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Engl. Zsfassungen

The Chechnya conflict itself broke out yet during the existence of the USSR - in September 1991. On 11 October 1992. Dudayev announced the state of emergency as a reaction to the mobilization of Russian military forces at the borders with Chechnya. The Russian troops left their positions at the Chechen borders only on 18 November 1992. ... In one year after the outbreak of the war, Moscow's policy on Chechnya (1995) returned to the beginning the necessity. to solve the Chechen prob1em by "Chechen hands" and not by military force. It became the central topic of the election campaign before the elections to the State Duma which took place on 17 December 1995. ... From a short-term point of view, it would be possible to speak about the consequences on the presidential elections in 1996, from a broader point of view it is about the permanent presence of official violence in the Soviet-Russian history of the 20th century which forms the basis of a specific "Russian way". This factor has always influenced the contents, the orientation and the result of all processes (economic, social, spiritual, ethical etc.) that is confirmed by the political events in Russia not only in 1995 but mainly from 1985 up to today. (SOI : MO: S. 79f.)

The paper deals with the organizational model of political parties created by Italian political scientist Angelo Panebianco. For presentation of this, outside Italian academic discourse, an 'unknown' model is necessary to briefly describe the whole organizational theory and to introduce the review of this model. After that we examine the applicability of Panebianco's scheme on the structural transformation of communist political parties at the end of 1980s. This suitability will be measured on the case example of the Italian Communist Party (PCI). The PCI was historically the strongest and most influential communist party outside the Soviet bloc and that is why it is convenient to apply the organizational model to the organizational changes of the PCI during its transformation. We also define five main criteria of these changes and their compatibility with the Panebianco's model. Thus the main aim of this paper is to prove the suitability of the organizational model not only to the structural transformation of the Italian communists but using this case example also to the universal transformation of the communist parties in the western world. Adapted from the source document.

The EU crisis has brought about fundamental impacts on the constitutional framework of the EU governance. The internationalization of EU law, the strengthening of the intergovernmental form of decision making with the crucial role of the European Council and the corresponding weakening of parliamentary bodies can be seen as symptoms of a shift of the EU towards an executive form of federal governance. However, this trend may not be interpreted simply as a 'return' of the sovereign state as the key actor within the European polity, as it might be according to traditional theories of emergency powers. The decision making is de facto relocated from the political level to the level of administration. Thus, instead of de-parliamentarization, we can speak about de-politization or a reconfiguration of the political. The crucial role here - even in decisions of summits of the European Council and the Euro Council - is played by administrative bodies, particulary those of the Council Secretariat and the Commission's services. While the economic crisis is (hopefully) already overcome, the overcoming of the crisis of democracy is not in sight. Adapted from the source document.

In this article I discuss how various collective art projects involving artists and curators using the city as an exhibition site have transformed artistic discourse in Iceland. Chantal Mouffe´s conception of public space as a battleground and art practices as agnostic interventions into this space raise questions about the branding and commodification of art and cultural institutions. Mouffe believes that despite the unrestrained commercial control of the urban landscape, artists still have the possibility of intervening in the political and economic status quo. Employing Mouffe´s analyses as a guiding principle, the study confirms that the permanent value of art in public spaces need not be limited to individual artists' form, style or content, but may be capable of mobilizing political, critical and artistic discussions within the urban community.

The cAreworkers 2016 survey maps the situation of women from Slovakia providing elder care in Austria at the time of the survey or those who were providing care in Austria at least until 2013. The purpose was to establish where the carers are employed in Austria, what employment forms they use, how frequent is their commute to Slovakia, how did they find their current work, what kind of care do they provide, which means of transport they use, whom they take care of in Austria and under which conditions. Other sections of the survey focused on the decision to start working in Austria, on the family background and their care responsibilities before working in Austria. The survey replicates the cAreworkers 2011 survey and broadens its scope by questions about life after the return from Austria for those care workers who were no longer active in elder care provision and were living in Slovakia at the time of the survey.

This article surveys the ouevre of the Icelandic writer Jakobína Sigurðardóttir (1918-1994) on the occasion of her centenary. Various aspects of her novels, short stories, poetry and memoirs are examined, including the ways in which she presents time in her texts – time as it pertains to individual life spans and the interaction of different generations, as well as time in the life of a nation which could be said to have switched abodes in the course of the 20th Century, moving from rural to urban settings, and during this time the island nation attained sovereignty and independence. narrative is a key element in treating time and historical shifts, and attention is paid to the ways in which Sigurðardóttir both renews realist traditions and resorts to more radical narrative forms, pulling the reader into an active dialogue on gender and generational issues, on social justice and equality, as well on the routes and conditions which connect and mould places of dwelling – individual houses as well as the abode of the nation.

Currently, research, development and innovation is one of five areas that form the basis of the strategy Europe 2020. One of the basic indicators of evaluation of the R&D level in country is an indicator reflecting the share of gross domestic expenditure on R&D in the country's GDP. This indicator is used to monitor the achievement of the objective of the strategy, which is the EU to increase spending on R&D in 2020 to 3% of GDP. Therefore, the article deals with the issue of R&D in selected countries formulated in the strategy Europe 2020 in terms of the amount of expenditure incurred the above activities, the structure of expenditure to the GDP of countries and other partial indicators, which indicate differences in the R&D areas between analyzed and compared countries. Part of the contribution will predict the expected development of the indicator expressing the share of expenditure on R&D in GDP of countries in order to determine whether the targets set for each country are achievable by 2020.

Á mannöld (e. anthropocene), þegar loftslagsbreytingar af mannavöldum ógna framtíð okkar og boða endalok þeirrar heimsmyndar sem við þekkjum, vaknar óhjákvæmilega sú spurning hvort pláss sé fyrir bókmenntir, eins og við höfum þekkt þær. Fyrstu tveir áratugir tuttugustu og fyrstu aldar hafa einkennst af æ fleiri örforlögum sem fara gegn straumnum, en starfsemi þeirra grundvallast á breyttu viðhorfi til bókmennta, bókaútgáfu og bókarinnar sem slíkrar. Þau vinna út frá hefð framúrstefnunnar og stefna að því að umbylta ríkjandi fagurfræði og menningarstarfsemi. Þær breytingar sem verða á bókmenntavettvanginum með tilkomu örforlaga fela í sér áherslur sem lagðar eru á: bókverk, takmarkað upplag, tilraunakennd form og fagurfræði, stefnumarkandi texta og gjörninga og loks annars konar dreifingu verka. Þessi stefnubreyting á menningarvettvanginum er í takt við svokallaða valsældarhyggju (e. alternative hedonism) sem einkennist af aukinni vistvitund og felur í sér að einstaklingur finnur nautn í því að neyta minna og á annan hátt. Ég mun leitast við að sýna fram á hvernig starfsemi örforlaga tengist gagnrýni slíkrar valsældarhyggju á kapítalisma og hvernig hún er ein athyglisverðasta birtingarmynd nýrrar umhverfisverndarorðræðu í bókmenntum Norðurlanda.