Suchergebnisse

The article presents the aesthetic and ideological concept of liberal criticism, which was expressed by a leading Galician critic, literary scholar, journalist and cultural figure of the interwar period Mykhailo Rudnytsky. His main scientific works were interpreted as a kind of postulate of "worldlessness" and "liberal criticism" focused on Western European intellectual models. Much of Rudnytsky's publications were written in the ideological vein of a resonant discussion, provoked by the critic and formulated by him under the slogan "Should a writer have a worldview?". In this discussion, M. Rudnytsky argued that it is not important for a writer to have a worldview. The main thing is the aesthetic criterion, which should also be decisive in the literary-critical evaluation of the writer's work. This thesis was quite ambiguous and controversial, as it sharply contradicted the general tendencies of the Galician society of that time. So the discussion provoked a polemical wave. The literary liberalism focused on issues of pure art, the search of Beauty, a kind of aesthetic ideal, non-involvement in politics, the predominance of form and style over content and ideas – founded in the Galician cultural environment of the interwar period more resistance than support. In anticipation of war, amid economic and political instability, in conditions of statelessness, the rejection of any ideology in Ukrainian society was interpreted as an ethical danger, ideological and political nihilism. Article focused also on the scientific and aesthetic problems of Rudnytsky's literary-critical scientific creativity, the specific eclectic stylistics of his works, the influence of the aesthetics and ideology of the Moloda Muza (Young Muse) group and modernism of 19 century on his philosophy and literary theory, the common and different in scientific theories of Mykhailo Rudnytsky and the Polish critic and literary theorist Ostap Ortwin, the cultural europocentrism of literary-critical assessments of Mykhailo Rudnytsky, reception of his ...

"A probing inquiry into medieval court struggles, this book shows the relationship between intellectual conflict and the geopolitics of empire. It examines the Persian Buyids' takeover of the great Arab caliphate in Iraq, the counter-Crusade under Saladin, and the literature of sovereignty in Spain and Italy at the cusp of the Renaissance. The question of high culture--who best qualified as a poet, the function of race and religion in forming a courtier, what languages to use in which official ceremonies--drove much of medieval writing, and even policy itself. From the last moments of the Abbasid Empire, to the military campaign for Jerusalem, to the rise of Crusades literature in spoken Romance languages, authors and patrons took a competitive stance as a way to assert their place in a shifting imperial landscape."--Back cover

Zionism in literature; Hebrew literature; Israel; 20th century; history and criticism

Barqūqī, ʿAbd al-Raḥmān's Bayān (Cairo, Egypt : 1911); Arabic periodicals; influences; Arabic literature; 20th century; history and criticism; MA thesis

Civilization, Arab; history and criticism

Arab women; Andalusia; biographies; Arabic poetry; Andalusia; history and criticism

Arabic national songs; tunes and songs; history and criticism