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A review essay on a book by Francois Dosse, Gilles Deleuze and Felix Guattari, biographie croisee (Paris: La Decouverte, 2007).

Tujuan penelitian ini adalah membongkar dan menemukan kerja hasrat molar dalam novel tetralogi Dangdut karya Putu Wijaya. Keempat novel tetralogi tersebut berjudul Dangdut, Nora, Mala, dan Indonesia. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Teknik pengumpulan data menggunakan studi pustaka kemudian dianalisis dengan teknik deskriptif analitis. Hasil penelitian menunjukkan hasrat molar melalui tokoh Nora, Mala, dan Indonesia melakukan penghancuran nilai seperti ekonomi, politik, budaya, keluarga, bahkan pendidikan. Seorang yang sudah terpapar hasrat molar selalu ingin melampaui batas sampai pada akhirnya tidak peduli dengan norma yang berlaku bahkan menghancurkan struktur sosial dan identitas. Bentuk dari hasrat molar tergambar dalam setiap tindakan tokoh dengan tokoh lain atau tokoh dengan lingkungannya.

Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- TRANSLATOR'S INTRODUCTION -- PART ONE SEMIOTIC SUBJECTION AND COLLECTIVE EQUIPMENT -- 1 THE UNCONSCIOUS IS NOT STRUCTURED LIKE A LANGUAGE -- The machines of the unconscious -- The dictatorship of the signifier -- A non-reductive analytic pragmatics -- 2 WHERE COLLECTIVE EQUIPMENT STARTS AND ENDS -- General function of Collective equipment -- The myth of human nature -- 3 THE CAPITALIST REVOLUTION -- After the 'black hole' of the thirteenth century, the 'Peace of God': a religious machine -- The mystique of chivalry and free enterprise -- Bourgeoisie and feudalism -- 4 BOURGEOISIE AND CAPITALIST FLOWS -- The bourgeois machine -- The new bourgeois 'sensibility' -- The withering of the aristocracy -- Bourgeois reterritorialisations -- 5 SEMIOTIC OPTIONAL MATTER -- Semiotisation of libidinal investments -- Rhizomatic semiotic research -- Example of rhizomatic research: the semiotic factory of childhood -- 6 EQUIPMENT OF POWER AND POLITICAL FACADES -- The institutional simulacra of instituted politics -- The mega-network of miniaturised equipment -- The facialities of power -- Molar powers and molecular potentials -- 'Collective analytic' interventions and the social unconscious -- 7 A MOLECULAR REVOLUTION -- The third industrial revolution -- Abstract machines -- Bureaucratic socialism, the highest stage of capitalism -- A new type of struggle -- An analytico-militant labour at all scales -- 8 THE RHIZOME OF COLLECTIVE ASSEMBLAGES -- The collective assemblages of desire -- A rhizomatic cartography -- The macro-assemblage of audiovisual means -- 9 MICRO-FASCISM -- Micro-struggles -- The politics of fascist and Stalinist equipment -- The micro-fascisms of capitalist societies -- Liberatory options, micro-fascist options at the molecular level

This book examines the relationship between aesthetics and politics based on the philosophies of Gilles Deleuze (1925-1995) and Pierre-Felix Guattari (1930-1992), most famous for their collabarative works Anti-Oedipus (1972) and A Thousand Plateaus (1980)

This dead letter presents an exploration of the immanent materialism of Deleuze & Guattari as theorised in A Thousand Plateaus as a means to analysing everyday life. The evidence consists of art, film and objects from life that relate to and suggest the complex ways in which we are affected by traffic jams. Reciprocating substrata of everyday life build upon the unconscious, and show how the abstract turbulence of everyday life forms eddies and flows that may be followed and understood. The immanent materialism of Deleuze & Guattari is a philosophical construction that leads to the formation of 'plateaus' as they were executed in A Thousand Plateaus. The plateau of this dead letter is [21 October 2011: the Petro-Citizen] and is populated with traffic jams, car crashes, global environmental concerns and the psychological and sociological contingencies that accompany the petro-citizen. Connections between the strata that make up the plateau of the petro-citizen will deliberately be left as open-ended and speculative to show how the petro-citizen functions as a flagrant construct in everyday life, which includes the desire for petrol and explains the resulting panpsychic petro-political landscape. The double-articulation of the plateau depends upon the ways in which the petro-citizen and petro-politics create reciprocating realms of motivation and drive that tend towards contemporary double-articulation, paradox and contradiction with respect to the usages of oil. This double-articulation results in a multiple chequered flag or illusionary global end-game that designates the current human relationships with oil.

The Deleuze and Guattari Dictionary is a comprehensive and accessible guide to the world of Gilles Deleuze and Felix Guattari, two of the most important and influential thinkers in twentieth-century European philosophy. Meticulously researched and extensively cross-referenced, this unique book covers all their major sole-authored and collaborative works, ideas and influences and provides a firm grounding in the central themes of Deleuze and Guattari's groundbreaking thought. Students and experts alike will discover a wealth of useful information, analysis and criticism. A-Z entries include cle

The objective of this text is to address the singularity of what the thinker Felix Guattari called the "aesthetic paradigm." Sometimes also called an ethical-aesthetic or political-aesthetic paradigm, it pretends to function as a proposition, rather than a proposal, to raise in the most diverse areas, fields and practices the problematic of ethical creation and political re-creation, both inseparable. Thus, it is necessary to investigate what is meantby "aesthetics", what is art and who is the artist of this paradigm. What are the motivations, the landscapes and the conditions of the issues that led Guattari to formulate this idea of a paradigm capable, from art, through ethics, to instituting a new way of thinking politics and to think politically.