Suchergebnisse

Ancient Greece : some general considerations /Robert Sallares --I terreni sacri nel mondo greco in et àrcaica e classica /Carmine Ampolo --Ancient Greece : some general points /Michel Austin --Seleucid state and the economy /Robert van der Spek --Hellenistic economy /Daniele Foraboschi --Ptolemaic to Roman Egypt /Dominic Rathbone --Politisches system und wirtschaftliche entwicklung in der späten römischen republik /Helmuth Schneider --Comment la res publica ne pouvait pas ne pas influer sur la vie économique /Jean Andreau --Roman state intervention? /Peter Ørsted --Roman principate /Elio Lo Cascio --Governmental roles in the economy of late antiquity /Roger Bagnall --State and aristocracy in the economic evolution of the late empire /Jairus Banaji.

International audience ; The contribution analyses the transformation process of Bliesbruck – a small town in the civitas of the Mediomatrici – in Late Antiquity. Despite the vicissitudes in the years 260-280 AD, there is no break in the occupation. The urban structure was preserved until after the middle of the 4 th c. AD, but the public centre lost part of its function and one of the districts is no longer occupied. Marked transformations occurred during the third quarter of the 4 th c. The occupation is restricted to the central part dominated by the public thermal complex. Some buildings are abandoned, others transformed by timber post constructions or using materials of re-use. The occupation – which continued until the middle of the 5 th c. – is characterised by a strong artisanal activity, such as copper alloys-working from recovered metal, the important diffusion of Argonne and Eifel ceramics and the circulation of numerous coins, including a remarkable proportion of the extreme end of the 4 th and 5 th c. The discovery of finery objects and militari , some of which have "germanic" or "oriental" characters, also raises the question of a military presence and shows that the town is integrated into long-distance commercial networks and inserted into the german-danubian cultural world of Late Antiquity. ; Cet article rend compte des évolutions durant l'Antiquité tardive de Bliesbruck, petite ville de la cité des Médiomatriques. Malgré les vicissitudes des années 260-280 apr. J.-C., elle est occupée sans rupture. La structure urbaine est ainsi globalement conservée jusqu'après le milieu du IV e s., même si le centre public a perdu partiellement sa fonction et que l'un des quartiers n'est plus occupé. Des transformations marquées surviennent au cours du troisième quart du IV e s. L'agglomération se resserre alors à sa partie centrale, dominée par le complexe des thermes publics. Des bâtiments sont abandonnés, d'autres transformés par de nouvelles constructions sur poteaux de bois ou utilisant des matériaux de ...

From the XX century, archaeologists and historians have been interested by the setting of archaeological sites, the structures and the people who specialised in the production of ceramics and tiles in Gaul. There are diverse sources : ancient texts, epigraphy, iconography as well as excavations reports, and the study of ceramics objects.Data for the IV to the VI centuries has been collated and studied during the realization of this thesis over five and a half years. A database was created to define the workshops and known productions areas, as well as those which are less well known or less well dated but which were at least partly active during the period studied. The database is composed of around 2055 records.The availability of clay and wood and the proximity of a navigable water course or a network of roads are clearly decisive factors in the setting of each workshop. However there are a number of other important factors: An active network of merchants, a positive economic and political context and sometimes regional or local legislation.The traditional artisanal structures and technics used remain unchanged between the IV-VI centuries. Overall, the evolution of the economy and the consumption of ceramics leads to a reduction in the size of these structures. Also the use of certain structures becomes more frequent. The kilns and supports for the soles, and ancillary structures, which are infrequently recorded and poorly understood, are discussed in this thesis. Certain technics and styles of fabrication and decoration become increasingly common.The density and frequency of the workshops underlines their economic and political importance and the evolution of the regions over the three centuries studied. The growth or decline of the ceramic production in some areas coincides with shifts in the centres of economic and political power in Gaul. ; Depuis le XXe siècle, les archéologues et les historiens se sont intéressés à l'emplacement des sites, aux structures et aux hommes spécialisés dans la production de ...

