Suchergebnisse

U prvoj polovini 19- stoljeća dolazi do povijesnih i političkih previranja u Europi: pojava panslavizma, revolucija 1948., koja je trebala rušenjem Austrougarske Monarhije uspostaviti temelje demokraciji (u kojoj se hrvatski ban Jelačić stavio na stranu Beča), te intenzivan interes kulturne Europe za zaostali srpski narod pod turskom vlašću. I pored kontroverzne uloge J. Kopitara i Vuka Karadžića, Hrvati prihvaćaju Književni dogovor 1850. g. sa Srbima, koji već u ono vrijeme, očevidno uz pomoć politike i lingvistike, osporavaju Hrvatima identitet. ; In the first half of the 19th century Europe saw some historical and political changes like Pan-Slavism and the Revolution of 1848, which was to build up democratic fundaments through the abolition of the Austro Hungarian Empire (with the Croartian Banus Jelačić on the Viennese side). Europe's cultural interest in Serbia increased. The Serbs were under Turkish dominance and thus restricted in their development. In 1850, despite controversial roles of J. Kopitar and Vuk Karadžić, the Croats agreed to a literary arrangement with the Serbs, who had already at that time obviously disputed the Croatian identity by means of politics and linguistics.

Autor u radu obrađuje desne političke stranke. Riječ je o najbrže rastućoj stranačkoj obitelji u Europi. U tom smislu analizira i prikazuje ideologiju, pojmove i vrste desnih političkih stranaka. Posebna pozornost posvećena je ideologiji stranaka radikalne desnice kroz teorijski okvir nizozemskoga politologa Casa Muddea. ; The author deals with right-wing political parties. It is the fastest growing party family in Europe. In this sense, he analyses and displays the ideology, concepts, and types of right-wing political parties. Special attention is paid to the ideology of the parties of the radical right through the theoretical framework of the Dutch political scientist Cas Mudde.

