Suchergebnisse

"A critical anthology of indigenous-authored texts, including Nahua, Quechua, and Spanish which native peoples and Spaniards convey their perspectives on Spanish colonial order. The first volume with native testimonies of Spanish expansion and examines geographically and culturally realities of indigenous elites in the colonial period"--Provided by publisher

The Berlinka Collection / Monika Jaglarz -- Manuscripta Americana and the Provenance of Mss. Amer. 3, 8, and 10 / Monika Jaglarz and Julia Madajczak -- Mss. Amer. 3, 8, and 10 in Relation to the Marquesado Census Corpus / Julia Madajczak -- Mss. Amer. 3, 8, and 10: The Scribes / Szymon Gruda -- The Creation and History of the Tepoztlan Census / Julia Madajczak, Szymon Gruda and Monika Jaglarz -- The Jagiellonian Library Census Fragments in Numbers / José Luis de Rojas -- Family Relations in Tepoztlan / Katarzyna Granicka -- Administrative Structure and Social Groups in Tepoztlan / Julia Madajczak -- Land and Tribute in the Jagiellonian Library Census Fragments / José Luis de Rojas -- Glossary of Nahuatl Terms / Julia Madajczak and José Luis de Rojas -- Conventions for the Transcription of the Jagiellonian Library Census Fragments / Julia Madajczak and José Luis de Rojas -- Transcription and Translation / Julia Madajczak and José Luis de Rojas.

"Moving the museum : indigenous & Canadian Art at the AGO documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation to nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Indigenous & Canadian Art at the AGO features the work of First Nations artists--including Carl Beam, Rebecca Belmore, and Kent Monkman--along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums. Contains a list of works at the back."--

"Members of Eli Baxter's generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. Aki-wayn-zih is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviving the residential school system. Examining how Anishinaabay Kih-kayn-daa-soh-win (knowledge) is an elemental concept embedded in the Anishinaabay language, Aki-wayn-zih explores history, science, math, education, philosophy, law, and spiritual teachings, outlining the cultural significance of language to Anishinaabay identity. Recounting traditional Ojibway legends in their original language, fables in which moral virtues double as survival techniques, and detailed guidelines for expertly trapping or ensnaring animals, Baxter reveals how the residential school system shaped him as an individual, transformed his family, and forever disrupted his reserve community and those like it. Through spiritual teachings, historical accounts, and autobiographical anecdotes, Aki-wayn-zih offers a new form of storytelling from the Anishinaabay point of view."--