From the XX century, archaeologists and historians have been interested by the setting of archaeological sites, the structures and the people who specialised in the production of ceramics and tiles in Gaul. There are diverse sources : ancient texts, epigraphy, iconography as well as excavations reports, and the study of ceramics objects.Data for the IV to the VI centuries has been collated and studied during the realization of this thesis over five and a half years. A database was created to define the workshops and known productions areas, as well as those which are less well known or less well dated but which were at least partly active during the period studied. The database is composed of around 2055 records.The availability of clay and wood and the proximity of a navigable water course or a network of roads are clearly decisive factors in the setting of each workshop. However there are a number of other important factors: An active network of merchants, a positive economic and political context and sometimes regional or local legislation.The traditional artisanal structures and technics used remain unchanged between the IV-VI centuries. Overall, the evolution of the economy and the consumption of ceramics leads to a reduction in the size of these structures. Also the use of certain structures becomes more frequent. The kilns and supports for the soles, and ancillary structures, which are infrequently recorded and poorly understood, are discussed in this thesis. Certain technics and styles of fabrication and decoration become increasingly common.The density and frequency of the workshops underlines their economic and political importance and the evolution of the regions over the three centuries studied. The growth or decline of the ceramic production in some areas coincides with shifts in the centres of economic and political power in Gaul. ; Depuis le XXe siècle, les archéologues et les historiens se sont intéressés à l'emplacement des sites, aux structures et aux hommes spécialisés dans la production de ...

From the XX century, archaeologists and historians have been interested by the setting of archaeological sites, the structures and the people who specialised in the production of ceramics and tiles in Gaul. There are diverse sources : ancient texts, epigraphy, iconography as well as excavations reports, and the study of ceramics objects.Data for the IV to the VI centuries has been collated and studied during the realization of this thesis over five and a half years. A database was created to define the workshops and known productions areas, as well as those which are less well known or less well dated but which were at least partly active during the period studied. The database is composed of around 2055 records.The availability of clay and wood and the proximity of a navigable water course or a network of roads are clearly decisive factors in the setting of each workshop. However there are a number of other important factors: An active network of merchants, a positive economic and political context and sometimes regional or local legislation.The traditional artisanal structures and technics used remain unchanged between the IV-VI centuries. Overall, the evolution of the economy and the consumption of ceramics leads to a reduction in the size of these structures. Also the use of certain structures becomes more frequent. The kilns and supports for the soles, and ancillary structures, which are infrequently recorded and poorly understood, are discussed in this thesis. Certain technics and styles of fabrication and decoration become increasingly common.The density and frequency of the workshops underlines their economic and political importance and the evolution of the regions over the three centuries studied. The growth or decline of the ceramic production in some areas coincides with shifts in the centres of economic and political power in Gaul. ; Depuis le XXe siècle, les archéologues et les historiens se sont intéressés à l'emplacement des sites, aux structures et aux hommes spécialisés dans la production de ...

This PhD analysing Christianism, liturgical space and decoration in protobyzantine territory of the actual Bulgaria purpose to define Christian protobyzantine art in Bulgaria. Bulgaria, which borders always kept moving during the medieval period, is a country of great interest as far as its geographic position as a crossroads is concerned. Indeed, since the Thrace era, many different ethnic groups and civilizations met and mingled with each other: Bulgaria is a convergence spot between the cultures of West and East Roman Empires on one hand, ethnic groups from the North and from the Mediterranean and Central Asian areas, located between both the Aral and the Caspian Seas, on the other.Moreover, this is such an interesting area as it is close to the imperial capital, Constantinople, and also a important christian center Salonica. Therefore, it seems useful to analyse the Byzantine power's influence over the development and progress of Christian art in these Balkan lands since the Late Antiquity to under Boris-Michel the First's reign. The point of this analysis is to initiate some serious thinking over the issue of artistic production drawn according to the multi-cultural and multi-ethnical heritage. But also to think about the great influence of an artistic, political, economical and religious spot. In the end, the analysis of the art expression cannot be clearly understood without a focus on the relationships between Christian art and the faithful people or clergy member.However, this study is mainly based on the observation of architectural art with the analysis of the design of cultural buildings, i.e. plans, spatial organizations and their evolution, but also on monumental and plastic decorative art. In this way, we wish to understand to what extent the liturgical space in Bulgaria today is a place of fusion between an official art defined by political and religious powers and an art of the faithful endowed with a technical, cultural and artistic heritage coming from the different cultures present on these ...

