What is qualitative in qualitative research? What is qualitative in qualitative research? Most qualitative research does not follow the methodology of grounded theory (GT). In methodological literature, however, qualitative research is defined in terms of GT. This leaves much qualitative research methodologically poorly defined in the first place. Secondly in the identification with GT the meaning of 'qualitative' is blurred and mixed with ideology. The essay pleads to take quality literally in defining empirical qualitative research methods and in the distinction with quantitative research.
[Dutch] Click here for the free download of the English or French translation. Since 11 September 2001 - and especially since the murder of Theo van Gogh - Muslims and Islam have frequently been unfavourably portrayed at the heart of public debate. Manifestations of Islamophobia can be found on the Internet, in comments by the PVV, and in acts of violence committed against mosques. Dutch anti-discrimination policies are coming under pressure now that this ideology has forced its way to the centre of the political stage. How do negative connotations about Muslims come about? Where are the acts
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Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of the Dutch nineteenth-century marine painter. A Reference List of Marine Painters, which is a new overview of the true specialists in the genre in this period, is added. The key question is how marine painting was looked at by the marine painters themselves, their fellow painters at the artists associations, in art theory and in art criticism. It turns out that within Dutch art circles throughout the nineteenth century, marine painting was perceived as a bearer of national pride. By placing the genre in a broader cultural-historical context it reveals how marine painting, together with the glorification of maritime history, was embedded in nationalist ideology.
It is generally thought that all people should have equal opportunities and their social position should not be dictated by race, sex or heritage. This ideology of meritocracy has been embraced by the Dutch and other European societies. But is this something to strive for? This provocative book has a number of renowned philosophers and sociologists look at the downside of meritocracy. They show that meritocracy runs counter to other important ideals such as solidarity, respect and democracy. - Mensen moeten gelijke kansen hebben en hun maatschappelijk positie mag niet bepaald worden door afkomst, ras of sekse. Alleen hun eigen inzet en talent mogen tellen. Dit 'meritocratische ideaal' wordt in onze samenleving breed omarmd, Maar is dit ideaal wel zo aantrekkelijk? In deze bundel, die ongetwijfeld tot veel discussie zal leiden, buigt een aantal bekende filosofen en sociologen zich over de keerzijden van dit ideaal. Evelien Tonkens, Dick Pels, Pieter Pekelharing, Mark Bovens en Tsjalling Swierstra laten zien dat het meritocratische ideaal op gespannen voet staat met andere belangrijke idealen als onderling respect, solidariteit, democratie, onderhoud en een ontspannen samenleving.
The central question of this dissertation is what role national identity has played in the interdepartmental policy field of international cultural policy (ICP) in the Netherlands between 1970 and 2012. In four chapters I analyse the history of ICP and the related political debate, using a theoretical framework consisting of the main concepts of a Discourse Historic Analysis (critique, ideology, and power), and tensions within the discourses on ICP and national identity. The role of national identity in the first period (1970-1986) is characterized as 'cultural nationalism'. Culture plays an important role in distinguishing the nation state from the rest of the world, and due to the decreasing autonomy in the field of economics and politics culture is considered (by some) to be the last bearer of the national identity. The debates focus on the question whether or not the government has a role in (actively) protecting that identity. The publication of the report "Culture without borders" by the Scientific Council for Government Policy marks the beginning of the second period (1987-1996). Gradually the primacy of the policy shifts from foreign to cultural policy, and attempts are made to combine within ICP the growing cultural diversity of the Dutch society with the uniting role of a national identity. Therefore the role of national identity is characterized as 'multiculturalism'. Extra funding for international cultural activities in 1997 marks the beginning of the third period (1997-2006), in which the role of national identity is characterized as 'cultural relativism'. The relationship between culture and the nation becomes more loose, and cultural activities abroad no longer seem to represent the nation's identity. This approach in ICP contrasts strongly with the growing discontent and heated public and political debate on national identity. Characteristic for the fourth period (2007-2012) is the return to the primacy of foreign policy and the focus on diplomatic and economic goals. Culture is treated as a ...
