Cet article est le résultat d'une communication proposée lors de la Première rencontre des doctorants et jeunes docteurs sur l'Italie préromaine « Du Bronze récent à la romanisation (xive ‑ive av. n.è.) », qui s'est tenue les 1er et 2 juin 2017 à Paris. ; International audience ; The study of the Greek colonial polis (city) is old and characterized by a dichotomy between city (astu) and countryside (chôra). This separation is now challenged with the consideration of the suburban space, the proasteion. It's, indeed, a transitional space between town and countryside that makes more porous the city's limits than the wall suggests and brings new elements to the study of the polis. Hence, it seems today that, for a Greek city, every space can't be approached alone, without linking it to the others, whether these links are topographical, social, economic, political or religious.This article aims to study the consideration of the suburban space in the definition of the polis of Neapolis, founded at the end of the 6th century BC in Campania by Cumaeans and inhabitants of Parthenope. This polis is founded as the canonic model of the polis, while presenting these own characteristics. Indeed, it's founded at the boundaries of the cumaean chora and seems to don't have territory until 421 BC, capture of Cumae by Campanians. Furthermore, it's installed next to an ancient establishment, Parthenope, became Palepolis and second pole of the polis, who was already using the port in piazza Municipio and, undoubtedly, a sacred area in piazza Nicola Amore. ; L'étude de la polis grecque coloniale est généralement caractérisée par une dichotomie ville-campagne. Cette séparation est aujourd'hui remise en cause avec la prise en compte de l'espace périurbain, le proasteion. C'est en effet un espace de transition entre ville et campagne qui rend les limites de la cité plus poreuses que ne le laisse supposer la muraille et apporte de nouveaux éléments à l'étude de la polis. Il apparaît aujourd'hui que, pour une cité grecque, chaque espace ...
Cet article est le résultat d'une communication proposée lors de la Première rencontre des doctorants et jeunes docteurs sur l'Italie préromaine « Du Bronze récent à la romanisation (xive ‑ive av. n.è.) », qui s'est tenue les 1er et 2 juin 2017 à Paris. ; International audience ; The study of the Greek colonial polis (city) is old and characterized by a dichotomy between city (astu) and countryside (chôra). This separation is now challenged with the consideration of the suburban space, the proasteion. It's, indeed, a transitional space between town and countryside that makes more porous the city's limits than the wall suggests and brings new elements to the study of the polis. Hence, it seems today that, for a Greek city, every space can't be approached alone, without linking it to the others, whether these links are topographical, social, economic, political or religious.This article aims to study the consideration of the suburban space in the definition of the polis of Neapolis, founded at the end of the 6th century BC in Campania by Cumaeans and inhabitants of Parthenope. This polis is founded as the canonic model of the polis, while presenting these own characteristics. Indeed, it's founded at the boundaries of the cumaean chora and seems to don't have territory until 421 BC, capture of Cumae by Campanians. Furthermore, it's installed next to an ancient establishment, Parthenope, became Palepolis and second pole of the polis, who was already using the port in piazza Municipio and, undoubtedly, a sacred area in piazza Nicola Amore. ; L'étude de la polis grecque coloniale est généralement caractérisée par une dichotomie ville-campagne. Cette séparation est aujourd'hui remise en cause avec la prise en compte de l'espace périurbain, le proasteion. C'est en effet un espace de transition entre ville et campagne qui rend les limites de la cité plus poreuses que ne le laisse supposer la muraille et apporte de nouveaux éléments à l'étude de la polis. Il apparaît aujourd'hui que, pour une cité grecque, chaque espace ...
