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The study examines the friezes of the Heroon of Trysa in context of Lycian culture and society and interprets the selection of the picture themes. In a very exceptional way the friezes visualize Greek, Lycian and Persian subjects and contents which characterize the world of the Lycians and meet the requirements of the tomb owner. The first part of the publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes and bibliographical abbrevations.The first part of the 2-volume publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes, and bibliographical abbreviations.
http://e-book.fwf.ac.at/o:874
The second part includes images, supplements, tables, lists of images
http://e-book.fwf.ac.at/o:875 - In der vorliegenden Studie werden die Friese des Heroons von Trysa im Kontext der Kultur und Gesellschaft der Lykier untersucht und Fragen zu der Auswahl des Bildprogramms neu interpretiert, das mit griechischen, lykischen und auch persischen Themen und Inhalten die Lebenswelt der Lykier in so charakteristischer Weise visualisiert und den Wünschen und Vorstellungen des Grabherrn gerecht wird. Der erste Band umfasst die Einleitung, Forschungsgeschichte, die typologische und ikonographische Analyse der Friese, die Kapitel zum Stil und zur Interpretation des Heroons von Trysa, sowie den Katalog mit der Beschreibung der Figurenfriese und das Abkürzungsverzeichnis.

The study examines the friezes of the Heroon of Trysa in context of Lycian culture and society and interprets the selection of the picture themes. In a very exceptional way the friezes visualize Greek, Lycian and Persian subjects and contents which characterize the world of the Lycians and meet the requirements of the tomb owner. The second part includes images, supplements, tables, and lists of images.The first part of the 2-volume publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes, and bibliographical abbreviations.
http://e-book.fwf.ac.at/o:874
The second part includes images, supplements, tables, lists of images
http://e-book.fwf.ac.at/o:875 - In der vorliegenden Studie werden die Friese des Heroons von Trysa im Kontext der Kultur und Gesellschaft der Lykier untersucht und Fragen zu der Auswahl des Bildprogramms neu interpretiert, das mit griechischen, lykischen und auch persischen Themen und Inhalten die Lebenswelt der Lykier in so charakteristischer Weise visualisiert und den Wünschen und Vorstellungen des Grabherrn gerecht wird. Der zweite Band beinhaltet die Abbildungen, die Beilagen, Tabellen sowie die Abbildungsverzeichnisse.

Classical philosophy adopts the standpoint of males in the Greek polis. The consequent adumbration of the standpoint of women and noncitizen men in the oikos, the household, has implications for feminist philosophy. Two systems of action are differentiated: the domestic economy protected by the goddess Hestia, and the political economy protected by Hermes. Shifting one's standpoint to include both the oikos and the polis offers an alternative to gender as the defining issue in feminist theory.

Reflections on Commercial Life, an anthology of writings, from the ancient Greeks to contemporary thinkers, provides students, scholars, and general readers an opportunity to develop a more self-conscious and critical relationship to commercial life. Selections are drawn from seminal works of high intellectual and literary quality. Through an inquiry into history, nature, and outcomes, this volume offers the opportunity to explore, as never before, alternatives to modern commercial life

Cyprus is a divided island. Despite the lack of a comprehensive peace agreement reunifying the country, in 2004 trade commenced across the Green Line that separates the Greek and Turkish Cypriot communities. The volume of trade has grown steadily since, but has it reached its full potential? First, a gravity equation is estimated by using an 'out-of-sample' estimation strategy to predict potential trade for the period from 2004 to 2009. We observe a sizable gap between potential and actual volumes of trade. We then attempt to account for this gap by analyzing economic, legal, and social-psychological barriers that can explain this difference. It is found that (1) actual trade has only reached around 10% of its potential, with (2) legal constraints accounting for 35% of the missing trade, (3) extra transportation costs for about 5%, and (4) unmeasurable and social-psychological barriers for a significant amount of between 48% and 60%, depending on the year. The findings suggest that attention must be paid to the objective barriers to trade as well as the subjective interpersonal and intercommunal perceptions that can affect trade and ultimately, peaceful resolution of the conflict. These findings have implications for other conflicts in which divided communities with the potential for trading across a shared border seek to maximize the joint economic and political gains of emerging interdependence.

The exhibition was held in the Rare Books Exhibition space, Sir Louis Matheson Library, Monash University 1989. This exhibition has been mounted to coincide with the Conference, "Europe Today", organised by the Monash University Centre for European Studies, scheduled to be held on 12 - 15 July 1989. The agenda covers a wide range of subjects relevant to contemporary Europe - politics, economics, languages, literature, the arts and sciences. Material has been grouped under such headings as language policy, the European Parliament, the history of the EEC, economic and political aspects of modern Europe and 1992 - the single market. Separate displays of EEC publications and of journals on European studies are also featured. This is merely a sampling of the extensive holdings of Monash University Library in these areas. Also exhibited is a small selection of publications by members of the Classics Department at Monash University

