Suchergebnisse

section 1. Idea, concept, nature, scope and means of communication -- section 2. Print media, visual and performing arts

"The History of the 'Slave of Christ' : From Jewish Child to Christian Martyr offers the first critical editions and English translations of the two Syriac recensions of this fascinating text, which narrates the story of a young Jewish child, Asher, who after converting to Christianity and taking the name ʻAbda da-Miḥa ('slave of Christ') is martyred by his father Levi in a scene reminiscent of Abraham's offering of Isaac in Genesis 22. In a detailed introduction, the authors argue that the text is a fictional story composed during the early Islamic period (ca. 650-850) probably in Shigar (modern Sinjār). Building upon methodology from the study of Western Christian and Jewish texts, they further contend that the story's author constructs an imagined Jew based on the Hebrew Bible, thereby challenging the way that previous scholars have used this text as straightforward evidence for historical interactions between Jews and Christians in Babylonia at this time. This ultimately allows the authors to reevaluate the purpose of the text and to situate it in its Late Antique Babylonian context"--

The author examines the creation and functioning of the Romanian propaganda office at the General Commission of Romania for the New York World's Fair (1939-1940). He analyses two previously unpublished documents from the Archives of the Ministry of Foreign Affairs, relevant to the topic under scrutiny. The activity of the office was coordinated by the diplomat Andrei Popovici. His subordinates were the press attach. from the Romanian Legation in the USA, Horia Babeş, Paul Sterian, economic councillor, and Petre Neagoe, writer. The monthly budget was 750 $ (the rate of those years) for the daily expenses and salaries. The propaganda office started its activity in January 1939. It used to publish a bulletin, to help issuing stamps, to prepare propaganda posters, to publish and translate brochures. It also used to send presentations of Romania to journals, such as Cleveland News , Chicago Tribune, Detroit Free Press, New York World Telegram etc., and articles on Romania to newspapers (Annalist, Journal of Commerce etc.), or to occasional publications (Going to the Fair, a Preview, International Guide etc.). The images the propaganda office used to handle were reproducing usual elements of the domestic and foreign official discourse of Charles II: Romania was a totally new country, based on a new social contract ("the royal revolution"), that was looking persistently towards "tomorrow's world" (the slogan of the American fair); this future was build with Romanian resources and strengths, mobilized by "the king of young people and of the peasants".