The exhibition was held in the Rare Books Exhibition space, Sir Louis Matheson Library, Monash University 1989. This exhibition has been mounted to coincide with the Conference, "Europe Today", organised by the Monash University Centre for European Studies, scheduled to be held on 12 - 15 July 1989. The agenda covers a wide range of subjects relevant to contemporary Europe - politics, economics, languages, literature, the arts and sciences. Material has been grouped under such headings as language policy, the European Parliament, the history of the EEC, economic and political aspects of modern Europe and 1992 - the single market. Separate displays of EEC publications and of journals on European studies are also featured. This is merely a sampling of the extensive holdings of Monash University Library in these areas. Also exhibited is a small selection of publications by members of the Classics Department at Monash University
Political participation in the ancient Greek society was considered of the outmost importance, defining the free man: to be man was to be a citizen. This fact emphasized the need and importance of a formation oriented in two dimensions: responsible citizenship participation and preparation for government. The main Greek political philosophers dealt with these topics in depth and very rightly up to the extent that many contemporary specialists state with pessimism: «nowadays, the only novelty are the classics» also because they analyzed topics of outmost current importance. Even a short abstract – as the one in the present paper – about political education by the most important Greek authors in the classic period, may help to extract interesting ideas to inspire the modern programs of political formation based on the classical authors. ; En la Antigüedad clásica la participación política era considerada de la máxima importancia y definitoria del hombre libre; ser hombre era ser ciudadano. Esto implicaba a su vez la necesidad e importancia determinante de una formación orientada en dos dimensiones: participación ciudadana responsable y preparación para gobernar competentemente. Los principales filósofos políticos de entonces han tratado profunda y muy acertadamente este asunto; tanto es así, que muchos especialistas contemporáneos afirman con pesimismo: «hoy día la única novedad son los clásicos», también porque abordaron temas de gran actualidad para hoy avant la lettre. Incluso un apretado resumen, como se ofrece en este artículo, acerca del modo que abordaron esta educación política los principales autores griegos de ese período, puede ayudar a exhumar interesantes ideas que son como un rico filón de inspiración para programas hodiernos de formación política inspirados en los clásicos.
De Homero a Heráclito, este trabajo estudia las distintas caracterizaciones de la ley divina en la Grecia arcaica. Analiza la sustitución metonímica de la divinidad como fuente de derecho por el nómos ciudadano, y muestra la violencia simbólica y el olvido activo asociados a ese proceso de fundación política a partir del siglo V. Por último, reconstruye la axiología del marco oral de las antiguas teonomías e incide en el papel desempeñado por la escritura en la refiguración de la esfera jurídica griega durante el período clásico. ; This work studies the different characterizations of the divine law in the Ancient Greek from Homer to Heraclitus. It analyzes the metonymic substitution of the divinity as the source for the law by the citizen's nómos, and shows the symbolic violence and the active oblivion associated to this process of political foundation from the 5th century. Finally it rebuilds the oral frame's axiology of the old theonomies and emphasizes the role of writing in the refiguration of the Greek juridical field during the classic period.
The Influence of Ancient Greek Culture on Macedonian Literature of the 19th CenturyIn Macedonia under the Ottoman rule during the nineteenth century, the Macedonian people-the nation is subject to political pressure and the cultural influence of Turkey and other countries. Under the influence of propaganda leading by Athens and education politics in the area of contemporary Republic of Macedonia, some Macedonian militant intellectuals embraced, at the same time, were influenced by romanticism and the Old-Greek culture, which strongly affect their literary works. In this context, two authors are viewed as the most significant-Jordan Hadji Murad Konstantinov Džinot and Grigor Prlichev. Džinot is the author of dramatized dialogue inspired by the classic Greek mythology, at the school, where he is a teacher. On the pages of the press he announces the publication of its ancient-themed dramas, however, for unknown reasons, none of them does not appear in print. Prlichev well knew the Old-Greek and is an admirer of the works of Homer. Influenced by the poetry of Homer writes in an epic poem in the archaized Greek. Wpływ starogreckiej kultury na literaturę macedońską w XIX wiekuW ramach imperium osmańskiego, którego częścią jest Macedonia w ciągu XIX wieku, macedoński lud-naród podlega politycznej presji i