The History of Vegetarianism in Hungary
In: Társadalomkutatás, Band 27, Heft 2, S. 203-225
ISSN: 1588-2918
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In: Társadalomkutatás, Band 27, Heft 2, S. 203-225
ISSN: 1588-2918
In: Társadalomkutatás, Band 27, Heft 1, S. 19-25
ISSN: 1588-2918
In: Társadalomkutatás, Band 29, Heft 4, S. 519-522
ISSN: 1588-2918
In: Társadalomkutatás, Band 30, Heft 3, S. 305-308
ISSN: 1588-2918
In: Erdélyi jogélet, Band 1, Heft 3, S. 101-124
ISSN: 2734-7095
On 20 November 2018, the Hungarian Museum Association of Transylvania and Sapientia Hungarian University of Transylvania organized a round table discussion on the legal history of Transylvania. The event took place as part of a series of events on the Hungarian Science Day in Transylvania, at the Sapientia building on Calea Turzii Cluj-Napoca. The participants were Dr Gyula Fábián (minority law), Dr Zsolt Fegyveresi (constitutional history), Dr László Nánási (history of criminal law), Dr Zsolt Kokoly (history of legal education), Dr János Székely (history of civil procedure law), and Dr Emőd Veress (history of civil law). The event was moderated by Előd Pál. The participants presented their research studies related to the legal history of Transylvania and explored the legal and social situations of the past hundred years.
In: Íslenskar kvikmyndir; Ritið, Band 19, Heft 2, S. 249-273
ISSN: 2298-8513
The ambiguity between reality and fiction haunts Einar Már Guðmundsson's novel Hundadagar (Dog Days, 2015), as it is a fictional narrative about factual, historical figures and events, such as Jörgen Jörgensen, Rev. Jón Steingrímsson, Finnur Magnússon and Guðrún Johnsen, while the same can be said about many other novels labeled as postmodernism. Canadian literary scholar Linda Hutcheon coined the concept of historiographic metafiction to describe fictions as such, which are "intensely self-reflexive", while "paradoxically lay claim to historical events and personages". Hutcheon suggests that historiographic metafictions fully illuminate the very way in which postmodernism entangles itself with both the epistemological and ontological status of history. This paper begins with an introduction to Hutcheon's theoretical contributions on postmodernism, postmodern literature and the relationship between history and fiction, followed by a reading of Hundadagar as a historiographic metafiction. The narrator's strategies—such as parataxis, metanarrative comments, we-narrative discourse and documentary intertext—largely indicate an imitation, a revelation, or say, a parody of the process of historian's writings. The paper further suggests that it is the Icelandic financial crisis in 2008 that prompts the narrator to revisit the 18. and 19. century, since the financial crisis takes the role of a rupture of the Enlightenment ideals, leading to disorder and chaos. Moreover, the narrator finds an uncanny similarity between the past and the present, as if the history has been repeating itself. The spectre of history keeps (re)appearing in a deferred temporality. While revisiting the past, the narrator also (re)visits the present in an allegorical way. In a word, as a historiographic metafiction, Einar Már Guðmundsson's Hundadagar is "fundamentally contradictory, resolutely historical, and inescapably political", just as Hutcheon's perception of postmodernism.
In: Erdélyi jogélet, Band 2, Heft 2, S. 7-25
ISSN: 2734-7095
The study analyses the post-socialist codes of private law. It evaluates them in the history of codification, presents their social background and contrasts the monistic and dualistic approach of codification.
In: Erdélyi jogélet, Band 1, Heft 1, S. 43-58
ISSN: 2734-7095
In the work De Europa by Enea Silvio Piccolomini, book no 20, regarding the history of Carinthia, stands recorded the story of prince Ingo, who, according to the legend, contributed significantly by way of his wit to the spreading of Christianity. This study presents the circumstances in which the Conversio Bagoariorum et Carantanorum, which contains an earlier record of the legend, came into being, and it examines the possible existence in historical reality of prince Ingo and his princely title. In the following, the author analyses the possible meaning and the significance to legal history of the term carta sine litteris (a charter without letters), which appears in other sources of the legend but not in the one recounted by Enea Silvio Piccolomini. Finally, the author presents the literary precursors to the legend of prince Ingo and his role in the Conversio as well as the path the legend took until being recorded by Enea Silvio.
