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Personal Acknowledgments -- Formal Acknowledgments -- Contents -- Chapter 1: Introduction: The Need for Affirming Spaces -- Methodology and Chapter Outline -- Chapter 2: Affirmation and Care Ethics -- Affirmation and Relational Selfhood -- Affirmation in the Mother-Child Relationship -- Holding Across the Life Span -- The Feeling of Affirmation -- References -- Chapter 3: Embodied Memory and Fluid Mobility -- Bergson on Space and Duration -- Perception and Fluid Mobility -- Spatializing the Self -- Association and Recognition -- Subcultural Spaces -- References

O texto trata das relações entre a experiência de extensão de uma coletiva LGBTI+, caracterizada pela interseccionalidade, e o poder heterocisnormativo na universidade. Relata as experiências de ensino, pesquisa e extensão do Projeto "Corpolítica" que foram construídas desde a perspectiva de uma Coletiva LGBT de mesmo nome, criada na Universidade de Brasília (UnB) em 2014. Do ponto de vista metodológico, utiliza-se da memória compartilhada, da análise documental, entrevistas etc. Propõe a reflexão sobre o lugar marginal dessa produção e a impossibilidade de, efetivamente, ocupar as posições hegemônicas, sugerindo a utilização do termo "guerrilha" como categoría compreensiva dessas estratégias. Interroga os atuais modelos de Extensão Popular, ao demonstrar que a extensão pode também reproduzir dimensões de poder da "matriz heterossexual" (Judith Butler) ou investir numa sociabilidade afetiva de (des)construção das formas tradicionais de saber, sempre marcada pelo lugar de precariedade das sujeitas envolvidas e pela efemeridade das experiências nos espaços universitários. ; This paper addresses the teaching, research, and outreach experiences of an LGBTI+ collective's outreach project called "Corpolítica" (body politics), which was created in the University of Brasília (UnB) in 2014. The fundamental reflection analyses the cisgender and heteronormative power that structures the university, characterized by its intersectional approach. The methods used in this paper are: shared memory, document analysis, interviews, etc. The aim is to reflect on the peripheral space of this production and the impossibility of effectively occupy hegemonic positions, suggesting the use of the term "guerrilla" as a comprehensive category of those strategies. This paper also questions the current models of popular outreach, as it shows that outreach can also reproduce power dimensions of the "heterosexual matrix" (Judith Butler), or invest in an effective sociability of (de)construction of traditional forms of knowledge, always marked by the precarious situation of the subjects involved and the momentary experiences in the university sphere. ; El texto relata diversas experiencias de enseñanza, investigación y extensión del proyecto "Corpolítica: diálogos sobre género, sexualidad, raza y derechos con jóvenes en espacios urbanos periféricos en el Distrito Federal", que fueron construidas desde la perspectiva de una Colectiva LGBTI+ del mismo nombre. La reflexión central aborda las relaciones entre la experiencia de extensión de la colectiva, caracterizada por la interseccionalidad, y el poder heterocisnormativo en la Universidad. Desde el punto de vista metodológico, utiliza diversas estrategias: memoria compartida, análisis documental, entrevistas, etc. Propone la reflexión sobre el lugar marginal de esa producción y la imposibilidad de, efectivamente, ocupar las posiciones hegemónicas, lo que sugiere la utilización del término guerrilla. El texto interroga a los actuales modelos de extensión popular al demostrar que la extensión puede también reproducir dimensiones de poder de la matriz heterosexual (Judith Butler) o invertir en una sociabilidad afectiva de (de)construcción de las formas tradicionales de saber, siempre marcada por el lugar de precariedad de las involucradas y de lo efímero de las experiencias en los espacios universitarios.

Cover -- Half Title -- Title -- Copyright -- CONTENTS -- Dedication and acknowledgments -- Foreword -- Introduction: How to read this book -- 1 Getting to know LGBT older adults -- 2 First impressions -- 3 Move-in day and collecting information -- 4 LGBT programming and services -- 5 Staff opinions, beliefs, and training -- 6 Addressing bullying and conflict between residents -- 7 Navigating family dynamics -- 8 Sexuality and sexual health -- 9 Bisexuality and aging -- 10 Gender identity and expression -- 11 Older adults with HIV/AIDS -- 12 Dementia, memory care, and LGBT people -- 13 Rights and protections -- 14 Strategic planning and diversifying the board -- Conclusion: It starts with you! -- Index.

