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This essay wishes to debate the concept of History in Karl Marx's work, in opposition to the "end of History" theory proposed by Francis Fukuyama. In a historic setting that involved the end of the communist era in the Soviet Union and in Eastern Europe, the American author introduces his ideas about the victory of liberal democracy being the culminating point in the history of humanity. Well, to what extent is it possible to consider a system like the one advocated by Fukuyama as the ultimate goal of mankind? Furthermore, to what extent can we consider that there actually is a goal that humanity is seeking to achieve? This essay intends to answer these questions through a Marxist understanding of History.

Concepções, métodos e formas do conhecimento histórico são expressos em diversos estudos na área de comunicação social. Buscamos analisar, na interface história e narrativa oral, aspectos da chamada mediação cultural, na qual a comunicação está para além da condição de canal. Acreditamos que os estudos comunicacionais não recaem, necessariamente, sobre especificidades técnicas, mas sobre a posição que a comunicação assume no campo histórico-cultural. Interações, expressas nos trabalhos de história oral, se configuram (e resultam) em processos comunicacionais que indicam construções sócio históricas e diferentes referenciais de pertencimento.

В статье представлен исторический и теоретический анализ одного из новых направлений исследования бытования варваров — гендерной истории варварства. Гендер рассматривается как системная категория сложившейся в варваристике базовой терминологии. Впервые предпринята попытка проанализировать познавательный потенциал варваристики, включив в ее понятийную структуру гендерный подход. Рассматриваются наиболее значимые термины, понятия и концепты, их роль в структуре когниции варвара. Обозначены и раскрыты в исторической ретроспективе ключевые характеристики понятия «гендерное варварство» как устойчивого социокультурного явления. Специально анализируются субъекты и «мишени» гендерной истории, зарождающиеся концепты «латентного» варварства. Рассмотрены условия всеобщей экспансии архаической семантики терминов «варвар» и «варварство», особенности их трансляции и трансмутации во времени и пространстве.
The article presents a historical and theoretical analysis of one of the new directions of the study of the existence of barbarians — the gender history of barbarism. Gender is considered as a systemic category of the basic terminology that has developed in barbarism. For the first time, an attempt has been made to analyze the cognitive potential of barbarism by including a gender approach in its conceptual structure. The most significant terms, concepts and concepts, their role in the structure of the barbarian cognition are considered. The key characteristics of the concept of "gender barbarism" as a sustainable socio-cultural phenomenon are identified and disclosed in historical retrospect. The subjects and "targets" of gender history, emerging concepts of "latent" barbarism are specially analyzed. The conditions of the general expansion of the archaic semantics of the terms "barbarian" and "barbarism", the features of their translation and transmutation in time and space are considered.

This article presents a comparative analysis of two concepts proposed and developed in two very different areas: the concept of themata, proposed by Gerald Holton in the area of ​​the history of science and related to the processes of production and diffusion of scientific knowledge, and the concept of Pathosformeln, proposed by Aby Warburg in the area of history of art and related to some important historical and epochal continuities of artistic production. Despite the very different disciplinary contexts in which they were proposed, and despite the specificities that naturally ensure the identity of each of the concepts, it is shown in this article how themata and Pathosformeln have undeniable and important affinities. In fact, both correspond to entities that have a long historical persistence, a cyclical nature, and a great disciplinary, cultural and epochal transversality, in conjunction with a great capacity to assume specific forms at a given time and in a given context. Despite the roots in very different areas, the affinities are strong enough to recognize that themata and Pathosformeln belong to a conceptual network with great potential for understanding, not only the science and art, but also the historical and transdisciplinary dynamics of culture in general.