Glavni cilj disertacije je analizirati ideologiju glavnih predstavnika radikalne desnice u Poljskoj. Ova doktorska disertacija dizajnirana je kao studija slučaja unutar okvira kulturalnog pristupa u političkim znanostima. Kao metoda istraživanja odabrana je kombinacija kvalitativne analize sadržaja i konceptualne analize ideologije Michaela Freedena. Iako je najveći fokus istraživanja na dvjema političkim strankama (Zakon i pravda i Liga poljskih obitelji) kao glavnim predstavnicima radikalno desne političke scene u Poljskoj, istraživanje se bavi i drugim akterima, prije svega organizacijama civilnog društva, društvenim pokretima i medijima, koji sudjeluju u konstruiranju i promoviranju ideologije radikalne desnice. Pritom istraživanje nije ograničeno na sadržaj ideologije i aktere koji tu ideologiju promoviraju, već ono uključuje i analizu procesa putem kojih se ideologija radikalne desnice eksplicira i formulira, kao i analizu dinamičnih odnosa među akterima procesa proizvodnje ideologije doprinoseći istraživanju ideologije radikalne desnice kao i istraživanju procesa konstruiranja političkih ideologija općenito. Kao polazište za navedenu analizu u disertaciji se koristi ponešto modificirana definicija radikalne desnice poznatog politologa Casa Muddea prema kojoj su konstitutivna obilježja radikalne desnice integralni nacionalizam, autoritarnost i populizam. Analizom je utvrđeno kako su sve tri ideološke karakteristike tipične za radikalnu desnicu prisutne kod glavnih aktera istraživanih u ovoj disertaciji. Na tragu konceptualne analize, ova disertacija je pokazala kako središnji konstitutivni koncept radikalno desne ideologije u Poljskoj predstavlja nacija, i kako svi ostali okolni koncepti detektirani analizom, poput solidarnosti, jednakosti šansi, pravde, demokracije, slobode, zadobivaju svoje značenje na temelju svog odnosa prema središnjem konstitutivnom obilježju ideologije. ; In the last thirty years or so, the influence of the radical right has been constantly growing throughout Europe. This political success has been accompanied by an increasingly intensive scientific research on the phenomenon of the radical right, which has resulted in several studies that address various aspects of the radical right phenomenon in Europe. Paradoxically, despite such an abundance of research papers, their review suggests that there are relatively few papers that have a systematic and in-depth approach to the political ideology of the radical right. This doctoral dissertation fills this research gap and focuses on the political ideology of the radical right, taking into account the thesis of the well-known researcher of political ideologies Michael Freeden, that political ideologies are the center of political analysis because the study of ideologies can provide relevant insights necessary for understanding politics and political processes. In the context of the debate on the wave of radicalism in Europe, Poland is a particularly interesting case. Firstly, it is the largest and most populous post-communist country that became a member of the EU and a country in which the radical right won three parliamentary and three presidential elections between 2005 and 2020. Secondly, in academic papers and media Poland is often portrayed as an example of a country that has successfully gone through the process of transformation to liberal democracy and as an example of the most successful transition economy in Europe. The Polish case is also interesting because it is a a country with more than 90% of declared Catholics and where, primarily due to historical development, Catholicism plays a significant role in political, social, and cultural life; it has become a key component of the Polish national identity. In contrast to Western European countries, in Poland Political Catholicism, did not spark the development of strong Christian- Democratic parties, it rather gave rise to radical right-wing parties instead. In addition to cultural factors, historical heritage is often considered a fertile ground for the emergence of this type of parties, especially its influence on political processes and on the processes of building a national identity. Namely, the Polish historical heritage, specifically the one related to the 20th century, was marked by a short period of democratic rule (1918-1925), and two long periods of authoritarian rule, that of Jozef Pilsudski (1925 to 1939), and that of the communist authoritarians (1945 to 1989). Thus, the main goal of the dissertation is to analyze the ideology of the main representatives of the radical right in Poland by exploring its discursive manifestations, as well as the way in which the radical right ideology is produced. This doctoral dissertation is designed as a case study within the framework of a cultural approach in political sciences. The cultural approach is characterized by the insistence on the importance of context, which, on the other hand, makes it difficult to define clear independent, dependent, and intervening variables. Therefore, in the cultural approach, a case is most often taken as the analytical unit taking into consideration all the complexity of its historical and socio-political distinctiveness. Qualitative content analysis was chosen as the research method, and conceptual analysis of Michael Freeden's ideology was added to it, since this approach allows us to better understand the morphology of ideologies and their operationalization in politics. The first chapter is about the theoretical and methodological framework. Since the concept of the radical right is one of the deeply contested concepts which there is no consensus about in political science, and since the aim of this doctoral dissertation is to explain this concept, the first part of the chapter consists of a review and analysis of recent literature. The notion of the radical right was analyzed through comparison with related terms such as the extreme right, right-wing populism, and the far right. As a starting point for analysis in the dissertation, a somewhat modified definition of the radical right by the well-known political scientist Cas Mudde is used. According to him, the constitutive features of the radical right are integral nationalism, authoritarianism, and populism. Like the concept of the radical right, the concept of ideology is also ambivalent and can be understood in different ways which result in multiple uses of the term ideology which are often contradictory. This doctoral dissertation is largely based on the morphological approach to the study of ideology developed by Michael Freeden. The second chapter deals with the history of Poland before 1989. The first part of the chapter explains the early context of the emergence of Polish nationalism, which has its roots in the 'noble democracy' of the 17th century, as well as in the national struggles for independence of the 19th century. However, the chapter focuses on two periods that significantly influenced the emergence and growth of Polish political nationalism in the early 2000s. The first is the interwar period (1918-1939) in which two traditions of Polish political thought, Sanacja and Endeca, crystallized, and from which two visions of the Polish nation, national identity, and the nation-state, emerged. The second period is after the Second World War, i.e., the period of the People's Republic of Poland in which the legitimization and institutionalization of the nationalist discourse take place. Equally, in this period there emerged and formed social groups with different visions of the Polish state after the fall of communism. The third chapter deals with the transformation of the People's Republic of Poland into the The third Republic and with an account of political and social events in the first decade after the fall of communism. This chapter sheds light on the political and social context within which the dominant social divisions in Polish society emerged, which in large part resulted in the evolution of radical right-wing parties in the early 2000s. In particular, the very nature of the transformation process emerged as the main subject of dispute. Namely, the Polish right believes that due to the contractual transformation of the system, the 'revolution' is not over and that the left-liberal groups have made an agreement with the former communist establishment. They believe that the Third Republic is a product of this agreement and that it serves the left-liberal and former communist elites to maintain positions of power and rule the The third Republic to the detriment of the oppressed people. This conspiratorial narrative represents the foundation around which the politics and ideology of the radical right have been built in Poland since 2000. The fourth chapter deals with the emergence and profiling of two radical right-wing parties, Law and Justice (Polish: Prawo I Sprawiedliwość – PiS) and the League of Polish Families (Polish: Liga Polskich Rodzin – LPR) . The chapter is structured in such a way as to first present the history of the formation of these parties, with an emphasis on the main actors who participated as the originators and implementers of these projects. In both cases, these are largely the 'family projects' of the Kaczynski brothers (Law and Justice) and father and son Giertych (League of Polish Families). From the Kaczynskis' biographies, it is obvious that they come from an environment dominated by the legacy of Sanacja, while father and son Giertych openly presents themselves as the heirs of the interwar Endecja. After presenting their political activities and the first successes in the elections, the ideology of these two parties is reconstructed, primarily from their programs and other party publications. The research showed that until 2005 both parties contained all the constitutive elements of the radical right according to Mudde's conceptualization. While these constitutive elements have been present in the League of Polish Families since its founding, the party Law and Justice gradually became radicalized. This period, at least from the perspectives of PiS and LPR, is dominated by the conflict between the post-communist elites (former communists and left-liberal intellectuals) gathered around the left Democratic Left Alliance (Polish: Sojusz Lewicy Demokratycznej, SLD) and the so-called "patriotic' camp that emerged from Solidarity. This chapter also covers the period between 2005 and 2007 when these two parties, together with the Self-Defense party, formed a government that lasted less than two years. This first, shorter coming to power of the radical right in Poland is not important because of the public policies they pursued during that period, but because of the experience and lessons gained by PiS during its rule in the liberal democratic system. Namely, after 2007, the LPR disappeared from the Polish political scene, leaving the PiS as the only relevant political actor of the radical right. The fifth chapter covers the period between 2007 and 2015. It is the period of rule by the Civic Platform (Polish: Platforma Obywatelska, PO), a center-right party with strong pro-EU views and liberal economic and social policies. Due to the disappearance of the left from the Polish political scene, the main social and political conflict underwent a radical change. PiS formulated a new conflict – the struggle between solidarity and liberal or corporate Poland – and built its ideology around this conflict. This period in Polish political and social life was marked by the immigration crisis that hit Europe and the debate on the acceptance of the Council of Europe Convention on Preventing and Combating Violence against Women, the so-called Istanbul Convention. Both topics as well as the pro-European orientation of the PO government led to the mobilization of radical right-wing social groups and media that skillfully occupied public space by successfully imposing their topics on the public agenda. As this dissertation will show, PiS has adapted its discourse to that of radical right-wing organizations and has successfully presented itself as their political representative. On the one hand, this 'alliance' helped the PiS succeed in the 2015 presidential and parliamentary elections, while on the other it marked the further radicalization of the PiS, especially when it comes to issues of morals and values. The sixth chapter deals with the period between 2015 and 2020. During that period, the PiS won both the presidential and the parliamentary elections twice. This chapter emphasizes how PiS translates its ideology into public policies. Namely, during this period PiS focused its efforts on two projects: 'repairing the state' and rebuilding the community (nation). The first project was marked by the judicial reform and the crisis related to the Constitutional Court; it aimed to strengthen the executive branch to the detriment of other branches of government. The PiS community reconstruction project was conceived as a change in the material and spiritual dimension of the community. The first is mostly related to social policies, the emphasis being on family policies. Changes in the spiritual dimension imply changes in cultural policy, within which there has been a reform of public media and the announcement of the "recolonization" of private media. In changing the spiritual dimension, PiS placed special emphasis on the defense of the traditional way of life on the one hand, and on the politics of history on the other, in which the Institute of National Remembrance played an exceptional role. The seventh chapter takes the form of a final discussion in which the basic theses of the radical right ideology in Poland are reconstructed. The aim of this discussion is to position the topic of this dissertation within the framework of a broader theoretical discussion between liberals and their critics. Finally, the conclusion summarizes the main research results in this doctoral dissertation and points to the possible direction of future research, especially research of countries with a strong radical right and with a similar historical and cultural heritage. Equally, the conclusion points to the fact that this dissertation has not fully answered the research question related to finding out how ideology is constructed, and the actors involved in the process. Namely, the problem was the research design and selection of the analysis method. The conclusion is that a more complete answer to this research question would require some field research, preferably using the method of interview or survey. Finally, we believe that some future research on ideology should move in that direction.

