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Situational contexts vary substantially across the country. This variation provides conditionswhere a subset of the American public may be exposed to situations that others arenot. How do contexts affect the politics of minority groups? In this dissertation, I examinehow the politics of lesbian, gay, and bisexual (LGB) people are situated by differing contextsacross the United States. I examine how LGB presence aects and conditions the approvalof the mass public. I examine the mechanism this influence bears on representative behavior in Congress. I finally examine how varying contexts uniquely affects some LGBs over others. In total, I find that varying contexts situate the political positions of LGB peopledifferently. This results in unique conditions where LGB people are politically ininfluentialand cohesive.

This thesis analyzes the journey of Ladlad, a political party in the Philippines specifically representing the country's LGBT citizens, within the context of a broader historical-anthropological perspective on same-sex sexualities and gender diversity in the Philippine Archipelago, the historical colonial implantation and contemporary persistence of heterosexism and homophobia in the country, and the current struggle for gender and sexual equality being articulated through both local Philippine and globalized discourses and traditions. For several years, Ladlad has sought to win seats in the Philippine Congress in order to fight for the equal rights, equal protection under the law, and state-sponsored support for the advancement and wellbeing of all LGBT Filipinos. By seeking to advance LGBT rights specifically as an LGBT political party within the Philippines' unique party-list system, Ladlad represents novel realities and future possibilities for both Filipino and global LGBT movements, electoral politics, and human rights advocacy.

The development of the civil society in Poland post-1989 has put the LGBT movement on the map of the country's social landscape. As a corollary, it has also led to a greater social engagement of the non-heterosexual community striving for recognition of its demands. The establishment of the Campaign Against Homophobia (KPH) and the spread of the Internet in Poland have raised the Polish society's awareness of the LGBT movement and made it part of the country's political discourse. On the other hand, the perceived threat to the established conservative values of the Polish society has galvanised the opponents of the non-heterosexual community and its demands. The resulting dispute between the supporters and opponents of the LGBT movement and its professed ideas has placed the issue on the agenda of the Polish political parties.

What motivates individuals to participate in contentious, political forms of collective action? In this article, I consider the possibility that the promise of social esteem from an ingroup can act as a powerful selective incentive for individuals to participate in contentious politics. I conducted a field experiment-the first to my knowledge to take place in the context of a political march, rally, or social-identity event-to isolate this esteem mechanism from others. Using measures of intent to attend, actual attendance, and reported attendance at a gay and lesbian pride event in New Jersey, I find evidence that the promise of social esteem boosts all three measures of participation. The article offers new theoretical and practical implications for the study of participation in nonvoting forms of collective action. Adapted from the source document.

The paper deals with the situation of sexual minorities in Bangladesh. Bangladesh, although historically a relatively tolerant and open-minded Muslim majority country, remains conservative on sexual matters. Therefore, large sections of Bangladesh's society seem to reject each sexual orientation which is perceived as "non-traditional" and portrays heterosexuality as the only accepted cultural norm. In consequence, homosexuality is becoming criminalized to such an extent that not only cultural values and societal norms but also national laws are in serious conflict with internationally accepted human, gender, and sexual rights.

This book explores the alleged uniqueness of the European experience, and investigates its ties to a long history of LGBT and queer movements in the region. These movements, the book argues, were inspired by specific ideas about Europe, which they sought to realize on the ground through activism

Europe has long been regarded as a unique place for the promotion and furthering of LGBT rights. This important and compelling study investigates the alleged uniqueness and its ties to a relatively long history of LGBT and queer movements in the region. Contributors argue that LGBT movements were inspired by specific ideas about European democratic values and a responsibility towards human rights, and that they sought to realize these on the ground through activism, often crossing borders to foster a wider movement. In making this argument, they discuss the 'idea of Europe' as it relates to LGBT rights, the history of European LGBT movements, the role of European institutions in adopting LGBT policies, and the construction of European 'others' in this process.

