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Cover -- Half Title -- Title -- Copyright -- Contents -- Series Editors' Foreword -- 1 Introduction: What Is Intermediality and Why Study It in U.S. Classrooms? -- 2 Deep Viewing: Intermediality in Preservice Teacher Education -- 3 Intermediality in the Classroom: Learners Constructing Meaning Through Deep Viewing -- 4 Preservice Teachers' Collages of Multicultural Education -- 5 A Late-'60s Leftie's Lessons in Media Literacy: A Collaborative Learning Group Project for a Mass Communication Course -- 6 The Power and Possibilities of Video Technology and Intermediality -- 7 A Feminist Critique of Media Representation -- 8 Critical Media Literacy as an English Language Content Course in Japan -- 9 Critical Viewing as Response to Intermediality: Implications for Media Literacy -- 10 Intermediality, Hypermedia, and Critical Media Literacy -- 11 Afterword -- About the Editors and Contributors -- Index

To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect.

Based on an international conference held in Saarbrücken in June 2017 that was attended by scholars from France, Germany, England and Ireland, the articles gathered in this volume constitute volume 6 of the LAPASEC series (Landau-Paris Studies on the Eighteenth Century). The essays represent the outstanding contributions to the symposium. Concerned with intermediality and the circulation of knowledge in the age of Enlightenment, the twelve pieces, divided into four sections, address aspects of theory, discursive intermediality, generic intermediality and the intermediality of objects. In doing so, they take cognizance of what is amiss in the field of intertextual/intermedial studies, i.e. the discussion of its relevance outside narratology as well as a true and interdisciplinary interest in the essentially rhizomatic nature of cultural representations (texts, images, musical pieces and material objects).

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com While all media are part of intermedial networks, video games are often at the nexus of that network. They not only employ cinematics, embedded books, and in-world television screens for various purposes, but, in our convergence culture, video games also play a vital role in allowing players to explore transmedia storyworlds. At the same time, video games are frequently thematized and remediated in film, television, and literature. Indeed, the central role video games assume in intermedial networks provides testament to their significance in the contemporary media environment. In this volume, an international group of contributors discuss not only intermedial phenomena in video games, but also the intermedial networks surrounding them. Intermedia Games-Games Inter Media will deepen readers' understanding of the convergence culture of the early twenty-first century and video games' role in it.

The book discusses the idea of African identity in the twenty-first century, calling into question and deconstructing any understanding and representation of the idea of African identity as being based exclusively on the notion of 'Blackness', or the Black race. In countering such an idea of African identity as a flawed notion, the text propounds the idea of intermediality as a new modality of thinking about the importance of embracing the primacy of tolerance for the difference of identity. The notion of intermediality promotes the need for people of all races across the African continent to embrace the idea of difference as the defining feature of African identity so that the geographical locality called Africa is seen as a vibrant, open, and cosmopolitan continent which is accessible to people of all races and identities.