The need to negotiate and resolve ethno-nationalistic aspirations on the part of dependent and subject communities of faith-believers is a complex issue. The Ottoman Empire formed a classic case in this context. This article is a historical-political reflection on a small group of Christians within the broader Arab and 'Greek' Christian milieu that once formed the backbone of the earlier Byzantine and later Ottoman empires. The native Arab Orthodox of Palestine in the twilight years of the Ottoman Empire found themselves in a struggle between their religious affiliations with Mediterranean Greek Orthodoxy and Western Christendom as opposed to the then ascendant star of nationalist pan-Arabism in the Middle East. The supersession of the Ottoman Empire by the British colonial Mandatory system in Palestine and the loss of imperial Russian support for the Arab Orthodox in the Holy Land naturally meant that they relied more on social and political cooperation with their fellow Palestinian Muslims. This was to counter the dominance extended by the ethnic Greek ecclesiastical hierarchy in the Holy Land over the historically Arab Orthodox Patriarchate of Jerusalem with support from elements within the Greek Republic and the British Mandatory authorities.

The Influence of Ancient Greek Culture on Macedonian Literature of the 19th CenturyIn Macedonia under the Ottoman rule during the nineteenth century, the Macedonian people-the nation is subject to political pressure and the cultural influence of Turkey and other countries. Under the influence of propaganda leading by Athens and education politics in the area of contemporary Republic of Macedonia, some Macedonian militant intellectuals embraced, at the same time, were influenced by romanticism and the Old-Greek culture, which strongly affect their literary works. In this context, two authors are viewed as the most significant-Jordan Hadji Murad Konstantinov Džinot and Grigor Prlichev. Džinot is the author of dramatized dialogue inspired by the classic Greek mythology, at the school, where he is a teacher. On the pages of the press he announces the publication of its ancient-themed dramas, however, for unknown reasons, none of them does not appear in print. Prlichev well knew the Old-Greek and is an admirer of the works of Homer. Influenced by the poetry of Homer writes in an epic poem in the archaized Greek. Wpływ starogreckiej kultury na literaturę macedońską w XIX wiekuW ramach imperium osmańskiego, którego częścią jest Macedonia w ciągu XIX wieku, macedoński lud-naród podlega politycznej presji i wpływom kulturowym ze strony Turcji i innych państw. Pod wpływem propagandy, którą prowadzą Ateny i która wyraża się m.in. w zakładaniu swoich szkół w Macedonii, niektórzy macedońscy intelektualiści, ogarnięci w tym samym czasie wpływami romantyzmu poznają kulturę starogrecką, co silnie wpłynie na ich twórczość literacką. W tym kontekście wybijają się dwie najbardziej znaczące postaci – Jordan Hadži Konstantinov-Džinot i Grigor Prličev. Džinot jest autorem dramatyzowanych dialogów inspirowanych klasyczną, starogrecką mitologią, wystawianych w szkole, w której sam jest nauczycielem. Na łamach prasy zapowiada publikację swoich dramatów o tematyce antycznej, jednak z niewiadomych przyczyn żaden z nich nie pojawia się w druku. Prličev dobrze zna starogrecki i jest znawcą twórczości Homera. Pod wpływem poezji Homera pisze w archaizowanym języku greckim poemat epicki zatytułowany 'Ο 'Aρματωλός (w macedońskim przekładzie Сердарот albo Мартолозот), który przynosi mu zwycięstwo w konkursie poetyckim w Atenach w 1860 roku. Jego drugie dzieło epickie zatytułowane Σκενδέρμπεης jest napisane także w duchu poezji Homera, głównie jeśli chodzi o styl (epitety i porównania) i kompozycję (opracowanie typowych dla eposu motywów tematycznych). Obydwaj są także tłumaczami, Džinot zapowiada w prasie przekład Antygony Sofoklesa, o losach przekładu nic nam nie wiadomo, a Prličev dokonuje poetyckiego przekładu Iliady Homera na wymyślony przez siebie język, który jest w istocie mieszanką języków słowiańskich, a sam autor nazywa go "ogólnosłowiańskim". Влијанието на старогрчката култура врз македонската литература во XIX–иот векВо рамките на Турската Империја од која Македонија е дел во текот на 19-иот, македонскиот народ е изложен на политичка пресија и културното влијание и на Турција и на некои соседни држави. Под влијание на пропагандата на владата во Атина која отвора свои школи во Македонија, а во исто време и зафатени од бранот на романтизам, некои македонски интелектуалци се запознаваат со старогрчката култура што ќе остави силен печат врз нивното литературно творештво. Во тој поглед се издвојуваат две најзначајни имиња – Јордан Хаџи Константинов Џинот и Григор Прличев.Џинот се јавува со драмски дијалози инспирирани од класичната старогрчка митологија кои се изведуваат на приредбите во школите во кои тој е учител, а во печатот најавува објавување на свои драми со античка тематика кои, од непознати причини, не се појавиле.Прличев е добро образован во старогрчкиот јазик и особено добар познавач на Хомер. Под влијание на хомерската поезија, тој пишува на еден архаизиран грчки јазик епска поема под наслов 'Ο 'Aρματωλός (во македонски превод Серадот или Мартолозот) и со неа победува на поетскиот конкурс во Атина 1860 година.Второто негово епско дело под наслов Σκενδέρμπεης исто така е напишано во духот на хомерската поезија и тоа се гледа главно во областа на стилот (епитети и споредби) и во композицијата (обработка на типични епски теми). На преведувачки план, Џинот најавува во печатот превод на трагедијата Антигона од Софокле, дело чија судбина исто така не ни е позната, а Прличев пишува препев на Хомеровата Илијада на еден посебен јазик кој претставува смеса од словенските јазици, а самиот автор го нарекува "општословенски".