wpływom kulturowym ze strony Turcji i innych państw. Pod wpływem propagandy, którą prowadzą Ateny i która wyraża się m.in. w zakładaniu swoich szkół w Macedonii, niektórzy macedońscy intelektualiści, ogarnięci w tym samym czasie wpływami romantyzmu poznają kulturę starogrecką, co silnie wpłynie na ich twórczość literacką. W tym kontekście wybijają się dwie najbardziej znaczące postaci – Jordan Hadži Konstantinov-Džinot i Grigor Prličev. Džinot jest autorem dramatyzowanych dialogów inspirowanych klasyczną, starogrecką mitologią, wystawianych w szkole, w której sam jest nauczycielem. Na łamach prasy zapowiada publikację swoich dramatów o tematyce antycznej, jednak z niewiadomych przyczyn żaden z nich nie pojawia się w druku. Prličev dobrze zna starogrecki i jest znawcą twórczości Homera. Pod wpływem poezji Homera pisze w archaizowanym języku greckim poemat epicki zatytułowany 'Ο 'Aρματωλός (w macedońskim przekładzie Сердарот albo Мартолозот), który przynosi mu zwycięstwo w konkursie poetyckim w Atenach w 1860 roku. Jego drugie dzieło epickie zatytułowane Σκενδέρμπεης jest napisane także w duchu poezji Homera, głównie jeśli chodzi o styl (epitety i porównania) i kompozycję (opracowanie typowych dla eposu motywów tematycznych). Obydwaj są także tłumaczami, Džinot zapowiada w prasie przekład Antygony Sofoklesa, o losach przekładu nic nam nie wiadomo, a Prličev dokonuje poetyckiego przekładu Iliady Homera na wymyślony przez siebie język, który jest w istocie mieszanką języków słowiańskich, a sam autor nazywa go "ogólnosłowiańskim". Влијанието на старогрчката култура врз македонската литература во XIX–иот векВо рамките на Турската Империја од која Македонија е дел во текот на 19-иот, македонскиот народ е изложен на политичка пресија и културното влијание и на Турција и на некои соседни држави. Под влијание на пропагандата на владата во Атина која отвора свои школи во Македонија, а во исто време и зафатени од бранот на романтизам, некои македонски интелектуалци се запознаваат со старогрчката култура што ќе остави силен печат врз нивното литературно творештво. Во тој поглед се издвојуваат две најзначајни имиња – Јордан Хаџи Константинов Џинот и Григор Прличев.Џинот се јавува со драмски дијалози инспирирани од класичната старогрчка митологија кои се изведуваат на приредбите во школите во кои тој е учител, а во печатот најавува објавување на свои драми со античка тематика кои, од непознати причини, не се појавиле.Прличев е добро образован во старогрчкиот јазик и особено добар познавач на Хомер. Под влијание на хомерската поезија, тој пишува на еден архаизиран грчки јазик епска поема под наслов 'Ο 'Aρματωλός (во македонски превод Серадот или Мартолозот) и со неа победува на поетскиот конкурс во Атина 1860 година.Второто негово епско дело под наслов Σκενδέρμπεης исто така е напишано во духот на хомерската поезија и тоа се гледа главно во областа на стилот (епитети и споредби) и во композицијата (обработка на типични епски теми). На преведувачки план, Џинот најавува во печатот превод на трагедијата Антигона од Софокле, дело чија судбина исто така не ни е позната, а Прличев пишува препев на Хомеровата Илијада на еден посебен јазик кој претставува смеса од словенските јазици, а самиот автор го нарекува "општословенски".
Im Beitrag wird der Frage nachgegangen, welche Zugänge für heutige Kinder zu Stoffen aus der griechischen Mythologie möglich sind. Kindliche Medienerfahrungen und Ergebnisse repräsentativer empirischer Studien zum Lese- und Medienverhalten werden skizziert. Zudem wird der Zusammenhang zwischen der Mythenaneignung in der ostdeutschen Literaturszene (Peter Hacks, Heiner Müller, Christa Wolf) und der Schaffung von Adaptionen für Kinder und Jugendliche beschrieben. In diesem Kontext wird das poetologische und poetische Werk des Schriftstellers Franz Fühmann in Grundzügen vorgestellt und seine Auffassung von den Mythen als Modellen von Menschheitserfahrungen als Grundlage für die Entwicklung von Konzeptionen für Literaturprojekte mit jüngeren Kindern entfaltet. Am Beispiel von Unterrichtsmodellen zum Trojanischen Krieg werden Wege von Kindern in die Stoffe der griechischen Mythologie beschrieben und Ergebnisse kindlicher Zugänge und Textproduktionen vorgestellt. ; This article explores the question of how children access themes and motives from Greek mythology today. Children's media experience and results of representative empirical studies on reading and media behavior are outlined. Furthermore the connection between the appropriation of myths by East German writers (Peter Hacks, Heiner Müller, Christa Wolf) and the creation of adaptations for children and adolescents is described. In this context, the poetological and poetic work of the writer Franz Fühmann is outlined. His conception of myths as models of human experiences is laid out as the basis for the conceptual development of literary projects with younger children. Using teaching models focusing on the topic of the Trojan War as an example, children's pathways into the topic matter of Greek mythology are described and the results of the children's reception and production processes are presented.
