Radio i telewizja: informacja, kultura, polityka ; materiały ogólnopolskiej konferencji naukowej, Katowice, 19 - 20 listopada 1998 roku
In: Prace naukowe Uniwersytetu Śą̜skiego w Katowicach 1821
In: Seria Radio, telewizja, film
35 Ergebnisse
Sortierung:
In: Prace naukowe Uniwersytetu Śą̜skiego w Katowicach 1821
In: Seria Radio, telewizja, film
In: Dialog: deutsch-polnisches Magazin, Band 31, Heft 4=126, S. 8-53
ISSN: 0938-1422
World Affairs Online
In: Kultura i społeczeństwo: kwartalnik, Band 21, Heft 2, S. 187-199
ISSN: 0023-5172
World Affairs Online
In: Annales Universitatis Paedagogicae Cracoviensis. Studia de cultura, Heft 10(1), S. 71-83
ISSN: 2391-4432
An introduction to cultural representations of disabled people's sexuality
In the following article, I outline some of the issues and problems that one may encounter while attempting to analyse the pop/cultural representations of disabled people's sexuality. Towards this end, I employ a variety of methodological and theoretical tools, such as e.g. cultural model of disability/cultural analysis, critical theory, elements of ethnographical research and crip theory.
Keywords: sexuality, disability, culture, representations, film, cultural artefacts
In: Polityka Senioralna, Heft 1, S. 52-53
Some people say that creative industries have little to do with aging and old age. The words "creativity" and "creativity" are increasingly used almost as synonyms for the characteristics of young people and youth as a stage of life. Meanwhile, we all use certain other people-made technologies to perform a variety of daily activities. In addition, regardless of age, we use products developed in the field of craftsmanship, design / design or in the software production sector. Contemporary societies are also faced with an excess of content from, inter alia, from the music, publishing, and film and video industries.
The film is one of few examples of political documentaries produced in Poland after 1989. It is not limited to merely outlining the political argument over General Jaruzelski's decision to impose martial law. Although it concerns events in Polish history, it is not a historical documentary, as it brings forth present-day political conflicts that have arisen around historical events. Trying to reconstruct this current political argument, Zmarz-Koczanowicz reaches for a method developed in the 1970s by the so-called "Kraków School" led by Krzysztof Kieślowski. ^e "talking heads" method was meant to help documentary filmmakers in the Polish People's Republic reach what the person in the street actually thought and avoid the distortions of propaganda. For Kieślowski, however, the overriding aim was conciliation and an attempt to understand both sides of the political barricade - the authorities and the vox popu- li. His attitude, according to the terminology suggested by Chantal Mouffe, was a post-political one striving for an agreement through a rational dialogue. Zmarz-Koczanowicz's aim, however, is different: she is intent on showing a clash of different hegemonies that do not strive for consensus. Their agonistic argument, played out in the political register, rather than a moral one, is a guarantee, according to this Belgian philosopher of politics, that democracy will continue to exist.
BASE
Valentina Bagozzi: Gulag Argot as a Site of Memory in Julija Voznesenskaja's The Women's Decameron, s. 7-15 Marta Belia: An Original Perspective on Czech Translation Studies: A Comparison between the Theory of Otokar Fischer and that of Jiří Levý, s. 17-23 Sabrina Canestrella: Locus Amoenus: A Lexicon of Contrasts in Adam und Evelyn, s. 25-34 Alicja Cimała: Visual Rhetoric and Architecture, s. 35-42 Aneta Daniel: Wroclaw as the Leading Neurolinguistics Centerat the Turn of the 19th and 20th Centuries, s. 43-64 Maciej Dymczyk: Possible impact of Virtual Reality and Augmented Reality on Media Societ, s. 65-72 Maria Diletta Giordano: Severin the Walker and his Dark Path:Declinations of the Act of Walking in Paul Leppin's Severins Gang in die Finsternis, s. 73-82 Jakub Kubś: Historical Narratives in Different Language Versions of Wikipedia, s. 83-94 Natalia Lazreg: Monomodal and Multimodal Humour as a Challenge in Audiovisual Translation: On the Example of the Polish Translation of the French Film Le Petit Nicolas (Little Nicolas), s. 95-106 Marlena Oleksiuk: North and South Korean Issues in 20th-Century Literature, s. 107-114 Ciro Porcaro: Messermänner and Parasiten: An Analysis of the Role of Metonymic and Metaphoric Patterns in Shaping "Immigrants" Stereotypes in German Political Discourse, s. 115-124 Agata Rębkowska: Négation et le non-dit. Vers le sens social de la Russie dans la presse écrite française, s. 125-135 Nataliia Romanyshyn: Artistic Conceptualization of Native Land in William Wordsworth's Poetry, s. 137-146 Anna Skibińska: The Image of Ukrainians in Press Headlines: A Case Study of Polska Times Website, s. 147-166 Kamila Sroślak: Obrazy 'Nowych Wojen' i terroru z perspektywy reportera wojennego w literaturze niemieckiej, s. 167-178 Marta Strukowska: On the Irony-Affect Interface in Political Discourse, s. 179-194 Maria Stryszewska: Przymiotniki odrzeczownikowe z podstawowymi formantami sufiksalnymi w języku macedońskim, s. 195-205 Dorota Ucherek: Piśmienne przejawy Strajku Kobiet w świetle koncepcji ...
BASE