International audience ; Der Epitaph eines Veteranen der Legio II Augusta aus Ascros ( Dép. Alpes-Maritimes) wurde bisher falsch transkribiert und ist korrekt zu lesen epulavit pagum . Bei dem Vatersnamen des Toten, Maturius, handelt es sich um einen "falschen" Gentilnamen, der aus dem Einzelnamen Maturus gewonnen wurde. Der Veteran muβ diesen Gentilnamen und das römische Bürgerrecht während seiner Militärzeit erhalten haben. Anhand der späten Aktivform epulare , wegen desfehlenden Vornamens und aufgrund der Schriftform, die aus der actuaria und der Kursivschrift entlehnte Formen mit der klassischen Kapitalschrift vermengt (das E durchwegs aus zwei Vertikalhasten !), läβt sich die Inschrift ins 3. Jahrh. datieren. Möglicherweise stammte der Veteran aus den Seealpen und war gegen Ende seiner Tage hierher zurückgekehrt. In Ascros nahm er, nunmehr honestior und uber Geldmittel verfügend, gegenüber der ansässigen Bevölkerung eine höhere soziale Stellung ein. So muβte er für die Landesbewohner ein Bankett geben, um von ihnen angenommen zu werden. Ascros, wo er schlieβlich starb, war ein Paβort an dem wichtigen Saumpfad, der Cimiez und die Mittelmeerküste mit der Haute-Provence verband. Er steht exemplarisch fur die Bedeutung der Saumpfade und des Maultiertransports in der gesamten Mittelmeerwelt. ; The epitaph of a veteran from the Legio II Augusta discovered at Ascros (Alpes-Maritimes) has been wrongly deciphered: the words epulavit pagum must be read. The patronymic name of the deceased, Maturius, is a false gentilicium issued made from the surname Maturus. The veteran must have been given this gentilicium and Roman citizenship when he was in service in the legion. The inscription is dated to the 3 rd century from the late active form epulare , from the lack of praenomen and from the spelling combining capitals and forms coming from the actuarial and the cursive ( hastae instead of E). The veteran probably originated from the Alpes Maritimae where he came back and died. Settled at Ascros, he gained a superiority on ...

This PhD analysing Christianism, liturgical space and decoration in protobyzantine territory of the actual Bulgaria purpose to define Christian protobyzantine art in Bulgaria. Bulgaria, which borders always kept moving during the medieval period, is a country of great interest as far as its geographic position as a crossroads is concerned. Indeed, since the Thrace era, many different ethnic groups and civilizations met and mingled with each other: Bulgaria is a convergence spot between the cultures of West and East Roman Empires on one hand, ethnic groups from the North and from the Mediterranean and Central Asian areas, located between both the Aral and the Caspian Seas, on the other.Moreover, this is such an interesting area as it is close to the imperial capital, Constantinople, and also a important christian center Salonica. Therefore, it seems useful to analyse the Byzantine power's influence over the development and progress of Christian art in these Balkan lands since the Late Antiquity to under Boris-Michel the First's reign. The point of this analysis is to initiate some serious thinking over the issue of artistic production drawn according to the multi-cultural and multi-ethnical heritage. But also to think about the great influence of an artistic, political, economical and religious spot. In the end, the analysis of the art expression cannot be clearly understood without a focus on the relationships between Christian art and the faithful people or clergy member.However, this study is mainly based on the observation of architectural art with the analysis of the design of cultural buildings, i.e. plans, spatial organizations and their evolution, but also on monumental and plastic decorative art. In this way, we wish to understand to what extent the liturgical space in Bulgaria today is a place of fusion between an official art defined by political and religious powers and an art of the faithful endowed with a technical, cultural and artistic heritage coming from the different cultures present on these lands, however, by measuring its limits and the impact of its conception in the face of its proximity to a radiant and influential cultural and religious centre, what is Constantinople? The study is based in particular on a critical corpus and a database containing a large majority of Christian buildings discovered in present-day Bulgaria in order to provide a better understanding of the relationships established between architecture and object, but also on the circulation and organisation of buildings and the roles assigned to certain spaces. Archaeological sources as well as written sources are naturally the fundamental tools for this study and for understanding the mentalities, customs, liturgy and political, economic and religious contexts of these regions. In this way, we hope to bring new avenues of work in the field of research on Byzantine art and artistic productions from territories often