Suchergebnisse

In medieval legal transactions the use of the written word was only one of many ways of conducting business. Important roles were played by the spoken word and by the 'action' of ritual. The relationship between 'rituals' and literacy has been the focus of much recent research. Medieval societies which made extensive use of written instruments in legal transactions have been shown to employ rituals as well. This has ledto investigation of the respective functions of written instruments and legal rituals. What is the nature of legal rituals? If they included oral verbalization, how did the spoken words relate to those of the written instruments that played a role in the same legal transactions? Usually, we only have the written documents to answer these questions, and they are often silent about the rituals and oral elements of the transactions they document

Tijdens de Eerste Wereldoorlog pleegden de oorlogvoerenden op grote schaal inbreuk op de rechten van neutrale partijen zoals die waren vastgesteld in internationale verdragen. Zowel de Geallieerden als de Centrale mogendheden oefenden druk uit op de neutralen om hun beleid te hunner gunste aan te passen. In de ruim vier jaar die de oorlog duurde, nam die druk zo sterk toe, dat de neutralen zich met handen en voeten gebonden voelden. Ruim vijftig jaar geleden stelde Nils rvik dat deze minachting van het internationale recht, gecombineerd met de betrekkelijke zwakte van de Europese neutrale staten, het einde betekende van de traditionele politieke neutraliteit, een begrip dat hij gelijkstelde met niet-gebondenheid en afzijdigheid. Dit boek bespreekt die stelling in het licht van nieuw vergelijkend onderzoek in Scandinavië, Nederland, Spanje, Argentinië en de VS. Het resultaat is de eerste Engelstalige vergelijkende studie naar neutraliteit tijdens WWI. De opstellen behandelen niet alleen meerdere landen, maar ook meerdere aspecten van het neutraliteitsconcept

In 1018 versloeg graaf Dirk III bij Vlaardingen het veel grotere leger van de Duitse keizer Hendrik II en legde daarmee de grondslag van het latere Holland. De elfde eeuw was een turbulente periode voor Vlaardingen en het graafschap Holland. Er vonden verschillende strafexpedities en moordaanslagen plaats. Onder de slachtoffers bevonden zich onder andere de Hollandse graven Dirk IV en Floris I, en hertog Godfried met de Bult. De gebeurtenissen in en rond Vlaardingen zijn in tal van annalen, kronieken en oorkonden vastgelegd: soms in lange verslagen, vaak in enkele korte zinnen. De bronnenpublicatie "Ad Flaridingun" presenteert alle middeleeuwse teksten die betrekking hebben op Vlaardingen in de elfde eeuw, in de oorspronkelijke Latijnse versie en met daarnaast een vertaling in modern Nederlands. Het boek is geïllustreerd met afbeeldingen van manuscripten, landkaarten, genealogische overzichten en archeologische vondsten

This volume is the result of a conference at University College London in 2007 which addressed the scale and form of civil defences in early medieval Europe, c. 800-1000. Previous work has largely focussed on individual sites or specific categories of evidence. These papers offer new interdisciplinary perspectives driven by a landscape approach. Several contributions focus on civil defence in England around the time of King Alfred the Great, and together provide a new agenda for the study of Anglo-Saxon military landscapes. European case-studies facilitate a comparative approach to local and regional defensive structures and interpretive paradigms. Topics and themes covered include civil defence landscapes, the organization and form of defensive structures, and the relationships and dynamics between social complexity, militarization, and external threats. With papers ranging from England to Spain and Germany to Scandinavia the volume is of relevance to a range of disciplines including archaeology, history, onomastics, geography, and anthropology

The Spade in de Dijk is the first synthesis on the organisation of water management in Coastal Flanders during the later Middle Ages. Based on the unique archival evidence produced by local water boards (wateringen), large landowners and local and regional authorities, Tim Soens argues for the occurrence of profound changes in coastal water management in the later Middle Ages. Water management gradually became less inclusive, investments lowered, and flood risk increased. This evolution was triggered by the social transition from a peasant society of land-owning smallholders to a society of absentee landlords and large tenant farmers.

