Suchergebnisse

요약문정도전은조선왕조창업의실질적공헌자로평가된다. 그러나그의공은단지개국한것에만머물지않고나아가조선왕조가이후 500년간지속될수있는터전을제공한데에있다고보는것이이글의논점이다. 기존의한국역사학계의평가는그를왕조의설계자로간주하면서, 주로경제, 정치, 법제도의제공에한정된내용을논의하였다. 그러나이에동의한다고하더라도그의실질적공헌은유교국가로서조선왕조가자신의사회를지속해서성공적으로재생산할수있는기반을제공한데에있다고보고그증거로볼수있는내용, 즉수도공간과건축의유교적배치와명명, 불교적의례르폐지하고유교적의례를대체한사실, 불교이념의배제와유교이념의시행등의의미를논한것이이글의핵심이다. 핵심어: 정도전, 조선왕조창업, 유교적기반, 사회의재생산, 도시공간의유교적배치와명명, 유교의례, 유교이념AbstractJeong Do-jeon is the most substantial contributor to the establishment of the Joseon Dynasty. Most present Korean historians commonly regard him as Designer of the Dynasty and have discussed his contribution to establish the system of law, economy, and politics. However, his contribution is not limited in the establishment. This paper discusses his substantial contribution in supplying the basis of Confucian civilization for the Dynasty's duration for 500 years, abolishing Buddhist rituals and providing Confucian ones, organizing the capital city and naming buildings and districts of the city according to Confucian humanities, excluding Buddhism from people's routine lives as well as official or royal ceremonies, etc.Keywords: Jeong Do-jeon, Joseon Dynasty, Confucianism, reproduction of Confucian society, rituals, capital city ; Jeong Do-jeon (1342–1398) je eden izmed najbolj pomembnih oseb pri vzpostavitvi dinastije Joseon. Rodil se je v dinastiji Goryeo, kjer je živel do starosti 50 let, a se je skupaj z Yi Seong-gyejem, ki je bile eden izmed najvišjih admiralov v kraljestvu Goryeo, uprl proti kraljestvu in uspešno ustanovil novo dinastijo Joseon leta 1392. Čeprav štejejo Yi Seng-gye, ki je postal prvi kralj dinastije Joseon, za uradnega ustanovitelja te dinastije, pa številni sodobni zgodovinarji Jeong Do-jeona štejejo kot oblikovalca nove dinastije. Ta ocena prikazuje, da so številni korejski zgodovinarji razvili skupno idejo, da brez njegovega načrtovanja in izvajanja, dinastija Joseon ne bi bila ustanovljena in tudi ne bi trajala 500 let. Med ključne točke, s katerimi sodobni zgodovinarji ocenjujejo njegove dosežke, niso samo realizacija revolucije, ampak tudi njegovi prispevki, ki so bili nepogrešljivi za ohranjenje in razvoj dinastije. Sodobni zgodovinarji se osredotočajo na njegovo sistematično oblikovanje institucij zakonov, ekonomije in politike, ki so tudi glavne teme sodobnih družbnoslovnih znanosti. Vendar pa ni dovolj, da bi samo ocenjevali njegov pomemben prispevek za ohranjanje dinastije skoraj 500 let. Ta članek posveča tudi pozornost vlogi nacije, ki disciplinira svoje ljudi, kot pravi Michel Foucault. Ideološka in institucionalna oprema dinastije Joseon ustreza discipline, s tem na primer, da je ukinil budistične rituale in jih nadomestil s konfucianskimi, organiziral je glavno mesto in poimenoval stavbe in ulice po konfucianskih klasikih, izključil je budizem iz življenj ljudi in uradnikov ter iz kraljevih obredov itd., nas vsi njegovi prispevki opozarjajo na njegovo pomembno vlogo pri ohranjanju dinastije, in sicer za neprekinjeno reprodukcijo konfucijske družbe od 14. do 20. stoletja. Ta prispevek se osredotoča na uporabo njegovih pomebnih prispevkov za diskusijo v filozofiji za javnost, še posebej z japonskimi filozofi.

요약문정도전은조선왕조창업의실질적공헌자로평가된다. 그러나그의공은단지개국한것에만머물지않고나아가조선왕조가이후 500년간지속될수있는터전을제공한데에있다고보는것이이글의논점이다. 기존의한국역사학계의평가는그를왕조의설계자로간주하면서, 주로경제, 정치, 법제도의제공에한정된내용을논의하였다. 그러나이에동의한다고하더라도그의실질적공헌은유교국가로서조선왕조가자신의사회를지속해서성공적으로재생산할수있는기반을제공한데에있다고보고그증거로볼수있는내용, 즉수도공간과건축의유교적배치와명명, 불교적의례르폐지하고유교적의례를대체한사실, 불교이념의배제와유교이념의시행등의의미를논한것이이글의핵심이다. 핵심어: 정도전, 조선왕조창업, 유교적기반, 사회의재생산, 도시공간의유교적배치와명명, 유교의례, 유교이념AbstractJeong Do-jeon is the most substantial contributor to the establishment of the Joseon Dynasty. Most present Korean historians commonly regard him as Designer of the Dynasty and have discussed his contribution to establish the system of law, economy, and politics. However, his contribution is not limited in the establishment. This paper discusses his substantial contribution in supplying the basis of Confucian civilization for the Dynasty's duration for 500 years, abolishing Buddhist rituals and providing Confucian ones, organizing the capital city and naming buildings and districts of the city according to Confucian humanities, excluding Buddhism from people's routine lives as well as official or royal ceremonies, etc.Keywords: Jeong Do-jeon, Joseon Dynasty, Confucianism, reproduction of Confucian society, rituals, capital city

At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910 and Korea lost its sovereignty. In political turmoil, the formation of national and cultural identity was constantly challenged, and the struggle was not argued in words alone. It was also embedded in various types of visual cultures, with narratives changing under the shifting political climate. This thesis focuses on paintings exhibited in the Joseon Mijeon (조선미술전람회 The Joseon Fine Art Exhibition) (1922-1944), which was supervised by the Japanese colonial government and dominated, in the beginning, by Japanese artists and jurors. By closely examining paintings of 'local color (향토색)' and 'provincial color (지방색),' which emphasized the essence of a "Korean" culture that accentuated its Otherness based on cultural stereotypes, the thesis explores how representations of Korea both differentiated it from Japan and characterized its relationship with the West. In order to legitimize its colonial rule, politically driven ideologies of pan-Asianism (the pursuit of a unified Asia) and Japanese Orientalism (the imperialistic perception of the rest of Asia) were evident in the state-approved arts. The thesis explores how the tension of modern Japan as both promoting an egalitarian Asia and asserting its superiority within Asia was shown in the popular images that circulated in the form of postcards, manga, magazine illustrations, and more importantly in paintings. Moreover, this project examines both the artists who actively submitted works to the Joseon Mijeon and the group of artists who opposed the Joseon Mijeon and worked outside of the state-approved system to consider the complexity of responses by artists who sought to be both modern and Korean under Japanese colonial rule. ; published_or_final_version ; Fine Arts ; Master ; Master of Philosophy