perceived as Constantinople's "hinterlands". We also wish to bring new elements to the understanding of mentalities during the protobyzantine period, of the perception of art by the faithful and of their relations not only with the Christian religion but especially with the house of God. ; Ce doctorat a pour objectif, en étudiant le christianisme, l'art architectural et décoratif, de comprendre et d'analyser les interactions et les relations qui peuvent exister entre la liturgie, les pouvoirs étatiques et religieux, les fidèles et l'art sur le territoire de la Bulgarie actuelle. La Bulgarie, aux frontières fluctuantes durant toute la période médiévale est d'un grand intérêt par sa situation géographique de carrefour où depuis l'époque thrace se croisent et fusionnent différentes ethnies et civilisations. D'autre part, elle présente également une région intéressante pas sa proximité avec la capitale impériale, Constantinople, ou encore avec le grand centre chrétien qu'est Thessalonique. Il est donc nécessaire d'analyser dans ce sujet le poids et le rôle de cette puissance sur le développement et l'évolution de l'art chrétien produit sur ces terres balkaniques l'Antiquité Tardive jusqu'au règne de Boris Michel Ier. L'objectif est de s'interroger plus profondément sur la production artistique adoptée face à cet héritage multi-ethnique et multi-culturel, et la présence d'un pôle artistique, politique, économique et religieux à fort rayonnement. Par ailleurs, l'adoption de la religion chrétienne en tant que religion d'État en 864 conduit à nous interroger sur la naissance d'un État, avec en parallèle, cette mise en place officielle de la religion chrétienne. Cependant, cette étude repose surtout sur l'observation de l'art architectural avec l'analyse de la conception des édifices cultuels, c'est-à-dire les plans, les organisations spatiales et leurs évolutions mais également sur l'art décoratif monumental et plastique. Nous souhaitons ainsi comprendre dans quelle mesure l'espace liturgique en Bulgarie actuelle est un lieu de fusion entre un art officiel définit par les pouvoirs politiques et religieux et un art des fidèles pourvus d'un héritage technique, culturel et artistique issu des différentes cultures présentes sur ces terres, en mesurant cependant ses limites et l'impact de sa conception face à sa proximité d'un centre culturel et religieux rayonnant et influent, qu'est Constantinople ? L'étude s'appuie notamment sur un corpus critique et une base de données comprenant en grande majorité des édifices chrétiens mis au jour en Bulgarie actuelle de manière à apporter une meilleure compréhension des rapports établis entre l'architecture et l'objet, mais aussi sur la circulation et l'organisation des édifices et les rôles assignés à certains espaces. Les sources archéologiques comme les sources écrites sont naturellement les outils fondamentaux à cette étude et à la compréhension des mentalités, des mœurs, de la liturgie et des contextes politiques, économiques et religieux de ces régions. Nous espérons ainsi apporter de nouvelles pistes de travail dans le domaine de la recherche sur l'art byzantin et les productions artistiques des territoires souvent perçus comme des « hinterlands » de Constantinople. Nous souhaitons également apporter de nouveaux éléments à la compréhension des mentalités durant la période protobyzantine, de la perception de l'art par les fidèles et de leurs relations entretenues non seulement avec la religion chrétienne mais surtout avec la maison Dieu

This PhD analysing Christianism, liturgical space and decoration in protobyzantine territory of the actual Bulgaria purpose to define Christian protobyzantine art in Bulgaria. Bulgaria, which borders always kept moving during the medieval period, is a country of great interest as far as its geographic position as a crossroads is concerned. Indeed, since the Thrace era, many different ethnic groups and civilizations met and mingled with each other: Bulgaria is a convergence spot between the cultures of West and East Roman Empires on one hand, ethnic groups from the North and from the Mediterranean and Central Asian areas, located between both the Aral and the Caspian Seas, on the other.Moreover, this is such an interesting area as it is close to the imperial capital, Constantinople, and also a important christian center Salonica. Therefore, it seems useful to analyse the Byzantine power's influence over the development and progress of Christian art in these Balkan lands since the Late Antiquity to under Boris-Michel the First's reign. The point of this analysis is to initiate some serious thinking over the issue of artistic production drawn according to the multi-cultural and multi-ethnical heritage. But also to think about the great influence of an artistic, political, economical and religious spot. In the end, the analysis of the art expression cannot be clearly understood without a focus on the relationships between Christian art and the faithful people