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This paper aims to analyze the process of art's moving into the purview of aesthetics. Therefore, Martin Heidegger follow some concepts developed by the greeks, for instance the conjunction between matter and form and art as mimesis. The german philosopher also explain the relation between subject and object as the time of the world picture's assumption. Considering the interpretations given by the modern thinkers, Heidegger evaluate how the artwork becomes a support of sensitive experiences and how the judgment of taste associated aesthetics with the beauty and our sensibility.

The paper intends to expose the initial features of Heidegger's hermeneutic phenomenology from the criticism made by the author to the critical-teleological method of Baden Neokantism in the 1919 lecture 'The Idea of ​​Philosophy and the Problem of Worldview'.

This paper aims to suggest some points of convergence and distinction between the meaning that Kierkegaard assigns to anxiety in the oeuvre 'The concept of anxiety', and the way Heidegger addresses the same concept through the undertaking of existential analytic in Being and time. Although it may be possible to suggest undeniable similarities in the way both authors understand the phenomenon of anxiety, some distinctions may be set if well analyzed the context in which both thinkers addressed the subject. Whereas Kierkegaard understands anxiety related to sin, faith and freedom, Heidegger attributes to the phenomenon of anxiety an ontological meaning, inscribed in the project of a fundamental ontology, from which becomes possible for Dasein the freedom to choose itself, and thus assume the proper way of being.

Firstly, it is analyzed the link that Heidegger makes between the categories of polis and politics. In second place, those same categories are analyzed in the thought of H. Arendt, and the criticism that they supposes of her former teacher´s thought. The great opposition between both lies in the different perspective of analysis, ontological in one case and strictly political in the other. Finally, it is observed how, despite Arendt´s accurate criticism, a certain transformation of Heideggerien approach could provide us with a really critical potential more necessary than ever in our epochal crisis ; Se analiza en primer lugar el enlace que Heidegger realiza entre pólis y política para a continuación observar el juego de esas categorías en H. Arendt y la crítica que supone del que fuera su maestro. La gran oposición entre ambos radica en la distinta perspectiva de análisis, ontológica en un caso y estrictamente política en otro. Se observa finalmente, cómo, a pesar de la certera crítica de Arendt, cierta transformación del enfoque heideggeriano podría proporcionarnos un valioso potencial crítico más necesario que nunca en nuestra crisis epocal.

The purpose of this paper is to demonstrate how Heidegger's claim to being-to-death can be understood as a condition of possibility for the responsibility of desire as formulated by Lacanian psychoanalysis. First, the structure of the Heideggerian Dasein, as well as its existential ones, is described. Next, the use and the sense of the notion of desire in Lacan is analyzed. Both in an authentic existence and at the end of analysis, where the subject knows how to deal with his losses, in the face of anguish, he assumes a role of protagonist of his existence and manages to be responsible for his desire. The analysis, in this sense, serves as a tool that enables the subject to deal with this suffering arising from the lack, of this nothing that Heidegger spoke. Obviously, the analysis does not aim to eliminate this ontological lack, but only to deconstruct the phantasms that the subject has constructed to ward off what is his own, constituting his ontological structure, that is, his finitude. Thus, for Heidegger, through the affirmation of anguish in the face of death, and for Lacan, where the subject has assumed the tragedy of his existence - at the end of analysis - it is the affirmation of finitude that makes it possible to hold the desire, authentic or, if you prefer, subject.

In this paper, author deals with Heidegger's account of the modern age as the epoch based on Western metaphysics. In the first part of the paper, he shows that, according to Heidegger, modern interpretation of the reality as the world picture, is essentially determined by Descartes' philosophy. Then, author exposes Heidegger's interpretation of the turn which already took place in Plato's metaphysics and which made possible Descartes' metaphysics and modern epoch. In the second part of the paper, author explores Heidegger's interpretation of science and technology as shoots of very metaphysics. Heidegger emphasizes that the essence of technology corresponds to the essence of subjectivity and shows how the metaphysics of subjectivity subsequently finds its end in Nietzsche's metaphysics of the will to power, as the last word of Western philosophy. In the concluding part, author argues that the contemporary processes of globalization can be just understood as processes of completion of metaphysics. They can be identified as a global rule of the essence of technology. On the basis of Heidegger's vision of overcoming metaphysics, author concludes that it opens the possibility of a philosophy of finitude which points to dialogue with the Other as a way of resolving the key practical issues of the contemporary world.

"Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing." Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary.

Heidegger Studies- is an annual publication dedicated to promoting the understanding of Heidegger's thought through the interpretation of his writings. Heidegger Studies provides a forum for the thorough interpretation of the whole of Heidegger's work (including works published during his lifetime) that is called for by the publication of his Gesamtausgabe. In keeping with its international character, Heidegger Studies publishes articles in English German, and French. / Die Heidegger Studien- sind eine einmal im Jahr erscheinende Zeitschrift, die der Förderung des Verständnisses des Heidegger'schen Denkens durch die Interpretation seiner Schriften gewidmet ist. Ihr Ziel ist, ein Forum zu bilden, das der gründlichen Interpretation des ganzen Werkes Heideggers (einschließlich der zu seinen Lebzeiten veröffentlichten Schriften) dient. Die Existenz eines solchen Forums ist ein Erfordernis, das sich aus der fortlaufenden Veröffentlichung der Gesamtausgabe ergibt. Spannbreite und Bedeutung der erstmalig in der Gesamtausgabe erscheinenden Texte machen in der Tat eine erneute Aneignung von Heideggers Denken unumgänglich. Gemäß der Internationalität der Heidegger Studien werden in ihnen Beiträge in englischer, deutscher und französischer Sprache veröffentlicht. / Les Etudes Heideggeriennes- sont une publication annuelle, consacrée à promouvoir l'entente de la pensée de Heidegger grâce à l'interprétation de ses écrits. Elles s'offrent comme lieu de débat servant à la réinterprétation de l'œvre complète de Heidegger (y compris les textes publiés de son vivant) ce qu'appelle d'ailleurs la publication en cours de l'Edition intégrale. Elles répondent ainsi à l'exigence suscitée par l'ampleur et l'importance des inédits que publie l'Edition intégrale. Les Etudes Heideggeriennes sont une revue délibérément internationale. Ce caractère s'affirme avec la publication de textes en allemand, en anglais et en français.