Neposredno nakon Drugoga svjetskoga rata tiskani su priručnici za škole koji se od prijašnjih razlikuju implementacijom političkih ideologema kojima je cilj kroz nastavni proces ideološki indoktrinirati učenike. Usporedba prvoga poslijeratnoga izdanja Boranićeva pravopisa iz FNRJ (1947.) s izdanjem iz 1940. i analiza novonapisanih gramatičkih priručnika iz 1947. i 1948. (Brabec–Hraste–Živkovićeva Gramatika hrvatskoga ili srpskoga jezika za III. razred gimnazije. Tvorba riječi, sintaksa i narječja iz 1947. i Frol–Brabecov Naš jezik. Gramatika i pravopis za V. razred sedmogodišnje škole i I. razred gimnazije iz 1948.) pokazuje da to vrijedi i za pravopise i gramatičke priručnike napisane za škole. ; Teacher's handbooks printed immediately after World War II, differed from the previous ones by introducing political ideologemes aimed at political in- doctrination of the students. The first post-war issue of Boranić's Gramatika (Grammar), published in Federal People's Republic of Yugoslavia in 1947, is compared to the 1940 issue and newly written 1947 and 1948 grammar handbooks are analyzed Croatian or Serbian Language Grammar Textbo- ok for Grammar School, Grades III (Gramatika hrvatskoga ili srpskoga jezika za III. razred gimnazije, Brabec, Hraste & Živković; Word forming, Syntax and Dialects Tvorba riječi, sintaksa i narječja, 1947; Our Langu- age: Grammar and Ortography Textbook for Elementary School, Grades VII and Grammar School, Grades I Naš jezik. Gramatika i pravopis za V. razred sedmogodišnje škole i I. razred gimnazije, Frol & Brabec, 1948) and it is evident that the statement is also valid for grammar and orthography textbooks written for schools.