"The Power of the In-Between: Intermediality as a Tool for Aesthetic Analysis and Critical Reflection gathers fourteen individual case studies where intermedial issues—issues concerning that which takes place in between media—are explored in relation to a range of different cultural objects and contexts, different methodological approaches, and different disciplinary perspectives. The cases investigate the intermediality of such manifold objects and phenomena as contemporary installation art, twentieth-century geography books, renaissance sculpture, media theory, and public architecture of the 1970s. They also bring together scholars from the disciplines of art history, comparative literature, theatre studies, musicology, and the history of ideas.
Starting out from an inclusive understanding of intermediality as "relations between media conventionally perceived as different," each author specifies and investigates "intermediality" in their own particular case; that is, each examines how it is inflected by particular objects, methods, and research questions. "Intermediality" thus serves both as a concept employed to cover an inclusive range of cultural objects, cultural contexts, methodological approaches, and so on, and as a concept to be modelled out by the particular cases it is brought to bear on. Rather than merely applying a predefined concept, the objectives are experimental. The authors explore the concept of intermediality as a malleable tool of research.
This volume further makes a point of transgressing the divide between media history and semiotically and/or aesthetically oriented intermedial studies. The former concerns the specificity of media technologies and media interrelations in socially, politically, and epistemologically defined space and time, and the latter targets formal considerations of media objects and its various meaning-making elements. These two conventionally separated fields of research are integrated in order to produce a richer understanding of the analytical and historical, as well as the aesthetic and technological, conditions and possibilities of intermedial phenomena.
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Chapter 1. Introduction: The Dynamics of Truthfulness and Media -- Part I Factual Evidence and Coherence in Knowledge Communication -- Chapter 2. A Story Too Good to Be True: The Manipulation of Truth Claims in Faked News -- Chapter 3. The Montage of the National Past: Polish Right-Wing Illustrated Press and the Abuse of History -- Chapter 4. Trustworthiness in the Swedish Strategies for Covid-19 in Recorded Press Conferences from the Public Health Agency of Sweden -- Part II Personal Quests for Empirical Truth: Testimony and Media Hybridity -- Chapter 5. Unveiling Truth and Truthfulness in the Graphic Memoir Heimat -- Chapter 6. Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice -- Part III Fact and Fake across Media Types -- Chapter 7. Fictionality as a Rhetorical Tool in Political Mockumentary Films: The Interplay of Fictionality and Factuality in C.S.A.: The Confederate States of America -- Chapter 8. Clemens J. Setz on Bursting the Reader's Reality Bubble -- Chapter 9. "An Occasionally True Story": Biofiction, Authenticity and Fictionality in The Great (2020) -- Chapter 10. Impure Realism, Pure Eventness, and Horror Cinema in the Post-truth Era: A Case Study of One Cut of the Dead -- Part IV Interaction, Trust, and Truthfulness on Social Media -- Chapter 11. Developing Misinformation Immunity in a Post-Truth World: Human Computer Interaction for Data Literacy -- Chapter 12. When the Post-Truth Devil Hides in the Details: A Digital Ethnography of Virtual Anti-Vaccination Groups in Lithuania -- Chapter 13. Towards a Grammar of Manipulated Photographs: The Social Semiotics of Digital Photo Manipulation.

Preliminary Material -- Metareference across Media: The Concept, its Transmedial Potentials and Problems, Main Forms and Functions /Werner Wolf -- Metareference from a Semiotic Perspective /Winfried Nöth -- The Case is 'this': Metareference in Magritte and Ashbery /Andreas Mahler -- Beyond 'Metanarration': Form-Based Metareference as a Transgeneric and Transmedial Phenomenon /Irina O. Rajewsky -- Metalepsis and Its (Anti-)Illusionist Effects in the Arts, Media and Role-Playing Games /Sonja Klimek -- Generic Titles: On Paratextual Metareference in Music /Hermann Danuser -- "Music about Music": Metaization and Intertextuality in Beethoven's Prometheus Variations opus 35 /Tobias Janz -- Exploring Metareference in Instrumental Music – The Case of Robert Schumann /René Michaelsen -- Phantasmic Metareference: The Pastiche 'Operas' in Lloyd Webber's The Phantom of the Opera /David Francis Urrows -- Intramedial Reference and Metareference in Contemporary Music /Jörg-Peter Mittmann -- "Please Play This Song on the Radio": Forms and Functions of Metareference in Popular Music /Martin Butler -- "L'architecture n'est pas un art rigoureux": Jean Nouvel, Postmodernism and Meta-Architecture /Henry Keazor -- Of Museums, Beholders, Artworks and Photography: Metareferential Elements in Thomas Struth's Photographic Projects Museum Photographs and Making Time /Katharina Bantleon and Jasmin Haselsteiner-Scharner -- The Gradable Effects of Self-Reflexivity on Aesthetic Illusion in Cinema /Jean-Marc Limoges -- Novel in/and Film: Transgeneric and Transmedial Metareference in Stranger than Fiction /Barbara Pfeifer -- Narrative Fiction and the Fascination with the New Media Gramophone, Photography and Film Metafictional and Media-Comparative Aspects of H. G. Wells' A Modern Utopia and Beryl Bainbridge's Master Georgie /Hans Ulrich Seeber -- Metareference and Intermedial Reference: William Carlos Williams' Poetological Poems /Daniella Jancsó -- Metareferentiality in Early Dance: The Jacobean Antimasque /Ingrid Pfandl-Buchegger and Gudrun Rottensteiner -- Textworlds and Metareference in Comics /Karin Kukkonen -- Metareference in the Audio-/Radioliterary Soundscape /Doris Mader -- Metareference in Computer Games /Fotis Jannidis -- When Metadrama Is Turned into Metafilm A Media-Comparative Approach to Metareference /Janine Hauthal -- Quotation of Forms as a Strategy of Metareference /Andreas Böhn -- 'The Media as Such': Meta-Reflection in Russian Futurism – A Case Study of Vladimir Mayakovsky's Poetry, Paintings, Theatre, and Films /Erika Greber -- Notes on Contributors -- Index.