Suchergebnisse

Reaffirming the importance of the U.S.-Japan relationship -- Contributing to world peace and global prosperity -- Definitive implementation of the U.S.-Japan security treaty -- Integrating hard power and soft power -- The political necessity for cooperation -- Review of bilateral cooperation on global issues -- The global partnership under the George H.W. Bush administration (1989-1993) -- The common agenda under the Clinton administration (1993-2001) -- Alliance cooperation under the George W. Bush administration (2001 -- present) -- A new framework for enhanced global security -- Promoting regional economic integration: an Asia-Pacific union -- U.S.-Japan free trade agreement -- Main areas for cooperation -- Environment and energy -- Climate change -- Energy-saving societies -- Development and Africa -- Nuclear nonproliferation -- Other possible areas for cooperation.

The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.