"As film stars, actresses have throughout film history contributed to the film industry's glamorous surface, providing audiences with visual attraction and different representations of femininity. To talk about women in film as "invisible" may thus seem odd or even wrong. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented. This is true of contemporary film culture, and has been true historically, despite significant variations between countries/geographical areas, historical time periods and different roles/professions in film production, distribution and exhibition. This anthology recovers forgotten aspects of women's work and memory, tracing women's film work through the lens of Swedish film history, with a few forays into international film ventures. Using a variety of methods and approaches, including careful study of previously neglected archival material, lived experiences, interviews, and theoretical reflections on feminist historiography, the book explores themes of women's agency and (lack of) visibility in a cultural context very different to Hollywood, thus providing readers with a healthy counterweight to the dominance of Anglo-American material in film scholarship published in English. The articles deal with women's agency in a wide range of roles, in film production, exhibition and criticism, but also with new perspectives on stars/actresses and their agency, and including LGBT and queer identities.
The research presents material evidence of women's involvement in film culture being obscured and ignored because of its status as "women's work", and/or of marginal rather than mainstream interest. The book is divided into two parts, where the first part collects chapters that cover neglected dimensions of silent film culture and the use of archival film as cultural memory in documentary work from various time periods, whereas the second part of the book is focussed mainly on films and filmmaking in the 1970s and 1980s."

A Badge of Injury is a contribution to both the fields of queer and global history. It analyses gay and lesbian transregional cultural communication networks from the 1970s to the 2000s, focusing on the importance of National Socialism, visual culture, and memory in the queer Atlantic. Provincializing Euro-American queer history, it illustrates how a history of concepts which encompasses the visual offers a greater depth of analysis of the transfer of ideas across regions than texts alone would offer. It also underlines how gay and lesbian history needs to be reframed under a queer lens and understood in a global perspective. Following the journey of the Pink Triangle and its many iterations, A Badge of Injury pinpoints the roles of cultural memory and power in the creation of gay and lesbian transregional narratives of pride or the construction of the historical queer subject. Beyond a success story, the book dives into some of the shortcomings of Euro-American queer history and the power of the negative, writing an emancipatory yet critical story of the era

This paper aims to establish a historical context of the social organization of lesbians, gays, bisexuals, transsexuals and transgender (LGBT) in San Salvador, El Salvador. It also seeks to contribute to safeguard the historical memory of sexual minorities in El Salvador.The methodology was exploratory to retrieve information about social movement and LGBT organizations (since the emergence of military dictatorships in 1932 through 2015). Research techniques included interviews with LGBT activists and documentation examination. The results point out to the social organization of the LGBT identities in San Salvador and their limited political gains. ; Este artículo tiene el objetivo de establecer un marco histórico de la organización social de lesbianas, gays, bisexuales, transexuales y transgéneros (LGBT) en San Salvador, El Salvador. Asimismo, procura contribuir al resguardo de la memoria histórica de las minorías sexuales en El Salvador. La metodología utilizada fue la exploratoria, para recuperar la información del movimiento social y organizaciones LGBT (desde el surgimiento de las dictaduras militares en 1932 hasta el 2015). Las técnicas de investigación fueron las entrevistas a activistas LGBT y una búsqueda arqueológica documental. Los resultados apuntan a la organización social de las identidades LGBT en San Salvador y conquistas políticas restringidas.

El 26 de marzo de 2021 se realizó el panel virtual "Memoria, género y activismo. Resistencia a la dictadura y lucha por el aborto legal". El evento fue organizado por Emilio Crenzel y Daniele Salerno en el marco del proyecto MEMORIGHTS - Memoria Cultural en el Activismo LGBT, con sede en la Universidad de Utrecht y en la Universidad de Buenos Aires, desarrollado dentro del programa Marie Sklodowska-Curie de la Unión Europea. El panel contó también con la colaboración del proyecto del European Research Council "REACT - Remembering Activism" con sede en la Universidad de Utrecht (coordinadora Ann Rigney). Las participantes del panel fueron Elizabeth Jelin (CONICET - CIS-IDES) y Bárbara Sutton (SUNY – Albany) y estuvo coordinado por Emilio Crenzel (CONICET-UBA). ; The panel "Memory, gender and activism. Resistance against dictatorship and struggle for legal abortion right" was held on March 26th, 2021. The event was organized by Emilio Crenzel and Daniele Salerno within the MEMORIGHTS project - Cultural Memory in LGBT Activism, based in Utrecht University and Buenos Aires University and developed by Marie Sklodowska-Curie program from the European Union. The panel had also the collaboration from the European Research Council "REACT- Remembering Activism", based in Utrecht University (Ann Rigney coordination). The lecturers of the panel were Elizabeth Jelin (CONICET - CIS-IDES) and Bárbara Sutton (SUNY – Albany) and was coordinated by Emilio Crenzel (CONICET-UBA). ; Facultad de Humanidades y Ciencias de la Educación

Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- ONE A Small Boy and Others: Sexual Disorientation in Henry James, Kenneth Anger, and David Lynch -- TWO Initiation into Style: In the Memory Palace of Henry James -- THREE Flaming Closets -- FOUR Screen Memories, or, Pop Comes from the Outside: Warhol and Queer Childhood -- FIVE Outlaw Sex and the "Search for America": Representing Male Prostitution and Perverse Desire in Sixties Film (My Hustler and Midnight Cowboy) -- SIX Oralia: Joseph Cornell, Hunger, Sweetness, and Women's Performances -- SEVEN Tragedy and Trash: Yiddish Theater and Queer Theater, Henry James, Charles Ludlam, Ethyl Eichelberger -- Notes -- Index

Invocation : the anthropology ministry -- "I've been 'buked" : the double consciousness of being LGBT and Black -- "Lead me, guide me" : the charisma of Bishop Flunder -- "Just as I am" : revealing authentic selves -- "Old-time religion" : invoking memory -- "What a fellowship" : radically inclusive futures -- Benediction : continuities and departures

Introduction: racial trans technologies -- Cultures: trans performance, film, and digital media -- Networks: transcoding biogenetics and orgasm in the transnational digital economy -- Memory: migrations of trans becoming -- Movement: trans digital activisms and U.S. transnational empire -- Conclusion: transiting the stage of the master's house

Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 The Everyday Life of Queer Trauma -- 2 Trauma and Touch: Butch-Femme Sexualities -- 3 Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture -- 4 Transnational Trauma and Queer Diasporic Publics -- 5 AIDS Activism and Public Feelings: Documenting ACT UP's Lesbians -- 6 Legacies of Trauma, Legacies of Activism: Mourning and Militancy Revisited -- 7 In the Archive of Lesbian Feelings -- Epilogue -- Appendix: A Note on Interviews -- Notes -- Filmography -- Bibliography -- Index

Our thesis ambitions are centered around the investigation of memory and architecture as it relates to the narratives of erasure in urban space. Over the course of the academic year, we are seeking to use architecture as a lens to critique our current socio-political climate regarding gender inequity and political regression. Our site of speculation and research will be the city of Chicago, as it has a rich history of feminism and civil rights with many historic spaces of protest that accommodated intersectional identities and historic protests. In today's political climate, where Roe v. Wade is facing reversal in the Supreme Court and LGBT protection laws are being contested, school districts are the most segregated they have been since before Brown v. Board, and there is a tendency to forget the progress that has been made, we must recall specifi c instances of memory of Second Wave Feminism and Civil rights when women made strides for LGBT legal protection, female bodily autonomy, opposition to sexual violence, and sexual liberation, and black Americans made strides against systemic oppression and segregation. Using this research, we aim to propose a spatial critique of our socio-political climate by employing Rossi's interpretation of the "The Architecture of the City", Edward Hollis's "Memory Palace", and Colson Whitehead's "Underground Railroad", re-imagining historical spatial narratives within the current urban fabric of Chicago, actively reinforcing the memories of trauma and activism onto an alternative network of counter-memorial-inspired spaces. Using the idea of the "Memory Palace", in which the metaphorical recesses of the mind (the 'loci') were spatialized in an internal layout of a room to create a manifestation of personal memory, and the idea of the 'Memory Theater', we want to outwardly impose the collective memory of erased narratives onto the city's existing infrastructure and create a network of 'memory containers'-- interconnected spaces for consuming and imposing forgotten memories. Doing so will provide a lens into the past and demand that un-represented histories are not forgotten or reversed. We are identifying Chicago as a city with historic memory that is more related to a generic national identity that the actual intersectional local narratives that existed and continue to exist within it—or, at the most, a city committed to self-lobotomization, the erasure of its own memory. We understand Chicago as lacking a specifi c or intersectional, the local form of memory that represents the diverse narratives of social progress that it has actively housed for decades. We seek to identify and consolidate these memories. We want to pose the celebration of the collective memory of narratives that are otherwise underrepresented or erased within the urban fabric. The historic events which we hope to contain and memorialize are as follows: the history of the Jane Collective and their work that opposed the illegality of abortion and women's bodily autonomy before the passing of Roe v. Wade in 1973, the 1968 Democratic National Convention protests which resulted in the 'Chicago 8' arrests and subsequent protests that were inspired by public opposition to the Vietnam War, and the 1953 school segregation protests that were endorsed by Martin Luther King Jr. that resulted in over 200,000 students and adults standing in solidarity to oppose unfair overcrowding and segregation of black public schools. We want to deploy memory containers and manipulated contextual architectural objects and spaces, rather than sculptures or monuments, as containers of collective, civic memory. Working in aggregate, the containers transform these 3 events into an urban fabric of memory. These interventions will behave as a narrative-network, where collective, civic memories become programmatic elements, forming a superimposed narrative on the historic city. The Containers are not individually-conceived objects or spaces, but in composite, they communicate encyclopedic imagery of Chicago as well as the erased narratives of the 3 events that we are seeking to remember. The assemblage of the Containers on a given site generates a new civic condition: using the Containers as acupunctural elements, the superimposed memory infrastructure weaves into Chicago's existing urban conditions. The Containers layer, collage, and reinforce architectural, historical, and typological references onto the site. The Memory Containers exist as an alternate infrastructural network for consuming and re-imposing the erased memory of the city and the U.S. as a whole.

