Naglasak je stavljen na promišljanje prepoznatljivosti nacije na temelju segmenta njezine glazbene kulture te redefiniranju hrvatskog kulturnog identiteta s pozicije glazbe. Propitivala se primjenjivost uspješnog austrijskog modela "nacije kulture" koji se potiče kao važna komponenta austrijskog imidža na Hrvatsku. Prikazan je glazbeni segment u isticanju specifičnosti tijekom formiranja kulturnog identiteta nacije, a teorija o neapsolutnosti identiteta koji se konstituiraju novom uspostavom mjerila i granica, koristila se u prikazu mogućnosti redefiniranja hrvatskog kulturnog identiteta na primjerima festivalske politike. Brendiranje zemlje, proces u kojem se iskazuju i naglašavaju različitosti i jedinstvenosti države, upotrijebljen je kod prikaza načina postizanja prepoznatljivosti i modaliteta primjene u kulturnom segmentu.
Defining the dimensions of political culture is a precondition in the elaboration of the theory of this phenomenon and for its systematic empirical study. It has been demonstrated that Almond-Verba's concept of the dimensions of political culture, in the form of a matrix of the three orientations (cognitive, affective, and evaluative) times four political objects ("system", "input-objects", "output-objects" and "I" as an object) is not plausible. If political culture is defined as a set of beliefs about polit (which it indeed is), then it is clear that each belief at the same time contains an intricate mix of knowledge, emotions, and evaluations. This makes it difficult to determine the dimensions according to the mentioned orientations. It seems this was sensed by Almond himself in one of his later works. Using his more recent concept, we define the dimensions of political culture according to the "objects" of politics and not vice versa, according to the orientations in relation to these "objects". Thus we have elaborated on the three fundamental dimensions according to the three fundamental objects of politics: the "system" as a universal object, the "process" as a dynamic object of politics, and the "conduct" as a manner of decision-making and the outcome of governing. It has been found that each of these basic dimensions of political culture has a series of subdimensions (a total of about twenty-five). Surely, this matrix may be added to or perhaps amended, but basically it is unassailable, since it represents a sort of a map of political culture. (SOI : PM: S. 137)
The analysis has shown that both approaches are legitimate and useful in understanding and maintaining democracy. Of course, the interactional approaches are more complex, as well as more important and more vital for understanding democracy. The analysis has shown how political culture (democratic legitimation or political trust, support for civil freedoms, satisfaction with the functioning of democracy, etc.) often depend on the elements of the very political structure (party systems and coalition models, election patterns, patterns of democracy, positions in power structure, etc.). Political culture is autonomous in relation to political structure, but frequently its role greatly depends on the relations among political actors and the variables of the political culture itself. The analysis has also demonstrated how these investigations into the interaction (combined effects) between political culture and structure are extremely sophisticated and that in the future they are going to become the most fruitful part of political science, making possible not only a deeper understanding of the "dynamic regularities" in the functioning of democracy but also the attempts at its "innovative sustainment" and gradual development. (SOI : PM: S. 131) + The purpose of this essay is to prove the connection among political culture, political structure and democracy. All the arguments pointing to such a connection have been analysed within the framework of two fundamental approaches to the relationship between culture and structure i.e. within the framework of the classical approach to their correspondence (which claims - primarily in line with the functional theory of culture - that there is a functional concordance between culture and structure, that democracy is mirrored by the civic political culture, i.e. that "culture is a structure's way of life", that culture determines the structure) and the contemporary interactional approach (in which - primarily in line with the theory of culture "as meaning" or "social functioning" - complex relations among various cultural variables and structural variables are analysed as well as their combined effect on democracy as the consequence of these relations). The latter approach considers democracy not as a "fixed condition" but rather as a dynamic phenomenon or the end result of the combined interactional relationships between culture and structure
The essay describes the evolution of the concept of political culture, from th concepts such as Comte's 'consensus', Durkheim's 'collective awareness', Weber's 'significance of individual actions', to Parson's 'action frame of reference', and Mead's 'national character'. The development began with Comte's search for differentia specifica of social sciences in relation to oth positive sciences and finished in 1963 with the introduction of the concept of political culture into political science by G. Mmond and S. Verba. Our analysis has shown that many definitions of political culture point out that i essence lies in people's beliefs since political culture is a set of beliefs regarding politics. As much as it may seem a paradox, it cannot be reduced to mere individual beliefs, but represents a system of inter-subjective opinions on various political objects. This explains the possible discrepancies between the political events and the political beliefs of the people, between their behaviour and political culture, and so on. Contrary to the belief of some authors, it has been shown how political culture may and should be taken as a common denominator for a variety of opinions on politics. Political attitudes, values, norms, public opinion and political ideologies are nothing but different manifestations of political culture. Thus, the concept of political culture includes diverse facets of the subjective attitude of people towards politics. This is the asset and not the downside of this concept, as some authors would have it. It is pointed out that the manifold manifestations of political culture do not carry the same 'weight' in explaining the political activism of people and the functioning of political systems. The relationship between these manifestations is extremely complex and a challenge for research. It is this very relationship that could explain the stable and less stable (i.e. stable and vacillating) reactions of people in their political activity. (SOI : PM: S. 128)
Defining the dimensions of political culture is a precondition in the elaboration of the theory of this phenomenon & for its systematic empirical study. It has been demonstrated that Almond-Verba's concept of the dimensions of political culture, in the form of a matrix of the three orientations (cognitive, affective, & evaluative) times four political objects ("system," "input-objects," "output-objects," & "I" as an object) is not plausible. If political culture is defined as a set of beliefs about politics (which it indeed is), then it is clear that each belief at the same time contains an intricate mix of knowledge, emotions, & evaluations. This makes it difficult to determine the dimensions according to the mentioned orientations. It seems this was sensed by Almond himself in one of his later works. Using his more recent concept, we define the dimensions of political culture according to the "objects" of politics & not vice versa, according to the orientations in relation to these "objects." Thus, we have elaborated on the three fundamental dimensions according to the three fundamental objects of politics: the "system" as a universal object, the "process" as a dynamic object of politics, & the "conduct" as a manner of decision making & the outcome of governing. It has been found that each of these basic dimensions of political culture has a series of subdimensions (a total of about 25). Surely, this matrix may be added to or perhaps amended, but basically it is unassailable, since it represents a sort of map of political culture. 1 Table. Adapted from the source document.