or clergy member.However, this study is mainly based on the observation of architectural art with the analysis of the design of cultural buildings, i.e. plans, spatial organizations and their evolution, but also on monumental and plastic decorative art. In this way, we wish to understand to what extent the liturgical space in Bulgaria today is a place of fusion between an official art defined by political and religious powers and an art of the faithful endowed with a technical, cultural and artistic heritage coming from the different cultures present on these lands, however, by measuring its limits and the impact of its conception in the face of its proximity to a radiant and influential cultural and religious centre, what is Constantinople? The study is based in particular on a critical corpus and a database containing a large majority of Christian buildings discovered in present-day Bulgaria in order to provide a better understanding of the relationships established between architecture and object, but also on the circulation and organisation of buildings and the roles assigned to certain spaces. Archaeological sources as well as written sources are naturally the fundamental tools for this study and for understanding the mentalities, customs, liturgy and political, economic and religious contexts of these regions. In this way, we hope to bring new avenues of work in the field of research on Byzantine art and artistic productions from territories often perceived as Constantinople's "hinterlands". We also wish to bring new elements to the understanding of mentalities during the protobyzantine period, of the perception of art by the faithful and of their relations not only with the Christian religion but especially with the house of God. ; Ce doctorat a pour objectif, en étudiant le christianisme, l'art architectural et décoratif, de comprendre et d'analyser les interactions et les relations qui peuvent exister entre la liturgie, les pouvoirs étatiques et religieux, les fidèles et l'art sur le territoire de la Bulgarie actuelle. La Bulgarie, aux frontières fluctuantes durant toute la période médiévale est d'un grand intérêt par sa situation géographique de carrefour où depuis l'époque thrace se croisent et fusionnent différentes ethnies et civilisations. D'autre part, elle présente également une région intéressante pas sa proximité avec la capitale impériale, Constantinople, ou encore avec le grand centre chrétien qu'est Thessalonique. Il est donc nécessaire d'analyser dans ce sujet le poids et le rôle de cette puissance sur le développement et l'évolution de l'art chrétien produit sur ces terres balkaniques l'Antiquité Tardive jusqu'au règne de Boris Michel Ier. L'objectif est de s'interroger plus profondément sur la production artistique adoptée face à cet héritage multi-ethnique et multi-culturel, et la présence d'un pôle artistique, politique, économique et religieux à fort rayonnement. Par ailleurs, l'adoption de la religion chrétienne en tant que religion d'État en 864 conduit à nous interroger sur la naissance d'un État, avec en parallèle, cette mise en place officielle de la religion chrétienne. Cependant, cette étude repose surtout sur l'observation de l'art architectural avec l'analyse de la conception des édifices cultuels, c'est-à-dire les plans, les organisations spatiales et leurs évolutions mais également sur l'art décoratif monumental et plastique. Nous souhaitons ainsi comprendre dans quelle mesure l'espace liturgique en Bulgarie actuelle est un lieu de fusion entre un art officiel définit par les pouvoirs politiques et religieux et un art des fidèles pourvus d'un héritage technique, culturel et artistique issu des différentes cultures présentes sur ces terres, en mesurant cependant ses limites et l'impact de sa conception face à sa proximité d'un centre culturel et religieux rayonnant et influent, qu'est Constantinople ? L'étude s'appuie notamment sur un corpus critique et une base de données comprenant en grande majorité des édifices chrétiens mis au jour en Bulgarie actuelle de manière à apporter une meilleure compréhension des rapports établis entre l'architecture et l'objet, mais aussi sur la circulation et l'organisation des édifices et les rôles assignés à certains espaces. Les sources archéologiques comme les sources écrites sont naturellement les outils fondamentaux à cette étude et à la compréhension des mentalités, des mœurs, de la liturgie et des contextes politiques, économiques et religieux de ces régions. Nous espérons ainsi apporter de nouvelles pistes de travail dans le domaine de la recherche sur l'art byzantin et les productions artistiques des territoires souvent perçus comme des « hinterlands » de Constantinople. Nous souhaitons également apporter de nouveaux éléments à la compréhension des mentalités durant la période protobyzantine, de la perception de l'art par les fidèles et de leurs relations entretenues non seulement avec la religion chrétienne mais surtout avec la maison Dieu.

