Suchergebnisse

"Where the Roads All End" tells the remarkable story of an American family's eight anthropological expeditions to the remote Kalahari Desert in South-West Africa (Namibia) during the 1950s. Raytheon co-founder Laurence Marshall, his wife Lorna, and children John and Elizabeth recorded the lives of some of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important ventures in the anthropology of Africa. Largely self-taught as ethnographers, the family supplemented their research with motion picture film and still photography to create an unparalleled archive that documents the Ju/'hoansi and the /Gwi just as they were being settled by the government onto a "Bushman Preserve." The Marshalls' films and publications popularized a strong counternarrative to existing negative stereotypes of the "Bushman" and revitalized academic studies of these southern African hunter-gatherers. This vivid and multilayered account of a unique family enterprise focuses on 40,000 still photographs in the archives of Harvard's Peabody Museum of Archaeology and Ethnology. Illustrated with over 300 images, "Where the Roads All End" reflects on the enduring ethnographic record established by the Marshalls and the influential pathways they charted in anthropological fieldwork, visual anthropology, ethnographic film, and documentary photography.--

Introduction -- From early encounters to early anthropology -- Victorian visions of the bushman -- Beckoning of the Kalahari -- Amateurs and cultural ecologists -- An original affluent society? -- The return of myth and symbol -- Kalahari revisionism and portrayals of contact -- Advocacy, development and partnership -- Representations and self-representations -- Reflections and conclusions.

At a time when human environmental disturbance is challenging livability on the planet—for humans and nonhumans alike—it is important to find better methods for engaging with the liveliness of landscapes, the relations with which they hang together, and the various ways they are interrupted. This dissertation explores the practices of tracking and gathering as methods for studying such issues facing Kalahari Desert landscapes in Botswana. These ecologically important landscapes are increasingly encroached upon and fragmented by the growing cattle economy and the proliferation of extractive industries into the desert. These trends have led to dramatic declines in wildlife populations and growing desertification of the already arid region. The Kalahari is home to small communities of people, many of whom are former hunter-gatherers whose rights to land and access to wildlife are increasingly inhibited. The government has banned hunting, largely in response to conservationists' concerns about wildlife. In addition, gathering is increasingly regulated, and cattle colonize areas that are significant for wildlife and San communities. In this context, rather than treating tracking and gathering as objects of study, I take these practices seriously as methods for noticing and theorizing more-than-human landscapes, their transformations, and contingent histories to address challenges facing people and their environments in the Kalahari and beyond.By focusing on the relational forms of noticing landscapes with San trackers and gatherers, I describe landscapes as always in motion, emergent more-than-human places where assemblages gather, histories are made, and politics enacted. This is in direct contrast to theoretical moves that treat landscapes as background on which histories and politics occur. My dissertation enacts tracking and gathering as a methodology. Beginning with an extension of the concept of tracks and following their movements out to their relations with other landscape actors in each chapter, I emphasize that landscapes are not merely contexts for politics and histories. Rather, landscapes do histories and politics, in spite of efforts to hold these landscapes still as underutilized expanses of resources. The dissertation itself unfolds, moving out through the landscape by tracking these emergent relations. I argue that tracking is a relational practice of becoming-familiar-with these multiple entanglements of emergent landscapes. The practice of gathering involves much of the same kinds of attention to landscape movements and their coordinations as with tracking. Here, I employ gathering in its double meaning: the practice of collecting and of coming together. The tracks of gathered truffles then lead to the worlds of grass and termites that, in turn, allow for a reflection on Kalahari rangeland ecology and the political economy of the cattle industry. Finally, the dissertation zooms out to the desert's geomorphology, tracking the movements of geological processes as they gather with the movements of humans and nonhumans to form lively landscape features over the longue duree. Tracking and gathering are methods that allow for an elaboration of these more-than-human landscapes-in-motion, together with their social, political, and economic histories and speculative futures.

"Die Linie ist das private Tagebuch der Ethnologin Sonja Speeter-Blaudszun, das sie während ihrer Feldforschung 1996 in Namibia führte. Es wurde nicht mit der Absicht einer späteren Veröffentlichung geschrieben; vielmehr verfasste sie es als Quelle und kritische Reflexion ihrer Forschungsreise, die sie zu den Ju-'hoansi in der Nyae-Nyae-Region in der Kalahari durchführte. Insbesondere interessierte sie sich für die Expeditionen der amerikanischen Forscherfamilie Marshall. Diese Forschungsreisen waren und sind für die Ju-'hoansi wie auch für die allgemeine San-Forschung bis heute von grundsätzlicher Bedeutung."--