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Intro -- Title page -- Copyright -- Contents -- Contributors to this book -- Texts -- Abdelmalek Alaoui -- Frank Baasner -- Arnaud de Basquiat de Mugriet -- Véronique Cayla -- Corinne Deloy -- Isabelle Duvaux-Béchon -- Mariya Gabriel -- Jean-Dominique Giuliani -- Francisco Juan Gómez Martos -- Françoise Grossetête -- Pascale Joannin -- Alain Lamassoure -- Mathilde Lemoine -- Andi Mustafaj -- Florence Parly -- Jean-Claude Piris -- Pierre Vimont -- Thomas Weissenberg -- Maps -- Pascal Orcier -- Preface - Decisive Choices -- 1 - European issues at stake in 2019 - Pascale JOANNIN -- Elections under high tension -- Low turnout -- A rise in the "populists" -- New political balances -- A new majority -- A new redistribution -- Which governance for the institutions of Europe? -- An equation with several unknowns -- A male/female ticket -- Redistributed competences -- "Put that budget away! Out of my sight!" - Alain LAMASSOURE -- Europe and Disinformation - Mariya GABRIEL -- Disinformation, the European approach to a global phenomenon -- A European Approach -- A code of good practice to tackle disinformation -- Increased fact-checking -- In support of quality journalism -- Educating for greater discernment -- An action plan to tackle disinformation -- Stronger Europeans for a stronger Europe -- New audiovisual consumption habits - Véronique CAYLA -- Offering ARTE programmes where possible, on condition that it grows and renews our audiences -- This inevitable delinearization of television provides us with a specific responsibility -- Our responsibility is still to widen our audience's field of vision -- ARTE's role is also to rally people around sensitive experiences which lead to shared emotions. -- We aim to turn ARTE into a key educational hub in Europe.

The image of the European culture is given by the association of the concepts people – culture – history – territory, which provides certain local features. From this relation, we identify a cultural area with local, regional and national features beyond a certain European culture. Thus, we identify at least two cultural identity constructions on the European level: a culture of cultures, that is a cultural area with a particular, local, regional and national strong identity, or a cultural archipelago, that is a common yet disrupted cultural area. Whatever the perspective, the existence of a European cultural area cannot be denied, although one may speak of diversity or of "disrupted continuity".
The paper is a survey on the European cultural space in two aspects: 1. Europe with internal cultural border areas; 2. Europe as external cultural-identity border area. From a methodological point of view, we have to point out that despite the two-levelled approach the two conceptual constructions do not exclude each other: the concept of "culture of cultures" designs both a particular and a general identity area. The specific of the European culture is provided precisely by diversity and multiculturalism as means of expression on local, regional, or national levels. Consequently, the European cultural area is an area with a strong identity on both particular and general levels.