From the XX century, archaeologists and historians have been interested by the setting of archaeological sites, the structures and the people who specialised in the production of ceramics and tiles in Gaul. There are diverse sources : ancient texts, epigraphy, iconography as well as excavations reports, and the study of ceramics objects. Data for the IV to the VI centuries has been collated and studied during the realization of this thesis over five and a half years. A database was created to define the workshops and known productions areas, as well as those which are less well known or less well dated but which were at least partly active during the period studied. The database is composed of around 2055 records. A synthesis on pottery and tile structures of tje Roman Empire was carried out.The availability of clay and wood and the proximity of a navigable water course or a network of roads are clearly decisive factors in the setting of each workshop. However there are a number of other important factors: An active network of merchants, a positive economic and political context and sometimes regional or local legislation.The traditional artisanal structures and technics used remain unchanged between the IV-VI centuries. Overall, the evolution of the economy and the consumption of ceramics leads to a reduction in the size of these structures. Also the use of certain structures becomes more frequent. The kilns and supports for the soles, and ancillary structures, which are infrequently recorded and poorly understood, are discussed in this thesis. Certain technics and styles of fabrication and decoration become increasingly common.The density and frequency of the workshops underlines their economic and political importance and the evolution of the regions over the three centuries studied. The growth or decline of the ceramic production in some areas coincides with shifts in the centres of economic and political power in Gaul. ; Depuis le XXe siècle, les archéologues et les historiens se sont intéressés à l'emplacement des sites, aux structures et aux hommes spécialisés dans la production de céramiques et de matériaux de construction en Gaule. Les sources sont diverses : textes anciens, épigraphie, iconographie, comptes rendus des interventions sur les structures de production et études de mobilier. L'ensemble des données pour les IVe, Ve et VIe siècles a été rassemblé au cours de ce travail de cinq ans et demi,. Une base informatique a notamment été construite pour définir les ateliers et les zones de productions avérés, incertains ou mal datés, en activité en partie ou sur toute la période étudiée (2055 notices). Par ailleurs, une synthèse sur les aménagements potiers et tuiliers pour l'époque antique a été réalisée.L'argile et le bois, ainsi que la proximité de grandes voies de communication sont des éléments décisifs pour comprendre l'installation et l'évolution de la plupart des ateliers. Néanmoins, d'autres facteurs interviennent : la présence de réseaux de négociants, la vitalité et l'évolution économique et politique de la région lors de l'implantation de l'atelier, ainsi que le statut des terrains d'installation et parfois des mesures législatives.Les structures artisanales et les techniques utilisées demeurent classiques sur les trois siècles étudiés. Toutefois, l'évolution de l'économie et de la consommation céramique entraine la diminution des dimensions des aménagements. De même, certaines structures sont désormais plus souvent utilisées, tandis que les fours, certains supports de soles, auparavant rares ou inédits, ont pu être mis en évidence. Certaines techniques de façonnage et de décoration, ainsi que des modèles de cuisson deviennent également plus courants.La densité des ateliers souligne l'importance et l'évolution politique et économique des régions au cours des siècles étudiés. La vitalité ou le déclin de l'artisanat céramique dans certaines régions coïncide ainsi avec les déplacements des points stratégiques de l'économie et du pouvoir politique en Gaule.

