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Storytelling serves as a vital resource for Lesbian, Gay, Bisexual and Trans* (LGBT) refugees' access to asylum. It is through telling their personal stories to the Canadian Immigration and Refugee Board that LGBT refugees' claims for asylum are accessed and granted. Storytelling also serves as a mechanism for LGBT refugees to speak about social injustice within and outside of Canada. In this article, I explore the challenges of storytelling and social justice as an activist and scholar. I focus on three contexts where justice and injustice interplay in LGBT refugee storytelling: the Canadian Immigration and Refugee Board, public advocacy around anti-queer violence and refugee rights, and oral history research. I describe how in each arena storytelling can be a powerful tool of justice for LGBT refugees to validate their truths and bring their voices to the forefront in confronting state and public violence. I investigate how these areas can also inflict their own injustices on LGBT refugees by silencing their voices and reproducing power hierarchies.

Since the early 1970s, an important but under-examined subgenre of Made-for-Television Movies have foregrounded critical LGBT concerns, including coming out, parental custody, HIV/AIDS, gays in the military, and hate crimes or featured affirmative LGBT representations. These programs, often highly-rated and critically-acclaimed, were nonetheless sites of political contestation from social conservatives and LGBT activists. Through the lenses of critical media pedagogy, critical cultural studies, and critical media industries studies, this dissertation conducts a critical cultural history of LGBT TV movies. This history includes critical case studies of twenty seminal LGBT programs featuring original interviews with the producers, executives, and writers responsible for their pedagogical design. The evidence reflects how these programs helped frame these concerns, educate audiences, and advocate on behalf of the LGBT community. This research further suggests how progressive pedagogues and media producers might collaborate to help address other social issues through the use of critical entertainment.

Offering a critical introduction into LGBT (lesbian, gay, bisexual and transgender) transnational identity in the media, this book examines performances and representations within documentary and fiction oriented texts. An interdisciplinary approach is put forward, revealing new potentials for non western queer identity

"LGBT People as a Relatively Politically Powerless Group" published on by Oxford University Press.

South Korea does not have a strong and visible lesbian, gay, bisexual, transgender social movement in the public, despite active issue advocacy organizations, political representation from the Democratic Labour Party, and popular television shows that portray LGBT characters and themes. The LGBT movement has had a difficult time growing in South Korea because, as some have argued South Korea has long been ignorant about homosexuality and awareness of 'gay' had not been discovered until the early 1990s. I will look at three causal reasons that best describe the dearth of a growing social movement pushing for LGBT rights.

This article explores the substantive representation of lesbian, gay, bisexual and transgender (LGBT) people in party manifestos in general elections and regional elections in the United Kingdom, 1945–2011. The findings show that while there is some evidence of progress, there is also significant variation in the attention that parties afford to LGBT issues, and a general failure to fully apply international principles and mainstreaming theory in election programmes. It is argued that an 'asymmetrical electoral bargain' applies: parties increasingly court LGBT voters yet often do so in a reductive and limited manner. This suggests that elements of institutionally homophobic practice endure in contemporary electoral politics.

This article analyses media representations of LGBT social movements, taking the case of Saint Petersburg LGBT pride parades. The analysis is developed through the use of framing theory, which views the media as an arena where interest groups promote their own interpretations of particular issues. Frames juxtapose elements of the text in such a way as to provide the audience with a scheme within which to perceive the message. Social movements are viewed as interest groups that introduce new frames in public debate. Two types of frames can be distinguished: collective action frames and status quo frames. In this study, the usage of two collective action frames (equality frame and victim frame), and two status quo frames (morality frame and propaganda promoting homosexuality frame) were examined. Additionally, the sources of quotes used in news stories were analyzed. The study focuses on articles dedicated to Saint Petersburg LGBT pride marches in the years 2010–2017 in the most popular local Internet websites. The analysis shows that the coverage of LGBT pride marches can be divided into two distinct periods: 2010–2013 and 2014–2017. In the first period, LGBT activists dominated the coverage, quoted about twice as much as government officials. Equality and victim frames were prevalent. In the second period, activists were cited significantly less often, with the propaganda promoting homosexuality frame dominating the discourse. However, contrary to findings of previous studies on social movement representation, across the whole period under consideration, LGBT activists were quoted more often than government representatives. This finding calls for a further exploration of the conditions which allowed for such coverage in the context of political heterosexism and homophobia.

