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World Affairs Online
Territories and urbanisation in South Africa: atlas and geo-historical information system (DYSTURB) ; bilingual French-English edition
In: Cartes et notices, 117
World Affairs Online
Contributions to a history of agriculture and fishing in Central Africa
In: African economic history 7.1979
Minter, William. King Solomon's Mines Revisited, Western Interests and the Burdened History of Southern Africa, Basic Books, Inc., New York , 1986, pp. xiii à 386
In: Études internationales, Band 20, Heft 4, S. 927
ISSN: 1703-7891
Sartorial creation in post-apartheid South Africa : expression of multicultural interactions ; La création vestimentaire dans l'Afrique du Sud post-apartheid : expression d'interactions multiculturelles
The transition to democracy at the end of the 1990's and begining of the 2000's has been a milestone for dress creation in South Africa which has enriched with new forms brought by the noticeable arrival of african fashion designers and by the development of an official fashion authority in the country : the « South African Fashion Week » and the « African Fashion International ». The thesis aims at presenting an analysis of dress creation in South Africa which reflects the multiple socio-cultural interactions developped through the country which took shape in a double fashion system : an institutionnalized fashion network, with media coverage, so « opened », a so called network in the shadow, less known, and so confidential. The thesis is attempting to answer to three main questions : How do fashion designers draw their inspiration from so-called traditionnal dresses, conveying a new post-apartheid south-african identity ? How are social and cultural tensions of South Africa reflected in dress creation ? How do the two fashion networks work ? Very few academic researches have been carried out on the specific topic of fahion design in South Africa. Besides using books and research articles, this work leans particularly on press articles and on several interviews with fashion designers and other fashion professionals during fieldworks conducted in 2009 and 2010, mainly in the city of Johannesburg and as well in CapeTown. This research couples together Sociology and Art History in order to try to understand meanings of dresses made by south african and african immigrants fashion designers, and grasp the complex relations built between actors from both fashion networks by the light of the socio-cultural context of South Africa. ; Le passage à la démocratie à la fin des années 1990 et au début des années 2000 a marqué la création vestimentaire en Afrique du Sud qui s'est enrichie de formes nouvelles drainées par l'arrivée plus visible de stylistes africains et par le développement d'une instance officielle de la ...
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Sartorial creation in post-apartheid South Africa : expression of multicultural interactions ; La création vestimentaire dans l'Afrique du Sud post-apartheid : expression d'interactions multiculturelles
The transition to democracy at the end of the 1990's and begining of the 2000's has been a milestone for dress creation in South Africa which has enriched with new forms brought by the noticeable arrival of african fashion designers and by the development of an official fashion authority in the country : the « South African Fashion Week » and the « African Fashion International ». The thesis aims at presenting an analysis of dress creation in South Africa which reflects the multiple socio-cultural interactions developped through the country which took shape in a double fashion system : an institutionnalized fashion network, with media coverage, so « opened », a so called network in the shadow, less known, and so confidential. The thesis is attempting to answer to three main questions : How do fashion designers draw their inspiration from so-called traditionnal dresses, conveying a new post-apartheid south-african identity ? How are social and cultural tensions of South Africa reflected in dress creation ? How do the two fashion networks work ? Very few academic researches have been carried out on the specific topic of fahion design in South Africa. Besides using books and research articles, this work leans particularly on press articles and on several interviews with fashion designers and other fashion professionals during fieldworks conducted in 2009 and 2010, mainly in the city of Johannesburg and as well in CapeTown. This research couples together Sociology and Art History in order to try to understand meanings of dresses made by south african and african immigrants fashion designers, and grasp the complex relations built between actors from both fashion networks by the light of the socio-cultural context of South Africa. ; Le passage à la démocratie à la fin des années 1990 et au début des années 2000 a marqué la création vestimentaire en Afrique du Sud qui s'est enrichie de formes nouvelles drainées par l'arrivée plus visible de stylistes africains et par le développement d'une instance officielle de la mode dans le pays : la « South African Fashion Week » et l'« African Fashion International ». La thèse s'attache à présenter une analyse de la création vestimentaire en Afrique du Sud qui reflète les multiples interactions socioculturelles qui se sont développées à travers le pays et qui a pris forme dans un système double de la mode : un réseau institutionnalisé, médiatisé, donc ouvert, un réseau dit « de l'ombre » moins connu, et de fait confidentiel. La thèse tente de répondre à trois questions majeures : La première interroge les procédures mises en œuvre par les stylistes s'inspirant des vêtements traditionnels de l'Afrique du Sud qui ont pour effet de véhiculer une nouvelle identité sud-africaine post-apartheid. La deuxième vise à étudier de quelles manières les tensions sociales et identitaires de l'Afrique du Sud se manifestent dans la création vestimentaire. La troisième pose la question du fonctionnement des deux réseaux du système de la mode. Très peu de recherches universitaires ont été menées sur le sujet spécifique de la mode en Afrique du Sud. Notre travail est fondé sur l'étude d'articles de journaux et sur l'analyse de nombreux entretiens menés avec les stylistes et professionnels de la mode lors de travaux de terrain réalisés en 2009 et en 2010, dans la ville de Johannesburg mais également celle du Cap. Cette recherche couple donc Sociologie et Histoire de l'Art pour tenter de comprendre les significations des vêtements produits par les stylistes sud-africains et immigrés africains, et les relations complexes qui se jouent entre les acteurs des deux réseaux de la mode à la lumière du contexte socioculturel de l'Afrique du Sud.
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BLACK, David R. et Larry A. SWATUK (dir.). Southern Africa and Africa After Apartheid : Security Issues. Halifax, Centre For Foreign Policy Studies, Dalhousie University, 1996,137 p
In: Études internationales, Band 29, Heft 2, S. 518
ISSN: 1703-7891
The paradoxical and nostalgie history of « Gending Sriwijaya » in South Sumatra
In: Archipel: études interdisciplinaires sur le monde insulindien, Band 45, Heft 1, S. 37-50
ISSN: 2104-3655
Crime in Southern Africa : towards the year 2000: summary proceedings of a regional training workshop = La criminalité en Afrique Australe
In: Issues and reports / United Nations Interregional Crime and Justice Research Institute, 7/8
World Affairs Online
World Affairs Online
SPENCE, J.E. (dir.). Change in South Africa. New York, The Royal Institute of International Affairs, Council on Foreign Relations Press, 1994, 114p
In: Études internationales, Band 27, Heft 1, S. 205
ISSN: 1703-7891
History Matters: The Long Term Impact of Colonial Public Investments in French West Africa
To what extent do colonial public investments continue to influence current regional inequalities in French-speaking West Africa? Using a new database and the spatial discontinuities of colonial investment policy, this paper gives evidence that early colonial investments had large and persistent effects on current outcomes. The nature of investments also matters. Current educational outcomes have been more specifically determined by colonial investments in education rather than health and infrastructures, and vice versa. I show that a major channel for this historical dependency is a strong persistence of investments; regions that got more at the early colonial times continued to get more.
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