The purpose of this essay is to prove the connection among political culture, political structure, & democracy. All the arguments pointing to such a connection have been analyzed within the framework of two fundamental approaches to the relationship between culture & structure, ie, within the framework of the classical approach to their correspondence (which claims -- primarily in line with the functional theory of culture -- that there is a functional concordance between culture & structure, that democracy is mirrored by the civic political culture, ie, that "culture is a structure's way of life," that culture determines the structure) & the contemporary interactional approach (in which -- primarily in line with the theory of culture "as meaning" or "social functioning" -- complex relations among various cultural variables & structural variables are analyzed as well as their combined effect on democracy as the consequence of these relations). The latter approach considers democracy not as a "fixed condition" but rather as a dynamic phenomenon or the end result of the combined interactional relationships between culture & structure. The analysis has shown that both approaches are legitimate & useful in understanding & maintaining democracy. Of course, the interactional approaches are more complex, as well as more important & more vital for understanding democracy. The analysis has shown how political culture (democratic legitimation or political trust, support for civil freedoms, satisfaction with the functioning of democracy, etc.) often depend on the elements of the very political structure (party systems & coalition models, election patterns, patterns of democracy, positions in power structure, etc.). Political culture is autonomous in relation to political structure, but frequently its role greatly depends on the relations among political actors & the variables of the political culture itself. The analysis has also demonstrated how these investigations into the interaction (combined effects) between political culture & structure are extremely sophisticated & that in the future they are going to become the most fruitful part of political science, making possible not only a deeper understanding of the "dynamic regularities" in the functioning of democracy but also the attempts at its "innovative sustainment" & gradual development. 1 Table. Adapted from the source document.
The essay describes the evolution of the concept of political culture, from the concepts such as Comte's 'consensus,' Durkheim's 'collective awareness,' Weber's 'significance of individual actions,' to Parson's 'action frame of reference,' & Mead's 'national character.' The development began with Comte's search for differentia specifica of social sciences in relation to other positive sciences & finished in 1963 with the introduction of the concept of political culture into political science by G. Almond & S. Verba. Our analysis has shown that many definitions of political culture point out that its essence lies in people's beliefs since political culture is a set of beliefs regarding politics. As much as it may seem a paradox, it cannot be reduced to mere individual beliefs, but represents a system of inter-subjective opinions on various political objects. This explains the possible discrepancies between the political events & the political beliefs of the people, between their behavior & political culture, & so on. Contrary to the belief of some authors, it has been shown how political culture may & should be taken as a common denominator for a variety of opinions on politics. Political attitudes, values, norms, public opinion, & political ideologies are nothing but different manifestations of political culture. Thus, the concept of political culture includes diverse facets of the subjective attitude of people towards politics. This is the asset & not the downside of this concept, as some authors would have it. It is pointed out that the manifold manifestations of political culture do not carry the same 'weight' in explaining the political activism of people & the functioning of political systems. The relationship between these manifestations is extremely complex & a challenge for research. It is this very relationship that could explain the stable & less stable (ie, stable & vacillating) reactions of people in their political activity. Adapted from the source document.
In this paper the author deals with the nature of culture, the culture of peace, education as an eminently cultural activity, & the projections of the future. The author defines culture as people's cooperation in improving the quality of their lives & considers it at the same time to be both a part of individuals & a part of communities. Furthermore, the author advocates the culture of peace & cooperation & argues that culture in principle promotes peace, eliminates war & immanently strives for the ascendancy of peaceful cooperation among people. For the sake of peace & understanding the author thinks that the united Europe ought to standardize learning & education concerning the optimal forms of togetherness. & finally the author promotes the concept of "project identity" i.e. emerging identity. Adapted from the source document.