In Russia, the LGBT (lesbian, gay, bisexual, and transgender) community continues to exist under the pressure of stigmatizing invisibility in the general public discourse, particularly in the mainstream media, which ignore issues related to the advancement of human rights for sexual minorities. In 2013 a nationwide ban on "the propaganda of sodomy, lesbianism, bisexualism, and transgenderness among minors" was passed. Designed to broadly cover any non-heterosexual relationships, it prohibits their positive representation. In effect, the ban seriously impedes any public campaigns, in media and otherwise, which aim at the support of the LGBT community. In this situation, the internet, still relatively unrestricted when compared to Russia's traditional media outlets, remains a privileged space for LGBT people to form communities to participate in a meaningful public conversation about their political and social status as well as to discuss a variety of everyday concerns in a fairly non-hostile environment. The present study focuses on a specific case, which is a LiveJournal-based Russian-language blogging community called AntiDogma. A loosely organized grassroots gathering of internet users, AntiDogma is conceived of as an issue public centered on LGBT- related topics and as a counterpublic sphere which positions itself against the dominant public sphere and the hostile discourses it hosts. This dissertation is primarily informed by the theory of the public sphere and considerations about the social functions of the mass media. It set out to analyze a versatile functionality of the AntiDogma blogging community including information and news producing function, function of deliberative community building, and mobilization and coordination function. A case-study approach allowed the examination of AntiDogma in its context, together with the accompanying political and social processes. Textual analysis along the lines of social constructivism captured discourses, themes, and messages communicated in AntiDogma. The ...

Este artículo analiza los contenidos producidos por la campaña ciberactivista #Votelgbt, surgida durante el período electoral brasileño de 2014, en redes de comunicación digital distribuida, y centrada en el aumento de la participación y representación política lgbt. El corpus se compone de publicaciones realizadas en página de la red social Facebook, durante los dos primeros momentos de actuación de la campaña (2014 y 2016). A partir del análisis de contenido bardiniano, se concluye que las principales intenciones de comunicación empleadas se volvieron a la sensibilización y convocatoria (llamada a la acción) de los electores, reflejando la legitimidad de las pautas y la importancia del compromiso en los procesos institucionales de participación. ; This paper analyzes the content produced by the #Votelgbt cyberactivist campaign, that emerged throughout the Brazilian election of 2014, in the digital communication networks distributed, aiming at increasing participation and political representation lgbt. The corpus is composed of publications carried out on the social network page Facebook, throughout the first two moments of the campaign (2014 and 2016). From the bardinian content analysis, we conclude that the main intentions of communication used were to raise awareness and convocation (call to action) of voters, reflecting the legitimacy of the agenda and the importance of involvement with the institutional processes of participation. ; Este artigo analisa os conteúdos produzidos pela campanha ciberativista #Votelgbt, surgida durante o pleito eleitoral brasileiro de 2014, em redes de comunicação digital distribuída, e centrada no aumento da participação e representação política lgbt. O corpus é composto por publicações realizadas em página da rede social Facebook, durante os dois primeiros momentos de atuação da campanha (2014 e 2016). A partir da análise de conteúdo bardiniana, conclui-se que as principais intenções de comunicação empregadas voltaram-se para a sensibilização e convocação (chamada à ação) dos eleitores, refletindo a legitimidade das pautas e a importància do envolvimento com os processos institucionais de participação.