The classic greek tragedies narrate conflicts and confrontations taht have been taught and shapped by the tragic poets. They have been typified in the ancient myths which they have received. The uprising greek cities with their new order and new institution throughout the tragic works confront the old institutions and traditions that nowadays are being questioned and discussed, and with them the notions of human responsability and will are asked for before the gods' empire and their corolary about man's fate. These notions are at the same time required by the creation of rights and the government of laws rather than gods' or man's. This essay finds out about the statute of these thesis in two tragic works in greek literature: "Chained Prometeo" by Esquilo and "Bacants" by Euripides. ; Las tragedias clásicas griegas narran conflictos y confrontaciones entre tradiciones transmitidas y moldeadas por los poetas trágicos tipificadas en los antiguos mitos que ellos han recibido. Las nacientes ciudades griegas, con su nuevo orden y sus nuevas instituciones, se enfrentan a través de las obras trágicas a las viejas tradiciones e instituciones que son ahora cuestionadas y discutidas, y con ellas las nociones de responsabilidad y voluntad humanas son reclamadas ante el imperio de los dioses y su corolario acerca del destino del hombre. Nociones que a su vez son exigidas por la creación del derecho y el gobierno de las leyes, ya no de los dioses ni de los hombres. El ensayo indaga, por el estatuto de estas tesis en dos obras trágicas de la literatura griega: "Prometeo Encadenado" de Esquilo y las "Bacantes" de Eurípides.
Francisco de Miranda (1750-1816), hero and martyr Precursor ofAmerican independence, was not only a great soldier, but a humanist. He knewGreek and Latin, met in his life a rich library, especially classical. He was the onlyhero of American independence who visited Greece. Greek authors representedin his library up to 170. In this paper we study Homeric presence in that library. ; Francisco de Miranda (1750-1816), héroe, Precursor y mártir de laindependencia hispanoamericana, fue, además de un gran militar, un humanista.Conocedor del griego y del latín, reunió en su vida una riquísima biblioteca.Fu el único héroe de la independencia hispanoamericana que visitó Grecia. Losautores griegos representados en ella suben a 170. En este artículo se estudia lapresencia homérica en esa biblioteca.
El artículo analiza el papel de la esclavitud, su fundamentación como base de las relaciones políticas democráticas en la Grecia clásica, la Norteamérica fundacional y la sociedad global actual. ; The article analises the role of slavery, its foundations based on democratic political relationships in classic Greece, the foundational North America and the present global society.
This paper is a philosophical reading of the aestheticism movement in literature. From its early origins in England and its influence by relevant English and French authors. This paper allows us to understand it as a cultural tendency widespread throughout the world that raises deep implications to the artistic practice. A union between ethics, aesthetics and politics is detected under a set of strategies that mostly vindicate the life of homosexuals of that time, in a more or less open way. This can happen thanks to the articulation of an identity related to the culture of sensitivity and to the retrieval of Greek classic culture. Finally, we briefly search for the relationship between this movement and Michel Foucault, whose late thinking is widely akin to aestheticism. ; Este trabajo es una lectura filosófica del esteticismo en la literatura, desde su origen identificable en Inglaterra y su influencia en una serie de autores ingleses y franceses. Esta lectura permite entender dicho movimiento como una tendencia cultural extendida con implicaciones profundas para la práctica artística. Se detecta la unión entre la ética, la estética y la política bajo una serie de estrategias que la mayoría de las veces vindican de forma más o menos abierta la vida de los homosexuales de la época; esto sucede gracias a la articulación de una identidad vinculada al cultivo de la sensibilidad y la recuperación de la cultura griega clásica. Finalmente, se investiga brevemente la relación del esteticismo con Foucault, cuyo pensamiento tardío resulta ampliamente afín al esteticismo.
