within a fictional framework. The third example, Persepolis treats political issues in a serious, but not primarily pedagogical, way. It offers a personal viewpoint on the Iranian revolution in 1979. By reflecting on Iranian society, the Iranian author puts forward new perspectives on the country which are quite opposite to those that are typically represented in Western countries' daily news. All three comics provide varying degrees of understanding on politics and political processes. Since each example combines elements of entertainment with political information, they will be analysed within the theoretical framework of what Dörner defines as politainment.