Este artigo analisa os conteúdos produzidos pela campanha ciberativista #Votelgbt, surgida durante o pleito eleitoral brasileiro de 2014, em redes de comunicação digital distribuída, e centrada no aumento da participação e representação política lgbt. O corpus é composto por publicações realizadas em página da rede social Facebook, durante os dois primeiros momentos de atuação da campanha (2014 e 2016). A partir da análise de conteúdo bardiniana, conclui-se que as principais intenções de comunicação empregadas voltaram-se para a sensibilização e convocação (chamada à ação) dos eleitores, refletindo a legitimidade das pautas e a importância do envolvimento com os processos institucionais de participação. ; This paper analyzes the content produced by the #Votelgbt cyberactivist campaign, that emerged throughout the Brazilian election of 2014, in the digital communication networks distributed, aiming at increasing participation and political representation lgbt. The corpus is composed of publications carried out on the social network page Facebook, throughout the first two moments of the campaign (2014 and 2016). From the bardinian content analysis, we conclude that the main intentions of communication used were to raise awareness and convocation (call to action) of voters, reflecting the legitimacy of the agenda and the importance of involvement with the institutional processes of participation. ; Este artículo analiza los contenidos producidos por la campaña ciberactivista #Votelgbt, surgida durante el período electoral brasileño de 2014, en redes de comunicación digital distribuida, y centrada en el aumento de la participación y representación política lgbt. El corpus se compone de publicaciones realizadas en página de la red social Facebook, durante los dos primeros momentos de actuación de la campaña (2014 y 2016). A partir del análisis de contenido bardiniano, se concluye que las principales intenciones de comunicación empleadas se volvieron a la sensibilización y convocatoria (llamada a la acción) de los electores, reflejando la legitimidad de las pautas y la importancia del compromiso en los procesos institucionales de participación.

LGBT/Q film festivals are an integral part of the social practice of queer film culture. They are places where social, political and economic discourses intersect and where LGBT/Q identities, representation through film, definitions of queer cinema, community and global queer politics are negotiated. The festivals themselves are constantly responding to the changing surroundings and demands from stakeholders such as their audience base, the communities they want to serve, and economic and political stakeholders. The versatile, ever evolving form of the festival speaks to its performative formation. Therefore, the concepts of performativity, the performative and performance lend themselves to the analysis of the mechanisms and processes at play there. This study, situated at the intersection of film and media studies, sociology and queer theory, builds its arguments on the interdisciplinary field of film festival studies, and sets out to argue for the value of applying the concepts of the performative, performativity and performance to the study of film festivals in general, and LGBT/Q film festivals in particular. As the discussion of the concepts in chapter 1 show, the performative as developed by Austin in language philosophy and its further transposition to performativity in the theorizations of philosophy and literature by Derrida, for gender/queer theory by Butler, and performance for ethnography by Turner, and in theater/performance studies by Fischer-Lichte and McKenzie provides a versatile analytical arsenal for the analysis of film festivals. At the same time it is highly compatible with other existing concepts and theorizations such as event, public sphere, and networks and flows that have already been canonically applied to festival studies. In chapter 2, I mobilize the historical dimension of the performative to discuss the formation of LGBT/Q film festivals and their circuit. There, I sketch out the historical development of the LGBT/Q film festival while paying attention also to the larger social, political, geographic, and economic contexts. The discursive historiography is accompanied by an empirical one, where I analyze the growth pattern and global spread of the LGBT/Q film festival circuit. Along with the global perspective, a discussion of US-American (Frameline, NewFest, MIX NYC), German (Lesbisch Schwule Filmtage Hamburg, Verzaubert, Berlinale Teddy Award) and Austrian (identities) case studies provides further depth in understanding the evolution of the festivals and the circuit. Having drawn a broad picture of the circuit in chapter 3, I zoom in to look at a number of specific incidents of disruption and boycotts as case studies to unravel the different layers in which LGBT/Q film festivals as instances of queer film culture are performed (or failed). In this chapter I mobilize mainly perspectives of performativity and performance from ethnography and performance studies. These are put in synch with concepts such as public spheres, audience address, and event culture in three steps: selection, exhibition, and reception. Under the heading of selection, I discuss the performance of queer cinema as it becomes visible in the practices of selection of films and their programming at LGBT/Q film festivals. There I discuss various processes involved in programming, ranging from pre-selection, to screening committees, to programming strategies. Two historical incidents from the history of Frameline, the "Lesbian Riot" and the "Genderator" incident, serve as examples of how programming directly interrelates with identity negotiations. In the section on exhibition, I turn to the performative architecture of an LGBT/Q film festival by shedding light on the event itself, which follows specific scripts and rituals. In the last section on reception, I look at the corresponding side of these processes and look at the audience. Here, I discuss the formation of a counterpublic sphere, audience address, and the specific reception context of a festival. Two further festival boycotts are presented to analyze how LGBT/Q film festivals operate as queer counterpublic spheres that activists utilize for political intervention. The last section discusses the communal experience of collective viewing and the impact on the formation of a festival community. With this take on audiences, community and reception contexts, the chapter returns to the question of how LGBT/Q film festivals are an integral part of the practices of queer film culture, which was raised in the introduction. In the concluding outlook to the study I propose three further research trajectories. While the study mostly relied on conceptions of performativity and performance in the sense developed in ethnography, gender/queer theory and performance studies, another aspect of performance can be productively brought to bear on the subject of (LGBT/Q) film festivals: performance in the economic sense of efficiency and achievement.