Kako je tema ideologije europskih stranki populističke i radikalne desnice u literaturi vrlo opširna, u radu se pokušava kroz analizu diskursa i programa istražiti moguća povezanost fašizma i radikalne i ekstremne desnice; na koji način i ako uopće, desne organizacije i stranke rehabilitiraju fašističke ideje. Kratkom uvodu u kojemu se objašnjava cilj istraživanja, slijedi teorijsko-konceptualni okvir u kojem se najprije definiraju pojedini važni pojmovi – ideologija fašizma i današnje desnice pa onda i razlikovanje ekstremne i radikalne desnice. Drugi se dio okvira odnosi na prikazivanje veza različitih europskih ekstremnih i radikalnih stranaka i grupacija s fašizmom. Na primjeru nekoliko europskih stranaka utvrđeno je kako postoji razlika između ekstremnih i radikalnih organizacija iako nije uvijek moguće točno odrediti granicu budući da nerijetko takve stranke prilagođavaju ideologiju u skladu s vremenom kako bi osvojile vlast. Nakon glavnoga dijela prikazuje se kratki zaključak s istaknutim nedostatcima i prijedlozima za poboljšanjem. ; As the topic of the ideology of the European populist and radical right parties is extensive in academic research, the possible connection between fascism and the radical and extreme right through the analysis of discourses and programs will be explored; how and if at all, right-wing organizations and parties rehabilitate fascist ideas. A short introduction explaining the aim of the research is followed by a theoretical-conceptual framework in which certain important concepts are defined - the ideology of fascism and present-day right along with the distinction between the extreme and radical right. The second part of the framework shows the links between various European extreme and radical parties and groups with fascism. The example of several European parties has shown that there is a difference between extreme and radical organizations, although it is not always possible to determine the exact distinction, as often such parties adjust their ideology in accordance with ...

One of the central notions of the post-Yugoslav literature is the status of democracy in national states formed after the breakup of Yugoslavia. From the perspective of the exile, not only as banishment, but also as a liberating outside view into the once common social, cultural and political space, the post-Yugoslav writers question the social democracy praxis in their former home states comparing it to the social practices in the states of their current residence. In her books of essays, Dubravka Ugrešić ironizes different forms of social ideology in Croatia from the beginning of nineteen-nineties. Her writing recognizes the standards of European democracy accompanied with the ideological view into the questions of social rights, religion and language as the stumbling block of modern society. Ugrešić describes democracy as a notion hiding different things: the praxis of ruthless capitalist exploitation, loss of media freedom, media manipulation, the censorship of corporate capitalism, production of lies, modern slavery. (Don't take it personal, 2014), validating in her essays the importance of literature in disclosure of autocracy masked as democracy. ; One of the central notions of the post-Yugoslav literature is the status of democracy in national states formed after the breakup of Yugoslavia. From the perspective of the exile, not only as banishment, but also as a liberating outside view into the once common social, cultural and political space, the post-Yugoslav writers question the social democracy praxis in their former home states comparing it to the social practices in the states of their current residence. In her books of essays, Dubravka Ugrešić ironizes different forms of social ideology in Croatia from the beginning of nineteen-nineties. Her writing recognizes the standards of European democracy accompanied with the ideological view into the questions of social rights, religion and language as the stumbling block of modern society. Ugrešić describes democracy as a notion hiding different things: the praxis of ruthless capitalist exploitation, loss of media freedom, media manipulation, the censorship of corporate capitalism, production of lies, modern slavery. (Don't take it personal, 2014), validating in her essays the importance of literature in disclosure of autocracy masked as democracy.