This book contains a unique new selection of his most important essays from the extensive oeuvre of the Dutch historian Johan Huizinga. These essays and studies have been chosen on the basis of the different subject matter that Huizinga was involved in; ranging from the Middle Ages, Renaissance, Modern History and Cultural History in general. These selections are introduced and illuminated by Prof. dr. Willem Otterspeer who is also Huizinga's biographer. Johan Huizinga was born in Groningen, in 1872. He studied Dutch and Oriental language and literature at the University of Groningen (1891 - 1895) and comparative linguistic at the University of Leipzig (1895-1896). In 1915, he was appointed professor of general history at the Leiden University. His most famous works include The Autumn of the Middle Ages (1919), which dealt with life, ideas, art, and behaviors of the upper classes of Burgundy in the 14th and 15th centuries, Erasmus (1924), a biography of the famous Dutch Renaissance scholar, and Homo Ludens (1938), focusing on the element of play in human culture. - De hand van Huizinga bevat een nieuwe selectie van de belangrijkste essays uit het omvangrijke oeuvre van de wereldberoemde Nederlandse historicus Johan Huizinga. Deze essays en studies zijn geselecteerd op basis van de diverse disciplines waarmee Huizinga zich bezighield - van de Middeleeuwen tot de Renaissance en van de moderne tot de algemene culturele geschiedenis. Deze selectie wordt geïntroduceerd en toegelicht door Huizinga-biograaf Willem Otterspeer. Johan Huizinga werd in 1872 in Groningen geboren. Tot zijn bekendste werken behoren Herfsttij der Middeleeuwen (1919), Erasmus (1924) en Homo Ludens (1938). De hand van Huizinga wordt gepubliceerd als onderdeel van "http://www.oapen.org/">OAPEN. "http://www.oapen.org/">OAPEN is een Open Access project voor het publiceren van monografieën in de geesteswetenschappen en sociale wetenschappen. De Open Access-beweging heeft zich snel ontwikkeld bij de publicaties van tijdschriften op het gebied van de natuurwetenschappen. Het consortium "http://www.oapen.org/">OAPEN bestaat op dit moment uit zes universitaire academische uitgevers, zij geloven dat de tijd rijp is dat de mogelijkheden van Open Access ook voor de geesteswetenschappen en de sociale wetenschappen volledig benut kunnen worden.

This colloquium focuses on urban and princely space in the Duchy of Brabant in the late Middle Ages and early modern period. The focus is on how territorial developments were perceived in different social milieus. After all, urban elites, the monarch and his entourage had different - but sometimes similar - opinions about what Brabant actually was and used various media to communicate their ideas about it. Administrative, narrative and cartographic sources, architecture, literature and art bear witness to this. The Belgian-Dutch "Stichting Colloquium De Brabantse Stad" organizes an international meeting every three years at which various aspects of the history of the cities and of urban life in the old Duchy of Brabant are examined. The colloquium is organized alternately in the provinces of Antwerp, Flemish Brabant, Walloon Brabant, North Brabant and in the Brussels Capital Region. The XIXth colloquium, taking place in Brussels at the Université Saint-Louis, is being organized in cooperation with the NWO research project Imagining a territory.

Since the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in his "Descrittione di tutti i Paesi Bassi" (Antwerp, 1567) and Karel van Mander in his 1604 "Schilderboeck", already noticed. Much more mobile than their colleagues from other European countries, many Netherlandish artists spread all over Europe; a remarkable number among them achieved great fame as court artists, as the careers of Claus Sluter in Burgundy, Anthonis Mor in Spain, Bartholomeus Spranger or Adriaen de Vries in Prague, Giambologna and Jacob Bijlevelt in Florence demonstrate. Moreover, they exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this