In the past several years, the Wikimedia Movement has become more aware of the lack of representation of specific communities, that is, content gaps. Next to geographical and gender-related initiatives, the LGBT+ Wikimedia community has organized to create LGBT+ content encompassing (among other topics) biographies, events, and culture. In this paper, we present a computational approach to collecting and analyzing LGBT+ articles. We selected 14 Wikipedia language editions to study the coverage of LGBT+ content in general, its visibility in the list of Featured Articles, and its overlap with the local content of the Wikipedia language editions. Results show that a considerable part of potentially LGBT+ related content exists across Wikipedia language editions; however, this relation is not evident in each language edition. In this sense, closing the LGBT+ content gap is about creating articles and making connection to the topic visible in already existing articles. We also analyze the frequency of biographies of persons with non-heterosexual sexual orientations. We find that even though they represent only a small share of all biographies, they are a bit more frequent among the Featured Articles. When taking into account all the LGBT+ biographies of the different languages, English context celebrities are the most visible. While part of the LGBT+ content is related to each language edition's local context, it tends to be less contextualized than the entire language editions. This indicates the possibility of growing LGBT+ content in each Wikipedia language edition by representing its most immediate LGBT+ local context. We propose a dashboard tool to find relevant LGBT+ articles across language editions and start bridging the gaps. Finally, we conclude this study by presenting recommendations for the next steps amongst the Wikipedia communities to fill some of these gaps.

This paper proposes that LGBT+ mainstreaming on reality television programme Strictly Come Dancing creates space for audience demand for radical, authentic representations of same-sex desire and intimacy, both of which challenges normative representations of ballroom dancing. Integrating concepts of normativity and authenticity explored in existing scholarship, I argue against the encountering through a defensive stance, of reality TV's normalization of queer narratives to promote authentic, inclusive representation. Focusing on dance-themed British reality TV programme for family entertainment, I draw on a queer reading of 285 newspaper articles on Strictly Come Dancing's same-sex dance partnerships and 35 interviews with LGBT+ equality dancers in the United Kingdom, to conclude that active engagement with mechanisms of normalization can open up spaces for a reclamation of queer representation in its authenticity. The article makes a contribution to media and cultural studies and queer television scholarship through a troubling of anti-normativity, proposing a working with normativity to achieve queer inclusivity.