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Narrative After Postmodernism takes a critical and practical look at the cultural theories of what comes after postmodernism or the postmodern. Alongside contemporary literary authors, the anthology studies diverse contemporary textual phenomena from TV shows to online fan theories and survivalist blogs. The essays compiled in this anthology tentatively apply the theories of the post-postmodern to contemporary texts to see how they might open up for analysis within their new theoretical frameworks or challenge them.The introduction, co-written by all the authors of this volume, introduces the most influential theories of post-postmodernism and contextualizes them within broader intellectual trends of the early 21st Century. The three essays comprising the first part of the volume discuss some of the theories of the postmodern in relation to contemporary works that seem to challenge them. Yet they also strive to clarify and sharpen some of the ideas proposed in the theories of the post-postmodern.The second part of the volume aims to show that it is not only the contemporary texts that move beyond the postmodern – the ways of reading literature and interpreting artworks in different media are also changing. The essays in the second part of the volume inquire about the effects of the contemporary literary culture on the methods of interpretation and ways of reading.

In Belgium, the idea of 'openness' is a well spread notion in electoral political discourses and the 2012 local election in Wallonia is no exception to this trend. Despite a clear victory, it is indeed very common for local political leaders in Belgium to announce that they will open their majority to other lists. The idea of 'openness' is also part of the local electoral campaign in terms of recruitment: non-partisan candidates – who clearly want to distinguish themselves from the party – are recruited to figure on the lists as 'independent candidates'. They are called 'candidates d'ouverture' as a sign of openness towards the civil society, the opposition, or dissidents from other political parties. Actually, these candidates are recruited for various reasons: there are sometimes used to demonstrate the citizen character of the list, to enhance the fact that the list 'makes politics differently from established political parties', to underline the local roots of the list, and sometimes the 'candidates d'ouverture' are simply used to complete vacancies on a list.

The name of a party is an important dimension of its political position. Often, the label used by a political party in its name tells much about its ideology. But, since in most cases, only a few parties compete for each election it is difficult to undertake large qualitative and quantitative analyses of party names. Local elections can provide an interesting option, however. Indeed, in several cases, we find lots of different names, and not only the usual national party labels. In the last local elections in Wallonia, one of the three Belgian Regions, 1012 lists were in competition. Such data provide a fertile ground for analysis. To study the name of the lists, we proceed in two steps. First, we build a typology of the names. We classify the lists in different categories: lists with national party name, lists with a clear reference to a national party, lists with an ideological label, lists with a clear reference to the commune's name, lists with a reference to the communal level but also lists with a reference to democracy, to a union or alliance, to change and an alternative way of doing politics, to the future, with puns, and with a reference to a person. In the second step, using multinomial regressions, we show where the different types of lists can be found and above all we look at their electoral performances and thus test the hypothesis whether the party name matters or not.

The EUROSUR system is supposed to further the surveillance of external borders of European Union Member States. From this point of view, it can be considered an important step in the construction of a controlled space. Drawing inspiration from the Foucauldian attention to programs and technologies, and mobilizing the Actor- Network-Theory concepts of setting and actant, the paper investigates EUROSUR main methodological operations. It highlights how the making of a controlled space is, first and foremost, a mise-en-discours going well beyond surveillance and pro- hibition: a continuous effort to make sense of a disparate multiplicity, encompassing both human and nonhuman elements, both controlled and controlling ones. From a theoretical perspective, the chapter contributes to on-going endeavors to reinvigor- ate the post-structuralist studies of International Relations with approaches inspired by Actor-Network-Theory.

This book is the first Finnish-language collection of research on superdiversity. At the core of the book is the growing migration to Finland since the turn of the 1990s and its numerous effects on Finnish society. The interdisciplinary examination of superdiversity is important at the current moment: Finland as a society has reached the point where certain social categories, such as ethnic background, country of birth, mother tongue or gender, are not necessarily sufficient to understand the increased diversity and its consequences.
The book consists of a comprehensive introduction to the topic and thirteen chapters. In Finland, research on superdiversity is carried out especially in critical sociolinguistics and applied language studies, education, cultural studies, social sciences, and urban studies. Therefore, these disciplines are strongly represented in the collection, and the chapters approach a variety of topics including refugees' mental health, experiences of multilingual families, the diversity of education and working life, discursive practices in social media, issues of urban planning and pro-asylum activism.