Laudatory Greeting: Welcoming New Water Policy and Practice Journal
In: New water policy & practice: NWPP, Band 1, Heft 1
ISSN: 2380-6540
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In: New water policy & practice: NWPP, Band 1, Heft 1
ISSN: 2380-6540
In: International African library, 7
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Imprint from colophon. ; Signed at end: Di Francesco Tognetti. ; Beccaria, Cesare. Discours de mr. le marquis Cesar Beccaria Bonesana, noble patricien Milanais, professeur royal de la chaire nouvellement établie par order de s.m. imperialse, pour le commerce & l'administration publique. A Lausanne : Chez Franç. Grasset & Comp., 1749. ; Mode of access: Internet. ; Bibliothèque des Fontaine, ; Burns Library copy: bound together subsequent to publication.
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Venancio Fortunato fue un vir italus, nacido cerca de Treviso (ca. 530-540), que se convirtió en un modelo de comportamiento para las élites del siglo VI. En su travesía como poeta "itinerante" por los territorios merovingios, contó con su formación retórico-literaria para relacionarse con soberanos, aristócratas, hombres y mujeres de la Iglesia.De los carmina dedicados a numerosos clérigos, analizaremos algunos compuestos a Leoncio de Bordeaux, Félix de Nantes y Gregorio de Tours, que demuestran la capacidad de Fortunato para forjar relaciones de amicitia en diversos planos políticos, a la vez que se exhiben como un "observatorio" privilegiado de la transición entre el Tardoantiguo y el Medioevo. ; Venantius Fortunatus was a vir italus, born near in Treviso (ca. 530-540 AD), who became a model of behavior for the elites of the sixth century. In his journey as an "itinerant" poet through the Merovingian territories, he counted on his rhetorical-literary training to relate with sovereigns, aristocrats, men and women of the Church.About the Carmina dedicated to numerous clerics, we will analyze some compounds to Leontius of Bordeaux, Felix of Nantes and Gregorius of Tours, they which demonstrate the ability of Fortunatus to forge amicitia' relations at various political levels, while being exhibited as an "observatory" privileged of the transition between the Late Antiquity and the Middle Ages.
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Venancio Fortunato fue un vir italus, nacido cerca de Treviso (ca. 530-540), que se convirtió en un modelo de comportamiento para las élites del siglo VI. En su travesía como poeta "itinerante" por los territorios merovingios, contó con su formación retórico-literaria para relacionarse con soberanos, aristócratas, hombres y mujeres de la Iglesia. De los carmina dedicados a numerosos clérigos, analizaremos algunos compuestos a Leoncio de Bordeaux, Félix de Nantes y Gregorio de Tours, que demuestran la capacidad de Fortunato para forjar relaciones de amicitia en diversos planos políticos, a la vez que se exhiben como un "observatorio" privilegiado de la transición entre el Tardoantiguo y el Medioevo. ; Venantius Fortunatus was a vir italus, born near in Treviso (ca. 530-540 AD), who became a model of behavior for the elites of the sixth century. In his journey as an "itinerant" poet through the Merovingian territories, he counted on his rhetorical-literary training to relate with sovereigns, aristocrats, men and women of the Church. About the Carmina dedicated to numerous clerics, we will analyze some compounds to Leontius of Bordeaux, Felix of Nantes and Gregorius of Tours, they which demonstrate the ability of Fortunatus to forge amicitia' relations at various political levels, while being exhibited as an "observatory" privileged of the transition between the Late Antiquity and the Middle Ages.
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In: Lög og bókmenntir; Ritið, Band 18, Heft 1, S. 11-37
ISSN: 2298-8513
Medieval Icelandic law contains no provisions about copyright. Authors used without hesitation narrative texts by others, but poets were paid for composing laudatory poems about kings and narrators for telling stories at their courts. The art of storytelling became a speciality of Icelanders, who were also hired to write biographies of Norwegian kings. It was considered reprehensible to use the poetry of others as one's own work. Two Norwegian poets may have got the cognomens skáldaspillir (Destroyer of poets?) and illskælda (Bad or Evil poet?) for plagiarism. An Icelandic poet composed a laudatory poem about a woman but changed it to fit another one, receiving a bitter revenge. In Icelandic sagas stanzas occur frequently and, unlike borrowings in prose, their authors are usually named. In the medieval law of Iceland it is forbidden to compose about people not only derogatory but also laudatory poetry. Conceivably it has been considered to give the author some kind of power over the person who was the subject of the poetry. Proper copyright, though, does not occur in Icelandic law until the beginning of the twentieth century.
In: Washington report on Middle East affairs, Band 27, Heft 3, S. 42-43
ISSN: 8755-4917
Profiles the career of former Indonesian President Suharto who died 27 January 2008, suggesting a reconsideration of the more laudatory elements of international eulogizing & drawing attention to his ties to Israel. Adapted from the source document.
