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Defining the dimensions of political culture is a precondition in the elaboration of the theory of this phenomenon and for its systematic empirical study. It has been demonstrated that Almond-Verba's concept of the dimensions of political culture, in the form of a matrix of the three orientations (cognitive, affective, and evaluative) times four political objects ("system", "input-objects", "output-objects" and "I" as an object) is not plausible. If political culture is defined as a set of beliefs about polit (which it indeed is), then it is clear that each belief at the same time contains an intricate mix of knowledge, emotions, and evaluations. This makes it difficult to determine the dimensions according to the mentioned orientations. It seems this was sensed by Almond himself in one of his later works. Using his more recent concept, we define the dimensions of political culture according to the "objects" of politics and not vice versa, according to the orientations in relation to these "objects". Thus we have elaborated on the three fundamental dimensions according to the three fundamental objects of politics: the "system" as a universal object, the "process" as a dynamic object of politics, and the "conduct" as a manner of decision-making and the outcome of governing. It has been found that each of these basic dimensions of political culture has a series of subdimensions (a total of about twenty-five). Surely, this matrix may be added to or perhaps amended, but basically it is unassailable, since it represents a sort of a map of political culture. (SOI : PM: S. 137)

The analysis has shown that both approaches are legitimate and useful in understanding and maintaining democracy. Of course, the interactional approaches are more complex, as well as more important and more vital for understanding democracy. The analysis has shown how political culture (democratic legitimation or political trust, support for civil freedoms, satisfaction with the functioning of democracy, etc.) often depend on the elements of the very political structure (party systems and coalition models, election patterns, patterns of democracy, positions in power structure, etc.). Political culture is autonomous in relation to political structure, but frequently its role greatly depends on the relations among political actors and the variables of the political culture itself. The analysis has also demonstrated how these investigations into the interaction (combined effects) between political culture and structure are extremely sophisticated and that in the future they are going to become the most fruitful part of political science, making possible not only a deeper understanding of the "dynamic regularities" in the functioning of democracy but also the attempts at its "innovative sustainment" and gradual development. (SOI : PM: S. 131) + The purpose of this essay is to prove the connection among political culture, political structure and democracy. All the arguments pointing to such a connection have been analysed within the framework of two fundamental approaches to the relationship between culture and structure i.e. within the framework of the classical approach to their correspondence (which claims - primarily in line with the functional theory of culture - that there is a functional concordance between culture and structure, that democracy is mirrored by the civic political culture, i.e. that "culture is a structure's way of life", that culture determines the structure) and the contemporary interactional approach (in which - primarily in line with the theory of culture "as meaning" or "social functioning" - complex relations among various cultural variables and structural variables are analysed as well as their combined effect on democracy as the consequence of these relations). The latter approach considers democracy not as a "fixed condition" but rather as a dynamic phenomenon or the end result of the combined interactional relationships between culture and structure

The essay describes the evolution of the concept of political culture, from th concepts such as Comte's 'consensus', Durkheim's 'collective awareness', Weber's 'significance of individual actions', to Parson's 'action frame of reference', and Mead's 'national character'. The development began with Comte's search for differentia specifica of social sciences in relation to oth positive sciences and finished in 1963 with the introduction of the concept of political culture into political science by G. Mmond and S. Verba. Our analysis has shown that many definitions of political culture point out that i essence lies in people's beliefs since political culture is a set of beliefs regarding politics. As much as it may seem a paradox, it cannot be reduced to mere individual beliefs, but represents a system of inter-subjective opinions on various political objects. This explains the possible discrepancies between the political events and the political beliefs of the people, between their behaviour and political culture, and so on. Contrary to the belief of some authors, it has been shown how political culture may and should be taken as a common denominator for a variety of opinions on politics. Political attitudes, values, norms, public opinion and political ideologies are nothing but different manifestations of political culture. Thus, the concept of political culture includes diverse facets of the subjective attitude of people towards politics. This is the asset and not the downside of this concept, as some authors would have it. It is pointed out that the manifold manifestations of political culture do not carry the same 'weight' in explaining the political activism of people and the functioning of political systems. The relationship between these manifestations is extremely complex and a challenge for research. It is this very relationship that could explain the stable and less stable (i.e. stable and vacillating) reactions of people in their political activity. (SOI : PM: S. 128)

The article is dedicated to Professor Richard Wisser. It is a critical analysis of Husserl's essay "The crisis of European sciences and transcendental phenomenology". The author first outlines Husserl's diagnosis of the crisis of science, philosophy and culture, followed by the elements and the mechanisms of that crisis. The root of the crisis of European science and culture lies in foregoing the genuine productive humanity. The authentic humanity cannot be based nor explained from its objectivizations but solely through the analysis of its productive imagination. The author also deals with the crisis of spiritual sciences, which he claims have brought about the loss of insight into the ultimate purpose of the existence of Europe as a brainchild of the historical humanity. (SOI : PM: S. 176)