From the XX century, archaeologists and historians have been interested by the setting of archaeological sites, the structures and the people who specialised in the production of ceramics and tiles in Gaul. There are diverse sources : ancient texts, epigraphy, iconography as well as excavations reports, and the study of ceramics objects. Data for the IV to the VI centuries has been collated and studied during the realization of this thesis over five and a half years. A database was created to define the workshops and known productions areas, as well as those which are less well known or less well dated but which were at least partly active during the period studied. The database is composed of around 2055 records. A synthesis on pottery and tile structures of tje Roman Empire was carried out.The availability of clay and wood and the proximity of a navigable water course or a network of roads are clearly decisive factors in the setting of each workshop. However there are a number of other important factors: An active network of merchants, a positive economic and political context and sometimes regional or local legislation.The traditional artisanal structures and technics used remain unchanged between the IV-VI centuries. Overall, the evolution of the economy and the consumption of ceramics leads to a reduction in the size of these structures. Also the use of certain structures becomes more frequent. The kilns and supports for the soles, and ancillary structures, which are infrequently recorded and poorly understood, are discussed in this thesis. Certain technics and styles of fabrication and decoration become increasingly common.The density and frequency of the workshops underlines their economic and political importance and the evolution of the regions over the three centuries studied. The growth or decline of the ceramic production in some areas coincides with shifts in the centres of economic and political power in Gaul. ; Depuis le XXe siècle, les archéologues et les historiens se sont intéressés à ...

pt. 1. Bronze Age / edited by R.S. Merrillees and V. Kassianidou -- Alas(h)i(y)a (Irs) and Asiya (Isy) in ancient Egyptian sources / Kenneth A. Kitchen -- Peuples, états, et cités : enquête sur la cartographie géopolitique égyptienne / Nicolas Grimal -- The stone vases of the Philia culture from Vasilia : Cypriote, Egyptian, or other? / Robert S. Merrillees -- A contribution from Tell el-Dab'a/'Ezbet Helmi to the Cyprus connection at the turn of middle Bronze Age to late Bronze Age / Irmgard Hein -- Embracing the new : the perception of Cypriot pottery in Egypt / Linda Hulin -- "May he send me silver in very great quantities" / Vasiliki Kassianidou -- pt. 2. Iron Age / edited by V. Kassianidou -- The relations between Egypt and Cyprus from Neo-Assyrian to Achaemenid rule (7th-6th cent. B.C.) / Andreas Mehl -- The relations of Egyptian iconography and symbolism with the royal ideology of Cypriot city kingdoms / Pavlos Flourentzos -- L'Égypte, Chypre et la route de Péluse à Gaza : approche micro-régionale des politiques stratégiques des derniers souverains égyptiens et achéménides (610-332 av. J.C.) / Claire Balandier -- Divinités égyptiennes à Chypre à l'époque archaïque / Sabine Fourrier -- From Siwa to Cyprus : the assimilation of Zeus Ammon in the Cypriote pantheon / Derek B. Counts -- Le baal d'Amathonte et le bès égyptien / Isabelle Tassignon -- Representations of Cypriote scribes and carriers of written documents : a link with Egypt? / Frieda Vandenabeele -- pt. 3. Classical and later periods / edited by D. Michaelides -- Un Apollon Chypriote aux boucles "Libyques" / Antoine Hermary -- Fusion and diffusion : Isiac cults in Ptolemaic and Roman Cyprus / Aristodemos Anastasiades -- Ptolemaic art and the legitimation of power / Emilia Dina Vassiliou -- Les relations culturelles entre l'Égypte et Chypre : la céramique d'Alexandrie et de Paphos / Pascale Ballet -- Modèles alexandrins? Apport des fouilles et prospections récentes dans la nécropole occidentale d'Alexandrie à la connaissance de l'architecture funéraire hellénistique et impériale / Marie-Dominique Nenna -- Twilight of the Ptolemies : Egyptian presence on late Hellenistic Yeronisos / Joan Breton Connelly -- Sailors and artisans : the Egyptian connections of ceramic finds from Yeronisos / Jolanta Młynarczyk -- Alexandrian influences on the architecture and decoration of the Hellenistic tombs of Cyprus / Anne-Marie Guimier-Sorbets and Demetrios Michaelides -- Alexandrian elements in Cypriot burial customs of the Hellenistic and Roman periods / Danielle A. Parks -- La contribution des conteneurs commerciaux à l'histoire des échanges entre Chypre et l'Égypte de l'èpoque archaïque à l'èpoque romaine tardive / Antigone Marangou et Sylvie Marchand -- The Nile flows underground to Cyprus : the painted water-cistern at Salamis reconsidered / Helen Whitehouse.