In: Review of Policy Research, Band 2, Heft 1, S. 9-11
ISSN: 1541-1338
The editors call for rural research and policy attention. Past research efforts, while laudatory, have been fragmented and have not directed broad attention to rural problems. Public policies have lacked both support and continuity. Present conditions, in terms of population trends and economics, mean an increasing need to focus on the national importance of rural areas.
Any president of Société Geologique de France is obviously 'persona grata' among its voters. It follows that, when he dies, he can be assured of an entirely laudatory necrological leaflet. However, with the lapse of time, we have the right to slightly gratise the official image, following the example of a broadcast which currently presents a 'person to gratter' every week. (.) ; International audience ; Any president of Société Geologique de France is obviously 'persona grata' among its voters. It follows that, when he dies, he can be assured of an entirely laudatory necrological leaflet. However, with the lapse of time, we have the right to slightly gratise the official image, following the example of a broadcast which currently presents a 'person to gratter' every week. (.) ; Tout président de la Société géologique de France est évidemment "persona grata" auprès de ses électeurs. Il en résulte que, lors de son décès, il peut être assuré d'une notice nécrologique parfaitement élogieuse. Avec le recul du temps, on a cependant le droit d'égratigner légèrement l'image officielle, suivant l'exemple d'une émission radiodiffusée qui présente actuellement chaque semaine une "personne à gratter". (.)
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In: Espaces Temps, Band 37, Heft 1, S. 76-79
Numerous comments, from pubs to universities, point out in our contemporary society the reign of individualism, selfitness, every one for himself. It seems that those criticisms nostalgie of laudatory have too much undervalued the emergence of new solidarities replacing the links of traditional communities. More than by only punctual manifestations (telethlon...) the organisation of society in "network" seems to take precedence. Is it only an epiphenomenon of the crisis ? The future will tell.
In: Studies in Language & Gender
In: Studies in Language, Gender, and Sexuality Ser
Editor's Introduction. Author's Introduction. Language and Woman's Place: The Original Text with Annotations by Author. Part 1: Context. 1. Changing Places: Language and Woman's Place in Context, Mary Bucholtz. 2. "Radical Feminist" as Label, Libel, and Laudatory Chant: The Politics of Theoretical Taxonomies in Feminist Linguistics, Bonnie McElhinny. 3. Positioning Ideas and Gendered Subjects: "Women's Language" Revisited, Sally McConnell-Ginet. 4. Language and Woman's Place: Picking Up the Gauntlet, Anna Livia. Part 2: Concepts. 5. Power, Lady, and Linguistic Politeness in
In: Society of Chemical Industry
"An innovative book for an innovative topic." Charles Hampden-TurnerLike the subject matter it covers, Clusters of Creativity is innovative and original. It breaks with popular interpretations of Silicon Valley and similar regions, which range from the hyperbolically laudatory to the contemptuously dismissive, and takes a critical, objective look at the lessons that these locations provide about innovation and entrepreneurship.Readable, yet rigorous in its analyses, the book provides a practical and balanced set of perspectives on how the powers of business creativity are fostered and sustaine
In: Public administration review: PAR, Band 68, Heft 6, S. 1079-1086
ISSN: 1540-6210
No civilian government agency in the United States has received as much attention from authors as the Federal Bureau of Investigation. Much of the early writing consisted of laudatory pieces that parroted the output of the agency's extensive public relations apparatus. This was followed by a reactive era of critical literature following the Watergate scandal and the death of J. Edgar Hoover. This article surveys the key literature on this controversial agency, including both perspectives and insider memoirs, Hoover biographies, and recent scholarly works.
In: Princeton Legacy Library
In: Studies in Moral, Political, and Legal Philosophy
Aristotle noted that ""equality"" is the plea not of those who are satisfied but of those who seek change, and the word has long been invoked in the name of social reform. It retains its force because arguments for equality put arguments for inequality on the defensive. But why is ""equality"" laudatory and ""inequality"" pejorative? In this first book-length analysis of the rhetorical force of equality arguments, Peter Westen argues that they derive their persuasiveness largely from the kind of word that ""equality"" is, rather than from the values it incorporates. By focusing on ord
Henry Jenkins at Authors@Google (video). Vaudevillians used the term "the wow climax" to refer to the emotional highpoint of their acts-a final moment of peak spectacle following a gradual building of audience's emotions. Viewed by most critics as vulgar and sensationalistic, the vaudeville aesthetic was celebrated by other writers for its vitality, its liveliness, and its playfulness. The Wow Climax follows in the path of this more laudatory tradition, drawing out the range of emotions in popular culture and mapping what we might call an aesthetic of immediacy. It pulls together a s