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Davki nam pijejo kri: gospodarstvo severozahodne Istre v novem veku v luči beneške davčne politike
In: Knjižnica Annales Majora
Engl. Zsfassung u.d.T.: The bloodsucking taxes : economy of Northwestern Istria in modern age in the light of Venetian fiscal policy
Problem of social inequality between students of FSPN
Freedom of the press and personal rights: right of correction and right of reply in slovene legislation
In: Mediawatch
Vracanje pogleda. Ameriski odziv na francosko kritiko okularocentrizma
In: Filozofski vestnik: FV, Band 16, Heft 1, S. 117-134
ISSN: 0353-4510
The alleged domination of the visual in contemporary culture -- initially theorized by French thinkers such as Jacques Derrida, Georges Bataille, & Michel Foucault, & artists such as Marcel Duchamp -- has influenced the self-evaluation of recent US art. The repudiation of the high modernist evaluation of the "pure optical" introduced by Clement Greenberg & Michael Frid is explained in terms of the post-WWII relocation of the center of modernist art from Paris (France) to New York City; Rosalind Krauss & Norman Bryson observe the conspicuous lack of interest in the later "revenge" of French art theorists. Their influence has helped undermine the achievements of abstract expressionism while promoting neo-Dadaism, conceptual art, & minimalism, & has diminished the primacy of the visual. Adapted from the source document.