LGBT/Q film festivals are an integral part of the social practice of queer film culture. They are places where social, political and economic discourses intersect and where LGBT/Q identities, representation through film, definitions of queer cinema, community and global queer politics are negotiated. The festivals themselves are constantly responding to the changing surroundings and demands from stakeholders such as their audience base, the communities they want to serve, and economic and political stakeholders. The versatile, ever evolving form of the festival speaks to its performative formation. Therefore, the concepts of performativity, the performative and performance lend themselves to the analysis of the mechanisms and processes at play there. This study, situated at the intersection of film and media studies, sociology and queer theory, builds its arguments on the interdisciplinary field of film festival studies, and sets out to argue for the value of applying the concepts of the performative, performativity and performance to the study of film festivals in general, and LGBT/Q film festivals in particular. As the discussion of the concepts in chapter 1 show, the performative as developed by Austin in language philosophy and its further transposition to performativity in the theorizations of philosophy and literature by Derrida, for gender/queer theory by Butler, and performance for ethnography by Turner, and in theater/performance studies by Fischer-Lichte and McKenzie provides a versatile analytical arsenal for the analysis of film festivals. At the same time it is highly compatible with other existing concepts and theorizations such as event, public sphere, and networks and flows that have already been canonically applied to festival studies. In chapter 2, I mobilize the historical dimension of the performative to discuss the formation of LGBT/Q film festivals and their circuit. There, I sketch out the historical development of the LGBT/Q film festival while paying attention also to the larger social, political, geographic, and economic contexts. The discursive historiography is accompanied by an empirical one, where I analyze the growth pattern and global spread of the LGBT/Q film festival circuit. Along with the global perspective, a discussion of US-American (Frameline, NewFest, MIX NYC), German (Lesbisch Schwule Filmtage Hamburg, Verzaubert, Berlinale Teddy Award) and Austrian (identities) case studies provides further depth in understanding the evolution of the festivals and the circuit. Having drawn a broad picture of the circuit in chapter 3, I zoom in to look at a number of specific incidents of disruption and boycotts as case studies to unravel the different layers in which LGBT/Q film festivals as instances of queer film culture are performed (or failed). In this chapter I mobilize mainly perspectives of performativity and performance from ethnography and performance studies. These are put in synch with concepts such as public spheres, audience address, and event culture in three steps: selection, exhibition, and reception. Under the heading of selection, I discuss the performance of queer cinema as it becomes visible in the practices of selection of films and their programming at LGBT/Q film festivals. There I discuss various processes involved in programming, ranging from pre-selection, to screening committees, to programming strategies. Two historical incidents from the history of Frameline, the "Lesbian Riot" and the "Genderator" incident, serve as examples of how programming directly interrelates with identity negotiations. In the section on exhibition, I turn to the performative architecture of an LGBT/Q film festival by shedding light on the event itself, which follows specific scripts and rituals. In the last section on reception, I look at the corresponding side of these processes and look at the audience. Here, I discuss the formation of a counterpublic sphere, audience address, and the specific reception context of a festival. Two further festival boycotts are presented to analyze how LGBT/Q film festivals operate as queer counterpublic spheres that activists utilize for political intervention. The last section discusses the communal experience of collective viewing and the impact on the formation of a festival community. With this take on audiences, community and reception contexts, the chapter returns to the question of how LGBT/Q film festivals are an integral part of the practices of queer film culture, which was raised in the introduction. In the concluding outlook to the study I propose three further research trajectories. While the study mostly relied on conceptions of performativity and performance in the sense developed in ethnography, gender/queer theory and performance studies, another aspect of performance can be productively brought to bear on the subject of (LGBT/Q) film festivals: performance in the economic sense of efficiency and achievement.

The Lesbian, Gay, Bisexual, and Transgender (LGBT) movement plays a leading role in giving voice to broader demands for increased freedoms and recognition of difference in Turkey. Whilst recognising the centrality of the movement to the struggle for democracy, this paper focuses on the concomitant (and problematic) localisation of LGBT identities in Islamist and neo-Ottomanist discourses, which obscure and reinforce the hegemony of capitalism.

Find out how the tension between LGBT studies and queer theory exists in the classroom, politics, communities, and relationshipsLGBT Studies and Queer Theory: New Conflicts, Collaborations, and Contested Terrain examines the similarities and differences between LGBT studies and queer theory and the uneasy relationship between the two in the academic world. This unique book meets the challenge that queer theory presents to the study and politics of gay and lesbian studies with a collection of essays from leading academics who represent a variety of disciplines. These original pieces place queer