Svjetski su ratovi ostavili neizbrisiv trag ne samo za svog trajanja nego i kasnije. Jedan od načina prilagodbe čestim smjenama političkih režima karakterističnih za češku kulturu i književnost upravo je humor u književnosti. U središtu su ovoga rada tri romana, proizašla iz pera poznatih čeških prozaika: Doživljaji dobrog vojnika Švejka u svjetskom ratu Jaroslava Hašeka, Dvorio sam engleskoga kralja Bohumila Hrabala i Šala Milana Kundere. Koristeći humor kao dominantan književni diskurs, pisci formiraju lik marginaliziranih (anti)junaka koji, usprkos egzistenciji u različitim povijesnim vremenima, ratuju protiv rata. Nijansiranim će postupcima ironije, crnog humora, sarkazma i groteske razoružati rat i okove (poslije)ratnih ideologija – austrijskog imperijalizma, nacizma i socijalizma, svodeći ih pod apsurd. Svevremenost pacifizma koji zagovaraju ova će djela učiniti jednako privlačnima i današnjem krugu čitatelja. ; World wars have left an indelible trace while they lasted as well as in times after them. In Czech culture and literature one of the common ways of adapting to political regime changes is using humour in literary works. The paper focuses on three novels by famous Czech novelists: The Good Soldier Švejk by Jaroslav Hašek, I Served the King of England by Bohumil Hrabal and The Joke by Milan Kundera. By using humour as dominant literary discourse, the authors created marginalised characters, (anti)heroes who, despite living at different times, disarm the war. Nuanced irony, black humour, sarcasm and grotesque reveal the true face of wars and restraints of (post)war ideologies – Austrian imperialism, Nazism and socialism by treating them as absurd. Timelessness of pacifism which these works promote makes these books appealing to readers even nowadays.

U članku je analiziran sovjetski pogled na zbivanja u drugoj najvećoj jugoslavenskoj republici tijekom druge polovine 50-ih i prve polovine 60-ih godina. Uzeta je u obzir situacija u Jugoslaviji i međusobni odnosi Beograda i Moskve. Dosad su se povjesničari zanimali prije svega za političku dimenziju međusobnih odnosa i sovjetske ocjene političkoga stanja u Jugoslaviji. Iako su politika i ideologija bile u centru pozornosti sovjetskih diplomata, u članku nisu zanemarena ni kulturna zbivanja u Federativnoj Narodnoj Republici Jugoslaviji (od 1963. Socijalističkoj Federativnoj Republici Jugoslaviji) ni gospodarski položaj zemlje. Ove su dimenzije čvrsto povezivali s političkom sferom te podređivali sovjetskim interesima prema Jugoslaviji. Članak je utemeljen na izvornoj arhivskoj građi prikupljenoj u Moskvi u Ruskom državnom arhivu novije povijesti (Российский государственный архив новейшей истории), u fondu Odjela za veze s komunističkim i radničkim partijama socijalističkih zemalja, koji je odgovarao za odnose sa zemljama komunističkoga uređenja. U radu je korištena i relevantna stručna literatura. ; The Soviet view of Croatia, as well as the situation in Yugoslavia, resulted from Soviet interests, its efforts to draw Yugoslavia into its orbit of influence. Particular reluctance was evident on the realm of ideology and purported Western influence, the effectiveness of which was exaggerated in the Soviet documents. In the political dimension, the Kremlin was interested to which extent directives from the center were implemented at the republican level. The attitudes of local politicians toward the actions of the central authorities were also the matter of interest for Soviets. The fact that Croatia was the second richest republic and its aspiration for greater decision-making were regarded as negative phenomenon. Discussions about the competencies of the republics were depicted as closely tied to the national question, referring to the difficult experiences of the first half of the 20th century. In the economic and cultural sphere, there was particular interest in the possibilities of cooperation and building up one's own influence in the Croatian SR. Despite the negative perception of many phenomena in Yugoslav culture, where a critical stance toward the USSR was expressed in film, literature, and the press, Moscow believed that through the presence of Soviet culture - often such as music and theater - it would be possible to gradually gain approval of the public sphere. The Kremlin's propaganda, however, was not as effective in Yugoslavia-as it was throughout the world-as it was in the West. The Soviets paid more attention to events in the center of the country, although they did not ignore regional events either.

