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De clementia libri dvo
In: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana BT 2021
Arquitectura e [ciber] feminismo. Unha intersección coa socioloxía e o xénero ; Architecture and [cyber]feminism. An intersection with sociology and gender
[Resumo] Facer arquitectura é significar, é un acto político; ten unha dimensión social. O entendemento social da produción arquitectónica significa abordar o estudo dos grupos sociais en relación á disciplina. Nun contexto de desigualdade, identificar os sesgos culturais resulta clave á hora de promover valores contemplados nos dereitos humanos como a igualdade de xénero. Nesta procura, a chegada das TIC supoñen un punto de inflexión: a democratización das tecnoloxías da información e o nacemento de novos espazos globais de comunicación veñen representando unha oportunidade inédita para a difusión e o encontro de arquitectas, investigadoras e activistas na posta en cuestión do discurso oficial da arquitectura.[Abstract] To make architecture supposes giving meaning, it is a political action; it has a social dimension. The social understanding of architectonic production means tackling the study of social groups in relation to discipline. In an inequality context, identifying cultural bias becomes key just to promote human rights like gender equality. In this pursue, the emergence of ICT means an inflexion point: the democratization of information technologies and the appearance of new global communication spaces that represent an unprecedented opportunity for diffusion and meeting of women architects, investigators and activists joined questioning the official architectural discourse
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Selected readings and commentaries on Magna Carta: 1400-1604
In: The publications of the Selden Society 132
The world of Tacitus' Dialogus de Oratoribus: aesthetics and empire in ancient Rome
"Coming to terms with the rhetorical arts of antiquity necessarily illuminates our own ideas of public discourse and the habits of speech to which they have led. Tacitus wrote the Dialogus at a time (ca. 100 CE) when intense scrutiny of the history, the definitions, and the immediate relevance of public speech were all being challenged and refashioned by a host of vibrant intellects and ambitious practitioners. This book challenges the notion that Tacitus sought to explain the decline of oratory under the Principate. Rather, from examination of the dynamics of argument in the dialogue and the underlying literary traditions there emerges a sophisticated consideration of eloquentia in the Roman Empire. Tacitus emulates Cicero's legacy and challenges his position at the top of Rome's oratorical canon. He further shows that eloquentia is a means by which to compete with the power of the Principate"--
Papal authority and the limits of the law in Tudor England
In: Camden miscellany 36
In: Camden series Ser. 5,48
The idea of a moral economy: Gerard of Siena on usury, restitution, and prescription
In: Toronto studies in medieval law 3
"The Idea of a Moral Economy is the first modern edition and English translation of three questions disputed at the University of Paris in 1330 by the theologian Gerard of Siena. The questions represent the most influential late medieval formulation of the natural law argument against usury and the illicit acquisition of property. Together they offer a particularly clear example of scholastic ideas about the nature and purpose of economic activity and the medieval concept of a moral economy. In his introduction, editor Lawrin Armstrong discusses Gerard's arguments and considers their significance both within the context of scholastic philosophy and law and as a critique of contemporary mainstream economics. His analysis demonstrates how Gerard's work is not only a valuable source for understanding economic thought in pre-modern Europe, but also a fertile resource for scholars of law, economics, and philosophy in medieval Europe and beyond."--
Duke Humphrey of Gloucester in the eyes of posterity: Lancastrian rule and Tudor propaganda
The century following Duke Humphrey's death has transmitted an image of "the Good Duke" that modern historiography may find misleading. Contemporary scholarship is interested in his role as the promoter of humanism in fifteenth-century England; yet, though in the course of his life there were acknowledgements of his patronage, the years immediately following his death saw his image undergo a metamorphosis. His role as a proto-humanist was quickly forgotten, while the political resonance of his death made later scholars overlook his unsuccessful career as a politician. Humphrey's death created a major sensation, and after the fall of the Lancasters it was quickly exploited for propaganda purposes by the York faction first, and by the Tudors afterwards. Humphrey haunts Elizabethan drama and Ovidian epistles, appears as an improbable Wycliffite in Foxe's "Acts" and as a wise man of the world in More's "Dialogue Concerning Heresies". The present article takes Duke Humphrey and his afterlives as a case study for the examination of the role of propaganda in literary/political biography.
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Political writings
In: The I Tatti Renaissance library 64
"Like most chancellors of Florence in the late Middle Ages and the early Renaissance, Coluccio Salutati was born in the contado (as Florentine territory was then called) into a family of rather humble condition. This volume contains Salutati's De Tyranno, many of his state letters, Antonio Loschi's invective against the Florentines and Salutati's long reply to that invective, and Salutati's letter to Pietro Turchi"--Provided by publisher