The costume design for the University of Central Florida Conservatory Theatre's production of Seamus Heaney's The Burial at Thebes: A Version of Sophocles' Antigone took an ancient Greek classic by Sophocles and infused it with influences from avant-garde theatre. This thesis documents the process of designing the costumes from academic, artistic, and technical aspects. Through this process, I explored how to communicate abstract ideas about humanity into actual costumes and how multiple cultural heritages can be intertwined in a united visual which pushes the audience to think more critically about the story. The recurring themes of duality are central to the final costume design: silk chiffon chitons draped over seemingly nude tattooed bodies, representing the ever-present competing allegiances to the will of the gods or to the law of man.Working backwards through the process, this thesis discusses the avant-garde aims of the production and how they were achieved in design. The historical and cultural research, and how it directly influenced the costume design, is discussed for both Seamus Heaney and The Burial at Thebes, as well as for Sophocles and Antigone. Moving through a thorough script analysis and text-to-text comparison of Antigone and The Burial at Thebes illuminates the character and situation traits that are expressed in the design. Script-to-script comparisons reveal the heightened political language Heaney has created to make a story readily accessible to modern audiences. This gives Creon more humanity, thus magnifying the conflict, which is analyzed using conflict theory. ; 2011-05-01 ; M.F.A. ; Arts and Humanities, Department of Theatre ; Masters ; This record was generated from author submitted information.
Instituto de Investigaciones Históricas. Facultad de Historia. Programa Institucional de Maestría en Historia ; The present study is on the incorporation from the indigenous michoacanos to the talkative system of the Spanish nobility. This investigation was born of the necessity of understanding a document elaborated in the XVI century to a descendant's of the ruling class of the old irechequaro tarasco motion, an autonomous and contemporary government to the period of more extension and concentration of the power mexica (period late posclásico or precortesiano). Starting from the compound document in 1553, referred in previous sources as don's information Antonio, it became evident that in the historical literature, etnológica and anthropological there was a thoughtless use of the nature of this document, as well as of those that were him/her contemporary and that the item of reports and relationships enter inside the studies low historiográficos. As I was deepening in the investigation of the documental types it became evident the necessity to consider the construction of the document, I don't eat an original or novel product of the writings novohispanos, but I eat inside a talkative system developed starting from the Greek classic traditions through the rhetoric, and of the Christian good government's virtues that it was developed from the century VIII in the Asturian crown of Oviedo and it reordered the crown of Castile starting from the XIII century and until the XVI century. ; El presente estudio trata sobre la incorporación de los indígenas michoacanos al sistema comunicativo de la nobleza española. Esta investigación nació de la necesidad de entender un documento elaborado en el siglo XVI a pedimento de un descendiente de la clase gobernante del antiguo irechequaro tarasco, un gobierno autónomo y contemporáneo al periodo de mayor extensión y concentración del poder mexica (periodo posclásico tardío o precortesiano). A partir del documento compuesto en 1553, referido en fuentes anteriores como la ...
International audience ; Diodore nous offre une vision positive, voire panégyrique de la Sicile au Ve siècle, qui a tendance à gommer les vicissitudes d'une histoire événementielle assez troublée. Cette vision s'appuie sur une réalité géopolitique et économique qui résulte à la fois d'un développement amorcé dans les siècles précédents et des bouleversements du premier quart du Ve siècle, à la suite de l'accession au pouvoir de tyrans hors du commun et du conflit victorieux avec Carthage. Peu soucieux d'élaborer un jugement critique des types de régime connus en Sicile et témoin de destructions et de répressions qu'il condamne lors de la guerre d'Octave sur l'île, Diodore préfère insister sur la prospérité et l'essor économique et culturel que connaît sa patrie au Ve siècle av. J.‑C. Son témoignage, même lacunaire, parfois partial, offre à l'archéologue de la Sicile des capacités de confrontation précieuses pour comprendre les réalités qu'il met au jour et saisir des modes de pensée et de faire propres à la société sicilienne du Ve siècle.
International audience ; Diodore nous offre une vision positive, voire panégyrique de la Sicile au Ve siècle, qui a tendance à gommer les vicissitudes d'une histoire événementielle assez troublée. Cette vision s'appuie sur une réalité géopolitique et économique qui résulte à la fois d'un développement amorcé dans les siècles précédents et des bouleversements du premier quart du Ve siècle, à la suite de l'accession au pouvoir de tyrans hors du commun et du conflit victorieux avec Carthage. Peu soucieux d'élaborer un jugement critique des types de régime connus en Sicile et témoin de destructions et de répressions qu'il condamne lors de la guerre d'Octave sur l'île, Diodore préfère insister sur la prospérité et l'essor économique et culturel que connaît sa patrie au Ve siècle av. J.‑C. Son témoignage, même lacunaire, parfois partial, offre à l'archéologue de la Sicile des capacités de confrontation précieuses pour comprendre les réalités qu'il met au jour et saisir des modes de pensée et de faire propres à la société sicilienne du Ve siècle.