Hillfort and population between late antiquity and high Middle Ages in the massif of the Jura mountains Thirty years of archaeology considerably enriched knowledge of late antiquity and of high Middle Ages in the field of the habitat. But all facets of occupation are not studied yet. So, Hillforts are rediscovered after the neglect into which had plunged them a factual and pessimistic historiographic reading, showy in these sites of simple punctual shelters where would have taken refuge a frightened population by «barbaric invasions». However identified by researches pioneers of the local erudite persons since the end of the XVIIIth century, this oppida, castra and castella signalled notably in the texts of Gregory de Tour, are fast abandoned and consider then as devoid of interest. Several authors however had drawn attention to this form of occupation, as Gabriel Fournier (1962) in Auvergne and Paul-Albert Février (1978) in the South of France, but these Hillforts stayed outside all big syntheses on the habitat. Except some punctual searches, it is necessary to wait for 2000s to see being born of research plans on these full themes, the one in Mediterranean (Schneider 2001), other one in Swore it (Billoin, Gandel on 2013). These Hillforts appear since then much more many than he was imagined, revealing a general phenomenon not stationed in a southern tradition. The perchement of the habitat expresses itself with force in the variety of occupations, going of modest military posts, in various fortifications linked to the defence of network viaire, where still true stuck agglomerations endowed with built surrounding wall, with church and/or with élitaires buildings of type. The transience or the stability of some of them until Carolingian period and their importance in the woof of the population constitute so many advances and innovative problems put down by these stuck establishments which return obsolete the traditional interpretative diagramme of epiphenomenon linked to insecurity. The objective of this job is ...

Hillfort and population between late antiquity and high Middle Ages in the massif of the Jura mountains Thirty years of archaeology considerably enriched knowledge of late antiquity and of high Middle Ages in the field of the habitat. But all facets of occupation are not studied yet. So, Hillforts are rediscovered after the neglect into which had plunged them a factual and pessimistic historiographic reading, showy in these sites of simple punctual shelters where would have taken refuge a frightened population by «barbaric invasions». However identified by researches pioneers of the local erudite persons since the end of the XVIIIth century, this oppida, castra and castella signalled notably in the texts of Gregory de Tour, are fast abandoned and consider then as devoid of interest. Several authors however had drawn attention to this form of occupation, as Gabriel Fournier (1962) in Auvergne and Paul-Albert Février (1978) in the South of France, but these Hillforts stayed outside all big syntheses on the habitat. Except some punctual searches, it is necessary to wait for 2000s to see being born of research plans on these full themes, the one in Mediterranean (Schneider 2001), other one in Swore it (Billoin, Gandel on 2013). These Hillforts appear since then much more many than he was imagined, revealing a general phenomenon not stationed in a southern tradition. The perchement of the habitat expresses itself with force in the variety of occupations, going of modest military posts, in various fortifications linked to the defence of network viaire, where still true stuck agglomerations endowed with built surrounding wall, with church and/or with élitaires buildings of type. The transience or the stability of some of them until Carolingian period and their importance in the woof of the population constitute so many advances and innovative problems put down by these stuck establishments which return obsolete the traditional interpretative diagramme of epiphenomenon linked to insecurity. The objective of this job is ...