Suchergebnisse
Filter
83 Ergebnisse
Sortierung:
Viðtökur á verkum Þórarins B. Þorlákssonar: Þáttur í þróun íslenskrar listfræð
In: Ritið; Kynbundið ofbeldi, Band 18, Heft 3, S. 187-215
ISSN: 2298-8513
Þórarinn B. Þorláksson (1867–1924) has been credited with being the first Icelandic professional painter. His reception, both during his lifetime and posthumously, is therefore an interesting indication of the changes in the outlook and ideology surrounding the reception of Scandinavian findesiécle art up to the present. He was honourably mentioned by his contemporaries and then was forgotten in the upheavals surrounding the adoption of modern styles, such as abstract art, in Iceland around the Second World War. He regained attention in the sixties and has since then been revered as an important, though problematic, pioneer of Icelandic painting. This has in recent years been especially evident in the way he has been mentioned in the context of the revival of Nordic and Scandinavian late 19th and early 20th century art in NorthernEurope and America. The paper reviews and analyses the historical reception Þorláksson has received and the way his work has been inscribed into the narrative of Icelandic and Scandinavian Art History. This process is an attempt to understand and contextualise Þorláksson's work in aesthetic terms, while at the same time function as a critical mirror of the trends and ideologies surrounding the Nordic revival in recent years.
Alþýðumenning á Íslandi: 1830 - 1930 ; ritað mál, menntun og félagshreyfingar
In: Sagnfræðirannsóknir 18
Íslensk þjóðfélagsþróun 1880 - 1990: ritgerðir
In: [Bækur Félagsvísindastofnunar 11]
Frá flokksræði til persónustjórnmála: fjórflokkarnir 1959 - 1991
In: Bækur Félagsvísindastofnunar [12]
Jakobínuvegir: Tími, þjóð og dvalarstaðir í verkum Jakobínu Sigurðardóttur
In: Ritið; Kynbundið ofbeldi, Band 18, Heft 3, S. 217-236
ISSN: 2298-8513
This article surveys the ouevre of the Icelandic writer Jakobína Sigurðardóttir (1918-1994) on the occasion of her centenary. Various aspects of her novels, short stories, poetry and memoirs are examined, including the ways in which she presents time in her texts – time as it pertains to individual life spans and the interaction of different generations, as well as time in the life of a nation which could be said to have switched abodes in the course of the 20th Century, moving from rural to urban settings, and during this time the island nation attained sovereignty and independence. narrative is a key element in treating time and historical shifts, and attention is paid to the ways in which Sigurðardóttir both renews realist traditions and resorts to more radical narrative forms, pulling the reader into an active dialogue on gender and generational issues, on social justice and equality, as well on the routes and conditions which connect and mould places of dwelling – individual houses as well as the abode of the nation.