In: Ritið; Kynbundið ofbeldi, Band 18, Heft 3, S. 97-123
ISSN: 2298-8513
This paper discusses the history of the nouns gleðimaður, which is known from Old as well as Modern icelandic, and gleðikona which first occurs in an 18th-century source. Other nominal compounds for men and women that have gleði- as their first member are also introduced. The meaning of these words is compared, as is their usage, in order to test the claim that the words for men normally have a neutral meaning ('cheerful man, party animal') but the words for women have a pejorative meaning ('hussy, prostitute'). The nature of the changes in the history of the gleði-compounds is also discussed, e.g., to what extent borrowing from a foreign language has taken place. Lars-Gunnar Andersson's categorization of the so-called "ugliness" of words is used for a more detailed definition of the semantic changes. Finally, we touch on the wish to reclaim the word gleðikona that has been observed in the last decades, i.e., to revive the practically forgotten meaning 'cheerful woman, female party animal'.
In: Erdélyi jogélet, Band 1, Heft 4, S. 171-183
ISSN: 2734-7095
"The history of the development of the employment of prisoners has come a very long way, from hard labour to resocialization. Today the rights of prisoners are respected in their work, but these rights are sometimes different from the normal labour rights.
In this study, I review the most relevant difference between the prisoners' labour rights and the ordinary labour rights. Beyond that, I examine if the intentions formulated in 2015 − full employment and self-sustaining prisons in Hungary − have been achieved or not. In my study, I present some criminal statistics of the employment rates in Hungarian prisons."
In: Erdélyi jogélet, Band 1, Heft 2, S. 59-84
ISSN: 2734-7095
One of the key elements of Hungarian public thinking is the question of nationalities and its historical aspects. For well-known historical facts, the questions and answers of national minorities still have constitutional significance. The examination of the Act XLIV of 1868 on the Equality of Nationalities, including its antecedents, has not only importance from the point of view of legal history, but it is also essential for the cultivation of the current constitutional law, and, consequently, also strongly contributes to the understanding of today's legal institutions. The essay describes the process of drafting this legislation.
In: Erdélyi jogélet, Band 2, Heft 1, S. 157-170
ISSN: 2734-7095
The role of duels changed a lot throughout history. Based upon observations, most duels resulted from personal grievances. Duels were present even in the mid-20th century in Hungary. In the 20th century, duels were one of the greatest dilemmas of justice. The public opinion accepted duels, but the legal profession condemned them, mainly because of the possible negative consequences. In my study, I will present most of the legal provisions for duels both in Hungary and in Europe, the ethical Code of duels, and the most important lawyers, opinions on duels. Finally, I will explain the main reasons that had led to the decline of duelling.
In: Kynbundið ofbeldi II; Ritið, Band 19, Heft 1, S. 79-97
ISSN: 2298-8513
Literature has a long history of chastising women who defy ,traditional' gender roles. By turning a critical eye on the poem danse grotesque by the Icelandic poet Sjón, its staging and visual presentations, as well as fundamental interpretive keys such as trolls and dance, one senses a resistance to the prevailing manifestations of women in the Western media. The article shows how the poem reassesses the relationship between femininity and death in Western culture.Keywords: Concrete poetry, avant-garde, decadence, gender roles, death, dance, trollsKjartan Már ÓmarssonDoktorsnemi í almennri bókmenntafræði Hugvísindasviði Háskóla ÍslandsSæmundargötu 2 IS-101 Reykjavík, Íslandko@hi.is
In: Regio / Ungarische Ausgabe, Band 18, Heft 4, S. 56-79
World Affairs Online
In: Erdélyi jogélet, Band 1, Heft 2, S. 107-123
ISSN: 2734-7095
Fiume (current official name: Rijeka) became part of Hungary in 1779 as a "corpus separatum". At the time of the so-called provision, after 1870, the legal system of the port city developed in a special way. Although the Hungarian government took over the administration of the city again, this did not mean the automatic reception and application of the entire Hungarian legal system. Some Hungarian laws were not later enacted in Fiume. The article prepared on the basis of the conference lecture in Cluj-Napoca (Sapientia Hungarian University of Transylvania) intends to review the issues of legal interpretation of the applicability of Act XLIV of 1868 on National Equality by using descriptive method, taking into account legal history and legal theory aspects.