Suchergebnisse

Résumé, Zusammenfassung auf franz.

Cervantes, Lope de Vega, Gabriel Bocángel, Calderón de la Barca en natuurlijk Francisco de Quevedo, het is maar een greep uit de meesterdichters van wie werk in De Spaanse Gouden Eeuw in honderd sonnetten is opgenomen. Nijhoffprijswinnaar Dolf Verspoor nam van in totaal dertig bekende en minder bekende auteurs uit de Spaanse renaissance en barok herdichtingen op. Naast vele nieuwe vertalingen,waaraan Verspoor tot het eind van zijn leven heeft gewerkt, bevat de bundel zijn twee eerdere bundels sonnetten van Quevedo. Het geheel biedt een doorsnede van de poëzie van begin zestiende tot eind zeven

In the course of the second rule of Princes Miloš and Mihajlo Obrenović, i.e. during 1870-ies, ephemeral ceremonies as an artificial ritual of political propaganda underwent considerable development. Leading artistic man-power, primarily Đura Jakšić and Steva Todorović, weree engaged in their realization. Thus, Jakšić wrote a number of long panegyrics, abandoning the traditional manner of court adulation and introducing a romantic dynastic mythology of the Obrenović's, primarily associated with the Takovo riot. Todorović and his coworkers designed the ephemeral architectural scenery and pictures from the vast dynastic mythology, relying upon poetry by their literary argumentation. Known through rare sketches and numerous descriptions in daily press of the time, this simple art of ephemeral festivities had persisted to be built upon the same ideas until the beginning of the 20th century, when the exchange of dynasties entailed the introduction of different mechanisms of court propaganda and different consideration of the »utilifas picturae«. ; Za vreme druge vladavine kneza Miloša i Mihajla Obrenovića, tokom sedme decenije XIX veka, dolazi do snažnog razvitka efemernih svečanosti kao aritificiranog rituala političke propagande. U njihovom ostvarivanju se angažuju vodeće umetničke snage, pre svih Bura Jakšić i Steva Todorović. Jakšić piše brojne panegiričke poeme, kojima napušta tradicionalni manir dvorske laske i ustrojava romantičarsku mitologiju Obrenovića, primarno vezan za Takovski ustanak. Todorović, sa svojim pomoćnicima, radi nacrte za efemerne arhitektonske kulise i slika brojne dinastičke mitologije, koje se literarnom argumentacijom oslanjaju na poeziju. Poznata preko retkih skica i brojnih opisa u dnevnoj štampi, ova jednodnevna umetnost prolaznih svečanosti biće građena na istim idejnim osnovama sve do početka XX veka, kada smenom dinastija dolazi do isticanja drugačijih mehanizama dvorske propagande i drugačijeg shvatanja o utilitas picturae.