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Intro -- De Belgische economie en landbouwsector -- _GoBack -- Introduction: -- Art History After Deleuze and Guattari -- Sjoerd van Tuinen and Stephen Zepke -- Remake/Remodel: Strategies of Reading Art Historians -- Vlad Ionescu -- Egon Schiele: Vitalist Deleuzian -- Elisabeth von Samsonow -- The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images -- James Elkins -- Rhythm and Chaos in Painting: Deleuze's Formal Analysis, Art History, and Aesthetics after Henri Maldiney -- Claudia Blümle -- Deleuze and Didi-Huberman on Art History -- Gustavo Chirolla and Juan Fernando Mejía Mosquera -- Colliding Chaoïds in Iconology -- Sascha Freyberg -- The Image and the Problem of Expression: Towards an Aesthetic Cosmology -- Bertrand Prévost -- The Late and the New: Mannerism and Style in Art History and Philosophy -- Sjoerd van Tuinen -- Tintoretto's Michelangelo: An Artistic Diagram as -- the a priori of Art History -- Kamini Vellodi -- Painting Machines, "Metallic Suicide" and Raw Objects: -- Deleuze and Guattari's Anti-Oedipus in the context of French Post-War Art -- Ann-Cathrin Drews -- The Buren Times -- Éric Alliez with the collaboration of Jean-Claude Bonne -- 'A work of art does not contain the least bit of information': Deleuze and Guattari and Contemporary Art -- Stephen Zepke -- Art's Utopia: The Geography of Art against (its) History -- Antoine L'Heureux -- About the authors

Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- Contributors -- Introduction (Ciara Cremin) -- 1 The ontopolitics of gender as transindividual relation -- 2 'How do you make yourself a trans-body without organs?': Posthumanism and embodiment in trans-imperceptible subjectivity -- 3 Gender territory: A response to the charge of conservatism -- 4 Trans* teratologies -- 5 Dysphoric assemblage: How the gender binary was never supposed to work -- 6 Transmolecular revolution -- 7 Materializing transgender becoming: Norms, failures and ethics of 'The Traveler's Book of Gender Wandering' -- 8 The death and rebirth of transvestism -- Index.

The Deleuze and Guattari Dictionary is a comprehensive and accessible guide to the world of Gilles Deleuze and Felix Guattari, two of the most important and influential thinkers in twentieth-century European philosophy. Meticulously researched and extensively cross-referenced, this unique book covers all their major sole-authored and collaborative works, ideas and influences and provides a firm grounding in the central themes of Deleuze and Guattari's groundbreaking thought. Students and experts alike will discover a wealth of useful information, analysis and criticism. A-Z entries include cle

Annotation Atopological Trilogy creates new concepts for Deleuze-Guattarian thought without any heed for sectarian, sermonising, or dutiful readings of the philosophers. In Part I of the trilogy, "Becoming-Sexual of the Sexual," Aracagök demonstrates the ways in which quantum theory and the concept of "complementarity" inform Deleuze and Guattari's thought, especially in relation to "becoming" in general and "becoming-woman" and "becoming-queer" more particularly. Aracagök argues that the ways in which the philosophers put forward a ban on "becoming-man" with a certain degree of undecidability encapsulates (albeit in a cryptic form) other becomings, the most important of which is becoming-queer, or rather, the becoming-sexual of the sexual. In Part II: "Deleuze on Sound, Music, and Schizo-Incest," Aracagök puts into resonance the sound, noise, and music (and the question) of schizo-incest with the intention of deterritorialising a notion of the meta-audible. If Kafka's story, "The Investigations of a Dog" leads us to a realm of the "formless" which cannot be heard without destroying what we know as "hearing," it also offers us a limit-experience of the meta-audible, which, when radicalised via the notions of "schizo-incest" and "self-shattering," creates a line of flight that escapes even from the line of flight itself. All these maneuvers pose a serious challenge to Deleuze and Guattari, who claim that despite all his investigations, Kafka's investigator dog is re-Oedipalised in the end. Proposing in the end a limit experience which Aracagök calls the "meta-audible," he shows that Kafka's more radical approach to sound creates a line of flight that escapes even from the line of flight itself. The final essay of the trilogy, "Clinical and Critical Perversion," begins with the 19th-century crisis of an abyss presumed to be yawning between mimesis and diegesis ever since Plato. According to Aracagök, this takes the form of a crisis of the "political," the repression of which becomes the mission of psychoanalytical discourse towards the end of the 19th century. This crisis finds another form of expression in George Büchner's unfinished 1836 novella Lenz, relative to the audibility of a "terrible voice which is usually called silence." If the disappearance of the "political" is related to the rise of psychoanalysis on the protocols of, first, hypnosis, and then, the "talking cure," both of which privilege the presumed form of the voice of the analyst over the analysand's silence (a psycho-politics?), Aracagök proposes re-distributing this process, calling renewed attention to the clinicalisation of perversion, along Deleuzian-Guattarian distinctions such as: surface and depth, critical and clinical, oedipal-incest and schizo-incest, leading to a re-evaluation of what Deleuze and Guattari might have meant by "homosexual-effusion" in their book Kafka: Toward a Minor Literature, all in order to deterritorialise the "political" under a new concept - namely, critical perversion. Ultimately, Atopological Trilogy offers the reader no safe grounds for preserving not only a philosophical identity but also not any identity, if only to be able to let you float in the air without any guidance à la Kafka's "Red Indian."

The objective of this text is to address the singularity of what the thinker Felix Guattari called the "aesthetic paradigm." Sometimes also called an ethical-aesthetic or political-aesthetic paradigm, it pretends to function as a proposition, rather than a proposal, to raise in the most diverse areas, fields and practices the problematic of ethical creation and political re-creation, both inseparable. Thus, it is necessary to investigate what is meantby "aesthetics", what is art and who is the artist of this paradigm. What are the motivations, the landscapes and the conditions of the issues that led Guattari to formulate this idea of a paradigm capable, from art, through ethics, to instituting a new way of thinking politics and to think politically.

This book examines the relationship between aesthetics and politics based on the philosophies of Gilles Deleuze (1925-1995) and Pierre-Felix Guattari (1930-1992), most famous for their collabarative works Anti-Oedipus (1972) and A Thousand Plateaus (1980)

Cet article prend sa source dans les idées exprimées par Félix Guattari au cours des années précédant la rencontre avec Gilles Deleuze (qui date de 1969) et publiées dans Psychanalyse et transversalité (1972). Félix était d'abord un parlant ; sa parole jaillissait comme une source ; il n'était pas à l'aise dans l'écriture. Malgré l'évolution des concepts, il y a une étonnante continuité de l'article inaugural « La transversalité » (1964) à Chaosmose, son dernier livre, publié en 1992. Félix a été inspiré toute sa vie par une vision première, une « intuition philosophique » qui a traversé sans dommage la moulinette du travail deleuzoguattarien ; elle tient tout entière dans une affirmation ontologique : il existe une subjectivité sociale mondiale porteuse de vie et de désir, inaccessible au moi et transversale aux grands ensembles institutionnels hiérarchisés qui prétendent gouverner le monde.

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus.François Dosse, a prominent French intellectual k