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Fine Arts I Building at George Fox University. This building was originally a military building and was purchased by the college with other former military buildings in 1948. ; https://digitalcommons.georgefox.edu/campus_images/1002/thumbnail.jpg
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Fine Arts I Building at George Fox. This building was originally a military building and was purchased by the college along with other former military buildings in 1948. ; https://digitalcommons.georgefox.edu/campus_images/1003/thumbnail.jpg
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In: Časopis pro právní vědu a praxi, Band 30, Heft 3
ISSN: 1805-2789
An article discusses the use of special characters in the fine art, through which the author conveys deeper meaning of these characters to the observer. Use of special characters in the fine art is called symbolism. The presentation of hidden meanings also required law and justice, as well as their specific processes, their performance, and their results. The thesis defines the key terms – law, art, symbolism, and their interrelationships. The main goal of the thesis is the search of legal symbolism and analysis of legal symbolism in fine art and in specific art works. The work attempts to identify the hidden meanings of legal symbolism in its various dimensions. Through the research, thesis also focuses on the perception of legal symbolism in the fine art by its observers, as well as their ability to decipher the hidden legacy of the author.
In: Wiley Series in Software Radio
The financial markets play a crucial role in contemporary society. They can change the lives of whole communities for better or worse and form an essential part of the overall economy. Yet their intermediaries are frequently criticised for misuse of the power that they wield. In this defence of the markets Michel Fleuriet draws on his many years experience in the field to span history and contemporary culture, addressing the market practitioner's raison d'?tre, his/her wider role, the skills required and the techniques employed. This is a thought-provoking and informative work for all those wo
In: Al-Raida Journal, S. 11
The arts are not a primary topic of discussion or concern in the contemporary Arab world. Political, economic, social and ecological problems easily take precedence over cultural concerns during this period of tension, change and uncertainty in the Middle East.
In: The Right and the Welfare State, S. 77-101
In: International Journal of Physical Distribution & Materials Management, Band 19, Heft 3, S. 19-23
Sponsorship in sport is a rapidly growing part of the business
scene. Association with success or the right image can reap rich rewards
but there is also a danger of allowing enthusiasm for a sport run away
with your company′s money. Selecting a sponsorship target, choosing a
sport which provides an appropriate image for your company, and making
professional use of your sponsorship, are all vital to a successful
campaign.
In: Social Thought and Research
In: Griot: Revista de Filosofia, Band 18, Heft 2, S. 198-216
This article discusses a philosophical perspective the relationship between fine arts Division proposed by Kant and Hegel. Aims to clarify the approaches and distances between the Division of fine arts presented by philosophers, pointing out their similarities and differences. Basing your analysis on 'The Critic of Judgement of 1790 and Aesthetics Courses' (1820-21), respectively prepared by Immanuel Kant and Friedrich Hegel. Performs a comparative analysis between the Division of Kantian and Hegelian fine arts. Features initially the Division of fine arts on Kantian perspective, addressing the concept of beautiful art, your classification and your hierarchy, according to the philosopher of Königsberg. Then, the Division of the arts according to Hegel, introducing the concept of your beautiful, artistic forms of symbolic art, classical and romantic, exposing and analyzing also the private Arts according to the philosopher of Stuttgart. Concludes that, despite the differences between the two analyses on the Division of fine arts, such as the defense of Hegel in beautiful artistic relationship and of Kant to the beautiful natural, the Hegelian claim that there is a science of the beautiful while the Kantian conception is that there is no science of the be it, for example, featured philosophers agree, among other things, that poetry occupies the highest place in the hierarchy of the fine arts, being the more spiritual and free them.