Suchergebnisse

Avant-garde is a military term. It is an advanced detachment of the army, which is the first to face the enemy, the first to get into action, and which is more likely to die than others. The destinies of avant-garde movements at the turn of the 20th century are full of tragic episodes and biographies. How should we treat the historical heritage of the avant-garde of the 20th century? Should we be respectful toward its memory in the hope that the new avant-garde waves would be treated more carefully? Or should we search for the keys in the history of avant-garde to understand today's and tomorrow's problems of stylistic development of art?The selection of articles in the AVANT-GARDE section includes not only the materials on the history of architecture, but also articles on book graphics of the avant-garde (for its time) modern style, and still poorly studied episodes of the formation of the Siberian style and painting tradition. ; Авангард – термин военный. Это передовой отряд армии, который первым сталкивается с врагом, первым вступает в бой и чаще других подвергается смертельному риску. Судьбы авангардных течений рубежа XIX–XX веков насыщены трагичными эпизодами и биографиями. Как относиться к историческому наследию авангарда ХХ века? Отдать ему долг памяти в надежде, что новые волны авангарда встретят более бережное отношение? Или искать в истории авангарда ключи к пониманию сегодняшних и завтрашних проблем стилистического развития искусства?В подборку статей раздела АВАНГАРД вошли материалы не только по истории архитектуры, но и книжной графики авангардного (для своего времени) стиля модерн, и до сих пор малоизученные эпизоды формирования сибирского стиля и живописной традиции.

This book examines how Pompeian peristyle gardens were utilized to represent the socioeconomic status of Roman homeowners, introducing fresh perspectives on how these spaces were designed, used, and perceived.


Pompeian Peristyle Gardens provides a novel understanding of how the domus was planned, utilized, and experienced through a critical examination of all Pompeian peristyles – not just by selecting a few well-known examples. This study critiques common scholarly assumptions of ancient domestic space, such as the top-down movement of ideas and the relationship between wealth and socio-political power, though these possibilities are not excluded. In addition, this book provides a welcome contribution to exploring the largely unexamined middle class, an integral part of ancient Roman society.


Pompeian Peristyle Gardens is of interest to students and scholars in art history, classics, archaeology, social history, and other related fields.

Academic publishing as a joint effort

Translated by Lorie Sauble-Otto