O "filozofickom hispanizme." Meditacia o historicko-kulturnych zakladoch hispanskej komunity
In: Filozofia: časopis Filozofického Ústavu Slovenskej Akadémie Vied, Band 50, Heft 4, S. 211-217
ISSN: 0046-385X
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In: Filozofia: časopis Filozofického Ústavu Slovenskej Akadémie Vied, Band 50, Heft 4, S. 211-217
ISSN: 0046-385X
In: Filozofia: časopis Filozofického Ústavu Slovenskej Akadémie Vied, Band 31, Heft 6, S. 592-606
ISSN: 0046-385X
In: Medzinárodné otázky: časopis pre medzinárodné vzt'ahy, medzinárodné právo, diplomaciu, hospodárstvo a kultúru = International issues = Questions internationales, Band 8, Heft 3, S. 133-138
ISSN: 1210-1583
World Affairs Online
In: Filozofia: časopis Filozofického Ústavu Slovenskej Akadémie Vied, Band 49, Heft 4, S. 262-272
ISSN: 0046-385X
In: Filozofia: časopis Filozofického Ústavu Slovenskej Akadémie Vied, Band 56, Heft 9, S. 601-606
ISSN: 0046-385X
In: Politologicky Casopis, Band 20, Heft 3, S. 346-357
Religion in contemporary Europe has been forced out of politics but religious themes repeatedly return in European politics. The article deals with the question of how the Catholic faith, as a symbol of identification, and the political and social issues conditioned by Catholic faith influence current European policy. Sociological research has indicated a link between identification with the Church and social attitudes, and the influence of religious identification on the approach toward European integration. The key theme of the article is the analysis of religious topics at the political level and the consequences of the struggle of the cross, as well as the resulting influence on political or judicial power in European countries. Using specific examples, it is shown that some of the manifestations of the Catholic faith represent an identification symbol and that religious themes have remained strong. Adapted from the source document.
In: Politologicky Casopis, Band 20, Heft 3, S. 258-281
The paper analyzes the far right People's Party Our Slovakia (LSNS) in 2006, 2010 and 2012 Slovak parliamentary elections. The main questions that the paper seeks to answer are 1) whether and how has the party changed its main themes during the periods before elections, 2) what the party's position toward the Roma minority has been, and 3) how the thematic adaptation has affected electoral results of the party. The paper analyzes the changing position of the party toward the Roma minority in the context of three electoral periods and it links the party's electoral results with the occurrence of so-called Roma settlements in the areas, where the party gained a significant share of the vote. We found that during the 2006 elections the party mostly emphasized the need for the renaissance of the (Slovak) nation and the reflection of its roots and national historical figures. In both the 2010 and 2012 elections the party for the most part sharply criticized the Roma minority and the mainstream political parties. We argue that this change was reflected in the party's electoral gain. Since 2010 the party has changed its focus to an active campaign against Roma and electoral results of the party have improved. In 2006 LSNS gained the most votes in areas where the local appeal of its leaders emphasizing the nationalistic themes was the largest and in both 2010 and 2012 the party gained the most votes in regions with the highest occurrence of Roma settlements. We also identified all four features that according to Mudde (2000) characterize far right parties in the electoral themes emphasized by LSNS. Adapted from the source document.
In: Filozofski vestnik: FV, Band 29, Heft 1, S. 131-144
ISSN: 0353-4510
The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.
In: Mezinárodní vztahy: Czech journal of international relations, Band 48, Heft 4, S. 116-123
ISSN: 0543-7989, 0323-1844
In the current issue of international relations we bring readers an interview with Professor Peter Drulak. It follows on interviews with important figures in the field of international relations, which we published in 2010 and 2011 Petr Drulak is a researcher at the Institute of International Relations (DPE), where from 2004-2013 he worked as a director. He teaches at the Department of International Relations at the Institute of Political Studies Faculty of Social Sciences of Charles University. Monograph is the author of several textbooks including the first Czech Theories of International Relations (Drulak 2003) and political research methodology (Drulak 2008a). He published many scientific articles and chapters focusing on international relations theory, European integration and the Czech foreign policy. In his last book, Politics disinterest (Drulak 2012) is devoted crisis policy in the Czech Republic and the West. In 2000-2004 he was chief editor of International Relations, is currently a member of the editorial board. Adapted from the source document.