Prijetnja koja dotiče sadašnju Srednju Europu vezana je uz dvije skupine uzroka. Kao prvo, s politikom Rusije koja traži novo mjesto za sebe na globalnoj razini. Kao drugo, s krizom unutar same Unije, koja se većinom tiče zemalja Srednje Europe kao najmlađeg njezinog člana i onoga koji nosi postkomunistički teret. Geostrateški, ideološki i kulturološki aspekti povezani s prethodno spomenutim kompleksima prijetnje bit će predmet izlaganja na konferenciji. ; The threat that Central Europe faces nowadays is connected with two sets of causes. The first cause is Russian politics that attempts to establish a new position on a global level. And the second is the crisis within the Union, which has mainly affected Central European countries, their youngest members that still bear the post-communist burden. The paper focuses on geostrategic, ideological and cultural aspects regarding the abovementioned complex threat.

Miltonov Izgubljeni raj, kao i izvorna biblijska priča, već dugo izaziva polemike o prirodi i svrsi ljudske seksualnosti. Ovaj rad istražuje Miltonovo poimanje Sotone te Adama i Eve uranjajući ih u virtualnu stvarnost izvrnute svijesti u kontekstu Augustinove doktrine distopijskih društava (antičkih kao i suvremenih) i političke teorije općenito. Seksualna osvješćenja, kako ona u raju tako i ona u suvremenim oblicima kvazirajske zabave, podudaraju se s pojavom solipsističnoga bića i virtualne seksualnosti i, makar tako ne izgleda, ona mogu imati ozbiljne političke posljedice. Ono što sliči na mahnito osobno oslobađanje na javnim mjestima, ustvari se pretvara u velike gubitke političkih sloboda. ; For a long time Milton's Paradise Lost, as the original Biblical story, has been a controversial testing ground for various theories regulating human sexuality. The paper explores Milton's rendering of Satan's and Adam and Eve's immersion in the virtual realities of inverted, false consciousness in the light of Augustine's doctrine, dystopian societies (ancient and modern), and political theory. Sexual enlightenments, whether in Paradise or contemporary quasi-paradisal forms of entertainment, coincide with the appearance of the solipsistic self and cybersexuality and they tend to have serious political implications. What appear to be personal liberating frenzies in public places actually turn out to be serious losses of political freedom.

The paper deals with the ideologically conditioned changes of cultural politics in socialist Yugoslavia in the first decade after the Second World War (1945-1955) and their influences on children's poetry. The sudden shift from party-controlled socialist realism towards freedom of (also ideologically established) scientific and artistic creativity has resulted in the artistic and ideological phenomenon that certain literary historians call socialist aesthetics. The paper will attempt to prove that the expression of this kind of aestheticism in children's literature is modern poetry for children. Ideas of creative freedom and general social modernism were reflected in the educational politics and social welfare of children and youth. All this is expressed in poetry that gives priority to play, primarily language play, humor, and imagination over direct pedagogical function. Such poetry has its roots in folk and European literary tradition, welcoming children's wishes and fears. It is emancipatory and simultaneously detached from many aspects of the reality of children's lives and children's status in society. Such poetry emerged in various ways and within various national cultures of the former socialist Yugoslavia, at the same time realizing similar, and in many ways, comparative aesthetic and social effects. ; Rad se bavi ideološki uvjetovanim promjenama kulturne politike u socijalističkoj Jugoslaviji u prvom desetljeću poslije Drugoga svjetskog rata (1945. – 1955.) i njihovim utjecajima na dječju poeziju. Nagli zaokret od partijski kontroliranog socijalističkog realizma prema slobodi (također ideološki uspostavljenoj) znanstvenog i umjetničkog stvaralaštva rezultirao je umjetničko-ideološkim fenomenom koji pojedini povjesničari književnosti nazivaju socijalističkim estetizmom. Naš rad dokazuje da je izraz takvog estetizma u dječjoj književnosti moderna poezija za djecu. Ideje stvaralačke slobode i sveopćeg društvenog modernizma reflektirale su se i u prosvjetnoj politici i u društvenoj skrbi o djeci i mladima. Sve je to našlo svoj izraz u poeziji koja daje prednost igri, i to, prije svega, igri u jeziku, humoru i mašti nad izravnom pedagoškom funkcijom. Takva poezija ima svoje izvore i u narodnoj i u europskoj književnoj tradiciji, otvorena je za dječje želje i strahove, emancipacijska je, ali je istodobno i odijeljena od mnogih aspekata stvarnoga dječjeg života i položaja djeteta u društvu. Takva je poezija na različite načine nastajala unutar različitih nacionalnih kultura nekadašnje socijalističke Jugoslavije, istodobno ostvarujući slične i po mnogo čemu usporedive estetske i socijalne učinke.