In this magisterial book, William St Clair unfolds the history of the Parthenon throughout the modern era to the present day, with special emphasis on the period before, during, and after the Greek War of Independence of 1821–32. Focusing particularly on the question of who saved the Parthenon from destruction during this conflict, with the help of documents that shed a new light on this enduring question, he explores the contributions made by the Philhellenes, Ancient Athenians, Ottomans and the Great Powers.

Marshalling a vast amount of primary evidence, much of it previously unexamined and published here for the first time, St Clair rigorously explores the multiple ways in which the Parthenon has served both as a cultural icon onto which meanings are projected and as a symbol of particular national, religious and racial identities, as well as how it illuminates larger questions about the uses of built heritage. This book has a companion volume with the classical Parthenon as its main focus, which offers new ways of recovering the monument and its meanings in ancient times.

St Clair builds on the success of his classic text, The Reading Nation in the Romantic Period, to present this rich and authoritative account of the Parthenon's presentation and reception throughout history. With weighty implications for the present life of the Parthenon, it is itself a monumental contribution to accounts of the Greek Revolution, to classical studies, and to intellectual history.

Im Beitrag wird der Frage nachgegangen, welche Zugänge für heutige Kinder zu Stoffen aus der griechischen Mythologie möglich sind. Kindliche Medienerfahrungen und Ergebnisse repräsentativer empirischer Studien zum Lese- und Medienverhalten werden skizziert. Zudem wird der Zusammenhang zwischen der Mythenaneignung in der ostdeutschen Literaturszene (Peter Hacks, Heiner Müller, Christa Wolf) und der Schaffung von Adaptionen für Kinder und Jugendliche beschrieben. In diesem Kontext wird das poetologische und poetische Werk des Schriftstellers Franz Fühmann in Grundzügen vorgestellt und seine Auffassung von den Mythen als Modellen von Menschheitserfahrungen als Grundlage für die Entwicklung von Konzeptionen für Literaturprojekte mit jüngeren Kindern entfaltet. Am Beispiel von Unterrichtsmodellen zum Trojanischen Krieg werden Wege von Kindern in die Stoffe der griechischen Mythologie beschrieben und Ergebnisse kindlicher Zugänge und Textproduktionen vorgestellt. ; This article explores the question of how children access themes and motives from Greek mythology today. Children's media experience and results of representative empirical studies on reading and media behavior are outlined. Furthermore the connection between the appropriation of myths by East German writers (Peter Hacks, Heiner Müller, Christa Wolf) and the creation of adaptations for children and adolescents is described. In this context, the poetological and poetic work of the writer Franz Fühmann is outlined. His conception of myths as models of human experiences is laid out as the basis for the conceptual development of literary projects with younger children. Using teaching models focusing on the topic of the Trojan War as an example, children's pathways into the topic matter of Greek mythology are described and the results of the children's reception and production processes are presented.

The history of autobiography reveals how the structural features of an age are reflected in the modes of representation through which persons or selves are identified. Illustrates with the 'commentary', the reworking of classic stories, using analysis of Ulysses. (JLN)

The costume design for the University of Central Florida Conservatory Theatre's production of Seamus Heaney's The Burial at Thebes: A Version of Sophocles' Antigone took an ancient Greek classic by Sophocles and infused it with influences from avant-garde theatre. This thesis documents the process of designing the costumes from academic, artistic, and technical aspects. Through this process, I explored how to communicate abstract ideas about humanity into actual costumes and how multiple cultural heritages can be intertwined in a united visual which pushes the audience to think more critically about the story. The recurring themes of duality are central to the final costume design: silk chiffon chitons draped over seemingly nude tattooed bodies, representing the ever-present competing allegiances to the will of the gods or to the law of man.Working backwards through the process, this thesis discusses the avant-garde aims of the production and how they were achieved in design. The historical and cultural research, and how it directly influenced the costume design, is discussed for both Seamus Heaney and The Burial at Thebes, as well as for Sophocles and Antigone. Moving through a thorough script analysis and text-to-text comparison of Antigone and The Burial at Thebes illuminates the character and situation traits that are expressed in the design. Script-to-script comparisons reveal the heightened political language Heaney has created to make a story readily accessible to modern audiences. This gives Creon more humanity, thus magnifying the conflict, which is analyzed using conflict theory. ; 2011-05-01 ; M.F.A. ; Arts and Humanities, Department of Theatre ; Masters ; This record was generated from author submitted information.

This classic study offers a comparative analysis of Greek and modern conceptions of democracy. Putting the ancient Greeks in dialogue with their contemporary counterparts, it tackles some of the most pressing issues of our day, including public apathy, partisanship, consensus politics, distrust of professional politicians, and the limits of free speech.