Suchergebnisse

This volume is the first study of the influence of Roman law on the first written law of Iceland. Starting with a presentation of the legislation during the period of the Icelandic free state, Hafliði Másson is presented in detail. Through him influences from Roman law, as well as norms from the Old Testament played a part in the legal codex of Grágás. The work is thus of significance for legal history as well as for German and Byzantine studies. Hans Henning Hoff, Hamburg.

This is a comprehensive systematic comment of the Administrative Code with a thorough analysis of the case law. Tracked is the applying of the enacted in 2006 new Code of Administrative Procedure. There are solutions to problems related to the applicability of the law in the administrative and the judicial proceedings. Shown is the representative law of the Supreme Administrative Court, with a focus on the innovations, introduced by the new Act, which cause difficulties in its enforcement. There are also older cases by the Supreme Administrative Court, which have retained power and are applicable under the new conditions.

Grein sú sem hér er þýdd birtist í bandaríska tímaritinu Law and Literature á liðnu ári. Hún ber vott um vaxandi þátttöku norrænna fræðimanna á alþjóðlegu rannsóknarsviði laga og bókmennta á síðari árum en er einnig til marks um forvitnilegt og frjótt samstarf tveggja einstaklinga sem tilheyra ólíkum rannsóknarhefðum bókmenntafræði og lögfræði. Birt með leyfi höfunda og Taylor & Francis Ltd. © Cardozo School of Law.

Medieval Icelandic law contains no provisions about copyright. Authors used without hesitation narrative texts by others, but poets were paid for composing laudatory poems about kings and narrators for telling stories at their courts. The art of storytelling became a speciality of Icelanders, who were also hired to write biographies of Norwegian kings. It was considered reprehensible to use the poetry of others as one's own work. Two Norwegian poets may have got the cognomens skáldaspillir (Destroyer of poets?) and illskælda (Bad or Evil poet?) for plagiarism. An Icelandic poet composed a laudatory poem about a woman but changed it to fit another one, receiving a bitter revenge. In Icelandic sagas stanzas occur frequently and, unlike borrowings in prose, their authors are usually named. In the medieval law of Iceland it is forbidden to compose about people not only derogatory but also laudatory poetry. Conceivably it has been considered to give the author some kind of power over the person who was the subject of the poetry. Proper copyright, though, does not occur in Icelandic law until the beginning of the twentieth century.