Bijela knjiga je uobičajeni naziv za internu analizu Saveza komunista Hrvatske iz ožujka 1984. u kojoj su sabrane antisistemske pojave iz javnoga prostora od 1982. do 1984., najvećim dijelom iz Srbije, a koje su bile u suprotnosti s politikom Saveza komunista Jugoslavije. Ona je bila rezultat dosljedne provedbe zaključaka Centralnoga komiteta Saveza komunista Jugoslavije u Hrvatskoj, ali i većem dijelu republika i autonomnih pokrajina. U Srbiji su to radili parcijalno, očito iz pobuda da ne idu do kraja u obračun s kritičarima komunizma jer su dijelu političkoga vrha Srbije služili i za druge ciljeve – promjenu političkoga sustava, što je bio eufemizam za redefiniranje jugoslavenskoga federalizma. Analiza je bila uvod u Savjetovanje kulturnih stvaralaca održano 23. svibnja 1984. u Zagrebu. Izazvala je razmimoilaženje između komunista Hrvatske i Srbije i potaknula dugotrajne polemike u medijima. ; The White Book is the popular name for the internal analysis of the League of Communists of Croatia from March 1984, in which anti-system occurrences in the public space—i.e. those that were at odds with the policies of the League of Communists of Yugoslavia—from 1982 to 1984 and mostly from Serbia, were gathered. It was the result of the consistent implementation of the policies of the Central Committee of the League of Communists of Yugoslavia in Croatia as well as in most parts of the other Yugoslav republics and autonomous provinces. In Serbia, this was done only partially, obviously due to a desire to avoid a thorough settling of accounts with the media and anti-communists, because they were important to a part of the political leadership that wanted a change of the political system, which was a euphemism for redefining Yugoslav federalism. The goal of the Analysis was to highlight this issue, while the Consultations of Cultural Creators held on 23 May 1984 were intended to offer help from Zagreb. It appears that the White Book purposefully ended up in the hands of persons in Belgrade for whose eyes it had not been intended, and thus worsened relations between the Leagues of Communists of Croatia and Serbia. The White Book was also the cause of long-lasting media polemics, despite the Party leadership's demands that they be stopped. It is a concrete example that there existed serious differences in the approach to the topic of ideological struggle within the League of Communists of Yugoslavia, and that the conclusions of the League's Central Committee were not being conducted according to the principles of 'democratic centralism'.

Ideologija liberalizma obilježena je protuslovljima. U ime slobode nametano je ropstvo jednih drugima. Odnos liberalizma prema državi obilježen je protuslovljem između negativne i pozitivne slobode. Državu blagostanja razvijenu na Zapadu u drugoj polovini 20. stoljeća, zasnovanu na konceptu pozitivne slobode, zamijenio je neoliberalizam zasnovan na konceptu negativne slobode. Rezultat je povećanje ekonomskih razlika između bogatih i siromašnih. Na međunarodnom planu liberalizam je obećavao svijet bez rata uređen na načelima razuma. Nakon prestanka Hladnoga rata, kad su stvorene pretpostavke za ostvarivanje liberalnih obećanja, bogate zemlje Zapada odlučile su ostatku svijeta nametnuti neoliberalne modele funkcioniranja ekonomije i društva. Umjesto win-win situacije svijet je suočen sa sukobima i krizama. Liberalizam može opstati kao kredibilna ideologija ako se na unutrašnjem i na međunarodnom planu budu primjenjivale sve njegove sastavnice. ; The ideology of liberalism is marked by contradictions. Slavery has been imposed to some in the name of liberty for others. The relationship of liberalism toward the state is determined by the contradiction between negative and positive liberty. Welfare state was developed in the West in the latter half of the 20th century and based on the concept of positive liberty, but it has since been replaced by neoliberalism based on the concept of negative liberty. The result was the exacerbation of the economic gap between the wealthy and the poor. On the international level, liberalism promised a world with no wars and arranged according to reason. Following the end of the Cold War and the realization of the preconditions for the fulfillment of liberal promises, the rich countries of the West decided to impose the neoliberal model of society and economy on the rest of the world. Instead of a win-win situation, the world is faced with conflicts and crises. Liberalism can survive as a credible ideology only if all of its components are implemented both on the domestic and international levels.

