Suchergebnisse

Тематски Зборник Свакодневна култура у постсоцијалистичком периоду настао је као резултат научне сарадње Етнографског института САНУи Етнографског института и музеја БАН. Велике политичке и друштвене промене током деведесетих година 20.века озбиљно су се одразиле на свакодневну културу балканских земаља. Управо у периоду кризе, две суседне етнолошке установе, бугарска и српска, које више деценија током социјалисатичког периода нису сарађивале, отпочеле су заједнички рад на истраживању свакодневне културе. Зборник показује у ком правацу су се одвијали културни процеси у Србији и Бугарској, које су сличности и разлике међу њима, али и шта се дешава у постсоцијалистичком периоду у појединим сегментима свакодневне култура Словака, Руса и Македонаца. ; The Collection of Papers entitled ―Everyday Culture in post-socialist period is a result of collaboration between the Institute of Ethnography, Serbian Academy of Sciences and Arts, and the Institute of Ethnography and Museum, Bulgarian Academy of Sciences. The enormous political and social changes during the 1990's influenced also everyday culture of the Balkans states. After decades of hinder, and precisely in the period of crisis, two neighboring ethnological institutions, the Bulgarian and Serbian, started to cooperate together in the study of everyday culture.The Collection of Papers demonstrates the directions of the cultural processes in Serbia and Bulgaria, accentuating the differences and similarities among the two states, and also explains the deeds within certain segments of everyday cultures of Slovaks, Russians and Macedonians. ; Зборник радова Етнографског института САНУ 22 / Collection of Papers of the Institute of Ethnography SASA 22

The stories - subject of this book - were invented in different latitudes during different historical periods, from different societies and different political situation. They tell about the same process - the adoption of Islam in the Balkans, thought somewhere and once as a liberation and national awareness elsewhere and at other times - as a catastrophe. The only official history tells many fragmented stories produced by larger or smaller groups, by more or less people. The stories are alike and not alike. They sometime match. And sometime they repel each other. Or disagree.

Jorge Kosikov is a Brazilian lawyer and writer of Bulgarian origin. Among the Bulgarians in South America, Jorge Kosikov is known as a missionary of Bulgarian history and culture. Jorge Kosikov is a descendant of two waves of immigration - one from Bessarabia during the Ottoman rule in the late 18th and early 19th century and the other from Bessarabia to South America in the early 20th century. In this book the author explores and describes the Bessarabian Bulgarians and Gagauz colonies in four Brazilian states: ""Aurora"", ""Baliza"", ""Concordia"" (""Buri""), ""Esperanza"", ""Fethiseiro"", ""New Bessarabia"", ""Page"", ""Prata"", ""Setenta"", ""Concordia"" (Parana), ""Terra Rica"", ""Colonia Velha"", ""Lajeado Enrique"", as well as the Uruguayan ""Concordia""

The article attempts to reconstruct some of the political stakes in the conceptual and methodological debates among two groups of literary critics during the 1960ies and the 1970ies in Bulgaria: the structuralists and their opponents, the so-called "Imperssionist critics". This debate seems to be a pertinent context for addressing the emergence of poststructuralism since it was the intellectual ferment, in which Julia Kristeva formed her conceptual background, before later becoming among the first poststructuralist critics of structuralism in France. Before, emigrating, Kristeva was part of the group of the "impressionist critics", who were developing ways of resisting official Marxist doctrine while retaining claims for Marxists legitimacy. They were very critical of the structuralists, who also were attempting to gain legitimacy, though by aligning with Marxism as a materialist science, a stance the "impressionists" viewed as contributing to alienation. ; Статья пытается восстановить поли- тический залог в концептуальных и методологических дискуссиях между двумя группами литературо- ведов в 1960-х и 1970-х годах в Болга- рии – между структуралистами и их противниками, так называемыми «импрессионистскими критика- ми». Эта дискуссия, по-видимому, является важным контекстом воз- никновения постструктурализма, поскольку она представляет собой интеллектуальную среду, в кото- рой Юлия Кристева первоначально сформировала свои идеи, перед тем как впоследствии стала одним из первых критиков структурализма во Франции. До эмиграции Кристева является членом группы импрес- сионистских критиков, которые пытаются разработать стратегии противостояния официальной марк- систской доктрине, не отказываясь от поиска марксистской легитим- ности. Они критикуют структура- листов, которые также стремятся к легитимности, но основываясь на настойчивости марксизма как материалистической науки – пози- ция, в которой «импрессионистские критики» видят фактор, способству- ющий отчуждению.