The homophobic assassination of Matthew Shepard in 1998 spread a vast debate in the United States about LGBT civil rights. Because this hate crime echoes the practice of lynching, the national newspapers and television networks are keen to screen and investigate it, seeking to understand the roots of violence. Within the public sphere, several interpretations of this event are available; also they are antagonistic to each other, they also complete each other. Through the textual analysis of two television movies and a theater play, I will show how these diverse narratives of Shepards's death are tied to a political agenda. Finally, I will discuss the political potential of empathy, when this affect is made available by the mass media. In conclusion, I will discuss how the sociological use of the notion of "memory" can be combined to a scientific recognition of the situated experience of individuals. ; L'assassinat homophobe de Matthew Shepard en 1998 a suscité aux États-Unis un vaste débat sur le statut et les droits des personnes lesbiennes, gays, bis et transsexuelles. Face à un crime de haine qui rappelle la pratique du lynchage, les grands médias nationaux s'interrogent sur les causes de cette violence. Plusieurs interprétations s'opposent et se complètent au sein de la sphère publique. À l'aide de deux téléfilms et d'une pièce de théâtre, j'exposerai les spécificités idéologiques de ces interprétations, puis je discuterai du potentiel politique de l'empathie, lorsqu'elle est permise par les médias de masse. Pour terminer, j'examinerai de quelle manière la pratique sociologique de la notion de mémoire peut être enrichie de l'expérience située portée par les acteurs sociaux, notamment les plus subalternes.

Frontmatter -- Contents -- Acknowledgments -- 1. Border politics: contests over territory, nation, identity, and belonging -- 2. "Border granny wants you!": grandmothers policing nation at the us-Mexico border -- 3. Defending the nation: militarism, women's empowerment, and the Hindu right -- 4. Borders, territory, and ethnicity: women and the naga peace process -- 5. Imperial gazes and queer politics: re/reading female political subjectivity in Pakistan -- 6. Indigenous peoples and colonial borders: sovereignty, nationhood, identity, and activism -- 7. Constricting boundaries: collective identity in the tea party movement -- 8. Occupy Slovenia: how migrant movements contributed to new forms of direct democracy -- 9. Challenging borders, imagining Europe: transnational lgbt activism in a new Europe -- 10. Frames, boomerangs, and global assemblages: border distortions in the global resistance to dam building in Lesotho -- 11. Networks, place, and barriers to cross-border organizing: "no border" camping in transcarpathia, Ukraine -- 12. "Giving wings to our dreams": binational activism and workers' rights struggles in the San Diego–Tijuana border region -- 13. Border politics: creating a dialogue between border studies and social movements -- About the contributors -- Index