Različiti aspekti američke popularne kulture (SAD), od fast fooda do tada aktualne umjetničke scene, čine dio motivskog repertoara poezije Borisa Marune, koji je uz Viktora Vidu najbolji hrvatski emigrantski pjesnik. Odnoseći se spram karakterističnih simbola zemlje u kojoj se našao slijedom svoje zanimljive emigrantske i nomadske sudbine na humoran, ironičan i satiričan način, Maruna u stihovima dimenzionira svoj kritički i osporavateljski odnos spram Amerike kao obećane zemlje. S druge strane, Amerika je prostor konkretne uređene političke i društvene zbilje u kojoj se ipak mogao pronaći dostojan prostor slobode za avanturiste duha, napose u smislu seksualnog liberalizma i nesputanog tjelesnog ponašanja kao dijela popularne kulture, o čemu Maruna često govori u svojoj poeziji. Ono što nikada nije dolazilo u pitanje bila je ljubav spram hrvatske domovine, ali bez tonova patetičnog domotužja i plačne nostalgije, s kritičkim i ironijskim odmakom spram navika i običaja Hrvata, što je Marunu bitno udaljavalo od tipične matrice hrvatskih emigrantskih pjesnika i pisaca uopće. ; Different aspects of American popular culture, from fast food to then-current art scene, are only some of the motives in the poetry of Boris Maruna who is, along with Viktor Vida, the best Croatian emigrant poet. Using humor, irony and satire while referring to the characteristic symbols of the country in which he ended up due to his interesting and nomadic destiny, Maruna in his poems dimensions his critical and disputing attitude towards America as the Promised Land. On the other hand, America is the country of concrete and organized political and social reality in which the adventurers of the mind could still find some respectable space of freedom, especially in terms of sexual liberalism and uninhibited physical behavior as a part of the popular culture, one of the frequent topics in Maruna's poetry. His love for the homeland Croatia was never questionable. It was however expressed without any pathetic patriotic tones or weeping nostalgia, but with a critical and ironic detachment from the customs and habits of the Croats, thus significantly alienating Maruna from the typical matrix of both the Croatian emigrant poets and the writers in general.

Online proračunska transparentnost lokalnih jedinica (OLBT) prepoznata je kao važna značajka dobrog upravljanja. U skladu s tim, OLBT se u ovom radu mjeri u svih 128 gradova i na uzorku od 100 općina u Hrvatskoj koristeći nekoliko ključnih lokalnih proračunskih dokumenata objavljenih na web stranicama lokalnih jedinica. Koristeći Poissonov panel model s fiksnim učinkom u razdoblju 2013. – 2017., pokazalo se da osim dohotka stanovnika i fiskalnog kapaciteta lokalnih jedinica, razinu OLBT-a određuju politička ideologija i politička konkurencija. Ovaj rad pridonosi rastućoj literaturi o proračunskoj transparentnosti utvrđivanjem važnosti političkih faktora kao odrednica OLBT-a u bivšoj socijalističkoj, fiskalno centraliziranoj, članici EU-a i otkriva zanimljivu tvrdoglavost građana koji dosljedno glasaju za netransparentne političare. Glavni nalaz je da su politički faktori (politička ideologija i politička konkurencija) važni kao odrednice OLBT-a, što u lokalnim jedinicama rezultira suboptimalnom ravnotežom s niskim razinama OLBT-a. Lokalni političar na vlasti zaključuje da OLBT nije od posebne važnost da bi mu izborna jedinica zamjerila netransparentnost. U takvom je okruženju navedeni zaključak valjan, jer ovaj rad dokazuje da birači, koji su tvrdoglavi u svojim glasačkim obrascima, odbijaju promijeniti lokalnog političara na vlasti iako je netransparentan. ; Online local budget transparency (OLBT) has been recognized as an important feature of good governance. Accordingly, in this paper, OLBT is measured in all 128 cities and a sample of 100 municipalities in Croatia using several key local budget documents published on local government websites. Using a fixed effect Poisson panel model covering the 2013-2017 period, it is shown that along with residents' income and fiscal capacity of local governments, political ideology and political competition determine the level of OLBT. This paper contributes to the growing body of budget transparency literature by establishing the importance of political factors as determinants of OLBT in this former socialist, fiscally centralized EU member state and reveals the curious stubbornness of the citizens who consistently vote for non-transparent politicians. The main finding is that political factors (political ideology and political competition) matters in determining OLBT, resulting in suboptimal equilibrium of local governments with low levels of OLBT. The local incumbent concludes that OLBT is not a high priority and that his/her constituency will not hold it against him/her. In this environment such a conclusion stands owing to the fact that voters who are stubborn in their voting patterns refuse to change the incumbent who created nontransparency.