Socialinės kritikos kaita Lietuvos šiuolaikiniame mene XX–XXI a. sandūroje: ideologinės ir epistemologinės implikacijos ; The Change of Social Criticism in Contemporary Art in Lithuania at the Turn of the 21st Century: Ideological and Epistemological Implications
The dissertation examines change of critical paradigm in contemporary art in Lithuania from the end of the 80s to the beginning of the second decade of the 21st century and investigates political, social, economic and cultural factors which had an impact on the transformation of artists' critical positions and artistic themes. Considering the social criticism of the second half of the 20th century as a critique based on progressive ideas that challenge status quo of the positivist thinking that shapes public life, it is possible to think of art practices based on similar intentions as a manifestation of social criticism. The transformations of social critique in contemporary art in Lithuania analysed in this dissertation are associated with the political and intellectual breaking points: the "Rebirth" period between the 1980s and the 1990s, the strife between conservative nationalists and liberals regarding the vision of society and culture's evolution during the 1990s, and the epistemological transformation in Lithuania's intellectual and cultural life which began in the late 1990s and is to be associated with the dissemination of Western critical social philosophy's ideas of the latter half of the 20th century in Lithuania. The aspect of social criticism in contemporary art in Lithuania lacks systematically summarized approach in Lithuania, even though extensive attention to this aspect is given in Western art historiographies of the latter half of the 20th century. Considering this situation in research field of contemporary art in Lithuanian, this study may be one of the first attempts to systematically analyse socially critical artistic practices as a phenomenon and the